Analysis Of 'White Tigers' By Maxine Hong-Kingston

In Michael Ondaatje’s In the Skin of a Lion, the play of light and shadow are reoccurring motifs that identify and relate to the general themes of remembering and forgetting. H. Porter Abbott has defined motif as “a discrete thing, image, or phrase that is repeated in a narrative”, where in contrast, a theme “is a more generalized…concept that is suggested by… motifs” (237). Abbott emphasizes that “Themes are implicit in motifs, but not the other way around” (95). In In the Skin of a Lion, Ondaatje emphasizes the class struggles endured by the immigrant workers and the internal struggles faced by the central characters. The motif of chiaroscuro, the play of light and shadow, reflects how the characters try to forget their past and personal burdens, and strive to recall joyful memories, which aides them in embracing new beginnings and creating new memories. I will argue that the motif of light relates to the theme of remembering and the motif of shadow identifies with the theme of forgetting. I will show these relationships by analyzing the imagery and context of four central scenes in which light and shadow play a significant role. Firstly, I will discuss the event of the nun falling off the unfinished bridge. Secondly, I will consider the candle-light vigil held for the deceased bridge works. Thirdly, I will discuss the working conditions of the tunnel workers in the section “Palace of Purification”, and lastly, I will analyze the concluding scene in which Patrick and Hana

These expectations increased when she was in the presence of “great power, [her] mother talking story” (20). In one particular situation, the narrator recalls her mother singing about Fa Mu Lan, the woman warrior. Although her mother expected her daughter to become a wife or a slave, the narrator had a different idea; she would “grow up a woman warrior” (20). As a young girl, she said that she “couldn’t tell where the stories left off and the dreams began” (19). This is the case in “White Tigers.” The narrator’s dream-state takes readers into the mind of a girl who attempts to please her mother and entire family by becoming a woman warrior. This is possibly an attempt to subside much of the harsh ridicule she receives from her mother due to cultural differences. Although this is a key factor in her early childhood, she learns to block out these criticisms as she grows older.

Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying

In White Tigers, the narrator describes how after learning to be a warrior, she could see everyone dancing, “Whenever I did not eat for long, as during famine or battle, I could stare at ordinary people and see their dance. When I get hungry enough, then killing and falling are dancing, too.” This revelation is preceded by a poetic description of the dance she sees in the forest, in which

In Penelope Lively’s excerpt from the novel Moon Tiger, a brother and sister search for fossils while their mother waits nearby. Competition between the siblings causes an argument to break out, and Claudia is injured. Lively uses literary techniques to dramatize the complex relationship among the three characters. The excerpt from Moon Tiger illustrates the complex relationships between siblings and a mother and her children.

Leslie Marmon Silko’s novel, Ceremony, reveals how the crossing of cultures was feared, ridiculed, and shunned in various Native American tribes. The fear of change is a common and overwhelming fear everyone faces at some point in their life. The fear of the unknown, the fear of letting go, and the fear of forgetting all play a part in why people struggle with change. In Ceremony the crossing of cultures creates “half-breeds,” usually bringing disgrace to their family’s name. In Jodi Lundgren’s discourse, “Being a Half-breed”, is about how a girl who struggles with understanding what cultural group she fits into since she is a “half-breed.” Elizabeth Evasdaughter’s essay, “Leslie Marmon Silko’s “Ceremony”: Healing Ethnic Hatred by

Racism is dislike a person, or it is a fast judgment for the way that person 's looks, and without known anything about the person, indeed, the main reason behind racism is the lack of education. Racism is a true problem, existed hundred years ago in America, in fact, Americans showed hatred against other people especially immigrants. Some citizens of the United States of America believe the racism’s issue is resolved and it is over, also they think we all live in an equal rights era, while others believe the opposite, they believe the racism is still exists but in different forms and ways. In the book “The Heart of Whiteness”, published in 2005, by Robert Jensen, who was raised in a privileged community, he expressed himself as a white person, and the feeling of living in white supremacy. In all honesty, Jensen’s book is the most honest book I had ever read, it brought up the race problem genuinely, and the difference in treatment between the white people and the African-American people, also Jensen included some of his personal stories and experience. In the book “ The Heart of Whiteness”, Jensen aimed at white people, also he cited many points on how it is like to live in white supremacy, and the feeling of mixed emotions about the past, then what is the action white people should make. Me personally thinks the main three points that i experienced with my white friends are: White privilege. Second point is the guilt feeling towards the racism, and finally, the feeling of

Maxine Kingston in “The Women Warrior” presents a traditional Chinese society that anticipates women not to decide what is best for them all by themselves. Kingston creates a woman who goes beyond this ritual culture constraint and who take up

According to the book, this woman gave birth to a baby which was a symbol of embarrassment and humiliation not only for the villagers but for all the family. Even though this baby did not have any notion of what was going on, she was still a victim of Chinese norms. This baby also became forgotten being that she was not given the opportunity to be alive. Kingston’s aunt decision of killing the baby, had to do greatly with the fact that she was girl. As the book states “it was probably a girl; there is some hope for forgiveness for boys”. Without any doubt, if the baby was given the opportunity to live she would have been mistreated and condemned all her life. She would not have had the opportunity to developed her own identity or raise her “own voice”.

As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and

What does it mean to be American? The American identity has always been a complicated discussion. It is by nature identified by diversity. Many think it has to do with the birthplace of the person and others think it has to do with their inheritance. In 2011, Amy Chua published Battle Hymn of the Tiger Mother as a memoir. Battle Hymn of the Tiger Mother presents the evolution of this American woman. The elements of Chuas evolution seemed to involve; native identity; inherited identity; resisted identity and resolved identity.

Jalapeno bagels is about a boy named Pablo whom cannot decide what to take to school for International Day. He wants to bring something from his parents’ baker. He wants something that represent his heritage but he cannot decide what to bring. His mother who is Mexican baked pan dulce and change bars. His father who is Jewish baked bagels and challah. Both of the bake good were good but while helping his parents with the bakery on Sunday morning, Pablo made a decision on what to bring. He decided to bring jalapeno bagels because they are a mixture both of his parents and just like him too. The multicultural representations in the story line is Mexican and Jewish. The pictures that were drawn in the book, the family has the same color of skin even though the parents are different cultures and the main character is mixed. There were no different skin colors.

Maxine Hong Kingston once said, “I 've been writing since I was 7, but before that, I was orally making stories. This quote expresses Kingston’s fervor for writing and storytelling outside of her short story “White Tigers from the Woman Warrior”, which emphasizes the importance of literature, which is her art, by retelling her own childhood as the “fairy tale” of the Woman Warrior, Fa Mu Lan, and connecting it back to her own life. The introductory paragraphs, coupled with the word carving scene and the concluding final paragraphs, evoke Fa Mu Lan and present Maxine’s life as analogous to Fa Mu Lan’s life story. While it is understood that they did not know each other, Maxine complicates this “relationship”, for lack of a better word, by using a first-person narrative as opposed to a third-person narrative while retelling the “fairy tale”, which in turn complicates subjectivity of Maxine, and the relationship between Maxine and Fa Mu Lan. Moreover, the words in the word carving scene in the middle of the “fairy tale” are double symbols of suffering and of perfect filiality, which is a trait common in Chinese culture. By and large, these early on passages, and each section from there on, and the word cutting scene, utilize the literary devices of point of view and central symbol to influence the audience to acknowledge Maxine 's claim that Fa Mu Lan is her model, and that she, Maxine, is fruitful in taking after her case since they both have words "at their backs."

“Paper Tigers” essay by Wesley Yang in his article he describes how Asian Americans are seen as incompetent to participate with white people in real life situations. Yang claims that the cause of this situation is that that the white people do not have personal barriers as Asian Americans have. Most individuals who peruse Yang’s essay found the information in his essay unhelpful and embarrassing. In the article, the author expressed his unhappiness regarding the perception of his face by others to his facial outlook. The author is an Asian self-critical and exclusively points to know he has wrong things according to stereotypes. In the begging of the article Yang indicates his unhappiness being an Asian American ethnicity. Moreover, he compares himself having a reptilian face. He claims “an expression that is nearly reptilian in its impassivity” (Yang 1). Everything that he says about himself is self-critiquing and self-blaming. This seems like being a very good indication of someone who has an identity crisis and how he defines his race. On the other hand, Olson has defined the race as two general groups white and black, distinct from one another only by the color of the complexion and biological differences. The purpose of this paper is to give insight on the relationship between “The end of race” by Olson and “Paper Tigers” by Yang, and how they both defined the race in their point of view. Olson suggests that biologically we are basically

Family loyalty in China has had a tumultuous past filled with fluctuation between remaining loyal to the state, yet also remaining loyal to blood relatives. In the autobiography that also serves as a biography, Wild Swans, by Jung Chang, this is seen. The book, which outlines the biographies of the author’s grandmother and mother, as well as her own autobiography, gives an interesting look into the lives of the Chinese throughout the 20th century. This book is beyond eye opening, and is truly a raw glimpse into the daily lives of women throughout China, struggling with situations that no human should ever be thrown into. I loved this book and was truly scared about the world that it opened me up to. The book does many things well, but also has its faults. The author consistently and clearly exemplifies the social hierarchy that consumes China, as well as its obsession with cultural stagnancy. The author also gives intense imagery that thrusts the reader into the scene, and creates a new reality showcasing the truths of China. Although both of those things take main stage in the book, there are a few weaknesses in the book. One, asking the question of how she had such clear anecdotes on her grandmother and mother’s life, how did she have such intimate details? The second shortcoming that Jung Chang had a subjective view of China, partly being that she loves China despite the cards it has dealt her. Her life was not short of hardships, but her family was typically