Analysis Of Where Are You Going Where Have You Been

Where there is desire, there is hope, despair, and struggle. Joyce Carol Oates illustrates animatedly the asphyxiated struggle of desire in her short story “Where Are You Going, Where Have You Been?” The story narrates the life of a young girl, named Connie, and her fated and enigmatic confrontation with a strange man. Feeling trapped in her own home with her own family, Connie, a self-conscious and rebellious teenager, tries to figure out a way to identify herself with the world around her. Her desire of escaping the reality fuels her struggle to enter adulthood. Through the physical form of Arnold Friend, who embodies both the hope and the despair in Connie’s struggle, the author metaphorically portrays a vigorous and psychological pressure that Connie has to endure. The story is scripted to allude to the danger of identifying oneself through sexuality in young girls. To better understanding this cryptic story, it is important to follow the psychological processes and conflict of Connie’s character, which help unveil the allegorical meaning of a young girl’s rite of passage through sex.

Connie is a young, immature character, who is incredibly self-conscious about her looks, and how people view her. She has a habit of constantly looking at herself in the mirror, and is often scolded at by her mother. Her mother compares Connie to her older sister, June, who receives all the praise. Her mother favors June because she is grown up and makes contributions to the home, as Connie is just in her own realm, usually daydreaming. This creates resentment towards her mother, and Connie wishes that her mother was dead. This most likely fuels her to gain the independence that she is looking for and become the mature adult she acts like outside the home. Connie had completely different

Connie does not want to be the nice and innocent pretty girl. She wants to be known for being very sexual. In the story she makes fun of her sister June because she is very modest and not sexual and causes conflict with their family. Also June is overweight twenty-four years old and still living at home. But she also does chores and does them without complaining to her parents. While Connie is a way from home she has two totally different ways of acting. Be that as it may, Arnold friend ‘s landing in her home drives her two sides to consolidate fiercely. As it were, Connie is not completely sexual until Arnold's interruption into her home until then; her sexuality was something outside of her "actual" self, the self that she permitted her family to see. Arnold also has a friend named Ellie. While Arnold drives up to Connie’s house Ellie stays in the car and she listens to music while Arnold speaks to Connie. Also Connie’s mother shows a large amount of frustration towards her and the way she acts and dresses. Connie and her mother fight constantly. But towards the end of the story when Connie is attacked my Arnold she cries out to her

The beginning of the short story enlightens the reader into the relationship that Connie has with her mother. Connie’s mother does not agree with her admiration for herself. This is due to Connie’s mother’s own insecurities. Oates writes, “Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie” (Oates 3043). Connie was aware that her mother was jealous of the way she looked and envied her young adolescence. Her mother was nagging her daily and constantly comparing her to her sister. The constant comparison and nagging left Connie to deal with internally judging herself. Oates expresses Connie’s strong unhappiness with her mother by stating “…but around his bent head Connie’s mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over” (3043). Connie’s frustration with her mother lies deep within her internal judgments. She repeatedly obsesses over her mother’s words and desires attention from older males. Even though she does not feel as if she fits in with her sister June, there are some characteristics that she likes about her sister. One of these characteristics is that June is older. Since June is older, Connie is allowed to go out when her sister does which allows her to embrace her rebellious adolescence. She wishes she was older and battles with her internal misconception of her age. In the story, Connie is at an age where she is experimenting with her surroundings. Young girls are regularly comparing themselves to their friends and their elders. The obsession of comparison leaves Connie continuously striving to be better and to increase her attractiveness. Her misconceptions suggest to her that she needs to be more sexual. Her varying internal conflicts leave her with a void that she tries to fill otherwise.

Where Are You Going, Where Have You Been is a short story originally written by Joyce Carol Oates. It was first published in 1996 and immediately faced sufficient criticism and public discussions. This story involves both surreal myth and deep psychological realism which obviously distinguish this writing among other works of the author. In the center of the narration is a young girl named Connie. She is fifteen years old and is experiencing quite a turbulent period of her life. Her mother constantly compares her to her older sister and this factor only intensifies Connie's feeling that her mother does not understand her. In the story, the world of Connie is quite contradictory as well as her character itself. Nevertheless, it remains interesting to explore until the very last page of Oates' writing.

“where are you going, where have you been” by Joyce Carol Oates is a short story about a teenage girl named Connie. She lives a fairly normal life but then one evening she gets caught up with suspicious man who doesn’t want to leave her alone. The man who goes by the name “Arnold Friend” drives into Connie’s driveway, and after some very brief small talk he tries to coerce her into going on a date with him. the mood swiftly goes from uncomfortable to sinister.

Many people live life in a “fantasy world” and sometimes when they dream, that fantasy could end up like it is really happening. In the short story,Where Are You Going, Where Have You Been by Joyce Carol Oates there is a likely chance that Connie’s encounter was a dream. Through further analysis it is revealed that Joyce Carol Oates’ short story is merely a dream in which Connie’s odd wish is fulfilled, all of which is achieved through setting, characterization, and plot.

The story “Where Are You Going, Where Have You Been” by Joyce Carol Oates is very much different from the movie Smooth Talk directed by Joyce Chopra in many ways. The story and film were both made to relate to the real life serial killer Charles Howard Schmid Jr. and his crimes committed, while also reflecting a passage from the Old Testament that states “Whither goest thou? and whence comest thou?” (Judges, 19:17) The three ways that the story and the film are very different are, how Connie’s vainness is portrayed, the importance of the mother daughter relationship, and finally the conclusion of the storyline.

The short story “Where are you going, Where have you been” by Joyce Carol Oates was published in 1966. The story was purposely written for Bob Dylan, who’s song “It’s all over now, Baby Blue” had a great influence on the story. story Oates gives us many descriptions of the characters to give the reader a better understanding of what the character is feeling, thinking, and shows their personalities through their actions. The story also includes many signs and a great deal of symbolism. In this analysis, I will explore is Arnold friend representing an evil entity or is he simply genuinely trying to be Connie’s friend. A character by the name of Arnold Friend could potentially be a symbol of a demonic force, or even the devil.

Besides Connie’s shallow self-absorbed character which is the result of her relationship with her friends, her relationship with her family also attributes to Connie’s self-absorption and shallow attitude. She never feels she is good enough for her parents. Her mother constantly

The suspenseful short story has a theory where Connie could of been dreaming the whole thing. Through “Where Are You Going, Where Have You Been”, A short story Joyce Carol Oates writes how it could be a suspenseful dream. In the short story “Where Are You Going, Where Have You Been” Joyce Carol Oates shows that it is all a dream by use the plot, imagery , and setting throughout the story. Work on spacing by commas

The characterizations of Connie’s family members have great effects on Connie. And Connie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but

The characterizations of Connie’s family members have great effects on Connie. And onnie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but his characterization has an effect on Connie as well. The irresponsible father spends little time with family and seldom has conversations to his daughters. When hearing his wife’s complain about Connie, he just bends his head with saying nothing, which makes Connie feels ignored and lonely. Urbanski states that “The father, who spent most of his time at work, is weak” (Urbanski 200) to reveals the father is not an active figure in his daughter’s life. Therefore, lacking of the company and communication of family members, Connie becomes upset. In addition, Connie’s sister June, who has the opposite characterization, is also one of the reasons for Connie’s rebellion. In Connie’s eyes, June is a

In her sorrow for the behavior of her daughter Connie, the mother often expresses a bit more appreciation and consideration for the older sister June. She declares somewhere in the story, ‘’Why don’t you keep your room clean like your sister? How’ve you got your hair fixed-what the hell stinks? Hair spray? You don’t see your sister using that junk’’ (Henderson ). It is well-known that anything in excess is harmful, but Connie does not seem to have been aware of this. Connie’s behavior, far away from doing good to her, exposes her to her sexual predator as an easy prey.

Both the movie and the story emphasize the dramatic separation of understanding between Connie and her mother. The apparent lack of depth in Connie and her father’s relationship dims in comparison to the almost-tangible hatred Connie seems to feel toward her mother, her mother “who had been pretty once too, but now her looks were gone, and that was why she was always after Connie” (Oates 148). Despite the anger she feels, however, it is her mother that Connie cries out to for help in both versions as she sees herself forced to give into Friend’s wishes in an attempt to spare her family the evil he hints will come