Will Grayson, Will Grayson and Community in First Person Narratives
The prevalent use of first-person narration in young adult literature can help create a connection between the narrator and the reader. However, the discourses surrounding adult writers of YA literature draws attention to a failure in the authenticity of these connections. Gail Gauthier’s “Whose Community? Where is the ‘YA’ in YA Literature?” ponders the nature of adolescents’ interaction with YA literature written by adults. Amanda Haertling Thein and Mark A. Sulzer, on the other hand, examine how first-person narratives function in “Illuminating Discourses of Youth through the Study of First Person Narration in Young Adult Literature.” The ideas in these two articles can be synthesized to examine instead how first-person narrative can foster a sense of community when adults write YA literature. I believe that Gauthier’s examination of communitas and Thein and Sulzer’s theory on first-person narrative can illuminate how Will Grayson, Will Grayson’s narrators interact in conversation with each other and the reader in its attempt to create community.
Gail Gauthier focuses on notions of community between the adolescent reader and protagonist, facilitated by the adult writer, and how this affects why and how adolescents are reading. Gauthier uses Robert Daly’s theory of communitas as this basis to describe the connection between adolescents – this is “a sense of comradeship among equals to which liminality
The friends of the narrator, however, do not hide in the imaginary world of childhood and are maturing into adolescents. Sally, “ screamed if she got her stockings muddy,” felt they were too old to “ the games” (paragraph 9). Sally stayed by the curb and talked to the boys (paragraph 10).
This novel “is a book that truly speaks to adolescents in contemporary language and with teenage characters about adolescent sexuality” (Kaplan 27). Katherine is learning about her sexuality in the novel.
Lisa Nakamura argues in her article, “Words with Friends”: Socially Networked Reading on Goodreads, that Goodreads is a successful Web 2.0 business, worth studying by literary scholars. By applying the argument Carolyn Miller makes for a successful genre, in her text, Genre as Social Action (1984), Revisited 30 Years Later (2014), one can examine why Goodreads is successful in terms of fulfilling its requirements to its public. Miller defines genre as being “a multidimensional construct”, that is a “typified rhetorical response to” an uptake of a situation, “a ‘macro’ speech act”, “a mediation between private intentions (purpose) and socially objectified needs (exigence)”, and above all she emphasizes that genre must create social action,
A young adult novel’s audience often desires relatable characters and a meaningful plot that helps them to find resolutions to their own uncertainties concerning life. Many authors employ the literary technique realism to satiate these cravings. Today, there are some popular novels that attempt to imitate this, such as the coveted The Fault in Our Stars or Divergent. These selections, while widespread in the hands of young adult readers today, will not stand the test of time in the way that The Outsiders has, written by S. E. Hinton in 1967, has. This novel, both produced by and intended for teenagers, instead is a better candidate of realistic young adult fiction. Other selections, from Hinton’s era and from today, do not radiate the same
Literature is the window to realizing the negatives of society and how destructive certain norms can be. Readers are brought into a completely different story than their own, but by using similar issues in today’s world, the readers can actually learn from the story and its overall message. All writers write for a purpose, whether it’s for a new meaning to life, to live a different life than our own, or to impact others on an emotional level by teaching them to see the importance of the little things. As a reader, you search for pieces of literature that interest you whether you find the story like your own, or wish you lived the life in the story. By using issues in today’s within their works, authors are able to grab the reader's attention long enough for them to get across what they wanted to get across. Often in many works of literature, writers use societal issues as their basis for the work’s themes and symbols. By doing so, this allows the reader to question the morality behind social norms and how impactful certain ideals can be in people’s lives.
S.E Hinton’s, “The Outsiders” and Benjamin Alire Sáenz’s ,“Aristotle and Dante Discover the Secrets of the Universe” are two young adult novels with greatly different stories yet support the same ideology. Both works focus on the lives of two teenage boys, Ponyboy, of Hinton’s novel, and Aristotle, of Sáenz’s. The story of Ponyboy takes place in the year 1969, and focuses on a huge but short period of his life. It tells about his struggle as an orphan under the care of his two older brothers and deals with gang violence, socioeconomic status, and death. Whereas, the story of Aristotle takes place during the 1980’s and covers a long period of his life and involves his experiences with his relationship with his hands-on parents, his sexual orientation, and struggling with his awkward years. There are many conceptions of what is appropriate for young readers, but these two novels defend that young people should be informed. By examining “The Outsiders” and “Aristotle and Dante Discover the Secrets of the Universe”, this ideology of communicating mature topics to these readers is supported as the characters of both novels deal with the challenges of belonging, identity, and staying true to themselves, as well as reinforce the notion that adolescents can benefit from this knowledge.
Another big point in Prose’s essay is the assignments associated with high school literature. She argues that teachers make students write around the books and not about the books they read. “No wonder students are rarely asked to consider what was actually written by these hopeless racists and sociopaths. Instead, they’re told to write around the book, or, better yet, write their own books,” (430). The assignments that teachers give these days are nto about the book or the story itself. They usually ask the student to rewrite the ending, or ask what the student would do if they were in the same situation as the character. Prose argues that high school students are seen as having the same experience as some of the characters they read about, such as Jay Gatsby in The Great Gatsby. “And is it any wonder that
In the essay, Disliking Books at an Early Age, Gerald Graff talks about his transition from being displeased and uninterested in literature, to having intellectual discussions about it and even teaching it. He did not begin to enjoy reading until he had discussions about the books that he read, which showed him a different perspective. Overall, his essay explains how readers can only enjoy literature if they turn it into a social activity by freely interpreting and discussing the pieces they have read.
Junior’s discovery of identity and place within his world is a predominant theme in the novel and one with which teens can relate; however, several other young adult characteristics and developmental issues are addressed as well. Junior and his peers are experiencing a time of rapid physical, hormonal and cognitive development as are the most likely readers of the book. Like many adolescent girls, Penelope is concerned with her body appearance and popularity. She is a bulimic attempting to keep up her “pretty and smart and popular” (108) image. Junior is concerned with appearances in a more internal way - hiding his
Haba claims that the use of second and first person pronouns builds a sense of community between Prufrock and the reader, helping Prufrock and the reader themselves realize their own “humanness” and vulnerability (54).
Jonathan Franzen’s main message is that, the young generation should spend more time in the real world instead of the world of “liking”. He wants the young readers to understand
Tyler, Anne. "Teenage Wasteland." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. 12th ed. Boston: Longman, 2012. 188-95. Print.
Psychologists usually agree that the teenage years are among the most difficult periods in one’s life. Most teens are trying to figure out who they are, what they believe, and how they fit into the world around them. Beginning in the late 1970’s, a whole genre of fiction, referred to as coming-of-age literature, emerged and serves, at least for many teens, as believable presentations of young people learning to navigate the difficulties of their lives, often fraught with feelings of rejection, seemingly unresolvable personal turmoil, social problems, school and family issues, etc. Indeed one value of reading is to see and better understand some aspect of ourselves through studying others. The reading of SPEAK, a somewhat controversial book
Craig Silveys remarkable novel Jasper Jones succeeds in its intention to address real issues facing young readers today. To a certain extent, significant life topics including the hardships adolescents face through a coming of age, the deep rooted fear of prejudice and the dark, struggle that is fear and courage are all expressed around the central protagonist Charlie and the small country town of Corrigan. In this essay I will give and insight to these issues, discussing how it involves and affects today youths.
We’re in the 21st century, and right now there is such a huge variety of contemporary literature that encourages young adults to look beyond Australian stereotypes. In this speech I will discuss why I agree with contemporary literature encouraging young readers to look beyond