Analysis Of William Carlos Williams The Dance

After giving a brief introduction to her subject, Desmond quickly begins her analysis on the piece Radha choreographed by Ruth St. Denis. She states that St. Denis was one of the mothers of modern dance in America despite how her works are not as well remembered as others including Martha Graham’s. She depicts Radha by describing the dancing quality, patterns in choreography, lighting, set, and costume in detail. Desmond also recounts the social issues that are reflected in the piece including gender roles and race. The author’s main point in writing “Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis’s Radha of 1906” was to introduce St. Denis and share her detailed analysis of St. Denis’ Radha.

William Carlos Williams' Doctor Stories tell the realities of being a physician. The physicians in the Doctor Stories tell the careful balance that many doctors face throughout their careers. From addiction to lust, to more, doctors are humans with human emotions. William Carlos Williams proves that doctors can still perform their jobs despite interesting conditions. Through the expression of characters and slight sadness expressed in his short stories, coupled with his expressive poetry, William Carlos Williams conveys the feelings a doctor has that makes them no different than other people.

In conclusion, “Dancer”, by Vikie Sears, utilizes the devices in literature to enhance the effectiveness of the story through symbolism, dialogue, and

Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown

She breaks all the images of American standard of beauty such as being physically pretty. She

The poet William Carlos Williams stands apart as one of the most influential poets of modern times. Williams' poetic voice composes a unique picture in which the reader is immersed in the poet's world of sensory perception. Williams believed that everything in our lives, no matter how simple, can be organized into poetic verse. Through Williams' rather simplistic straightforward language and observations he speaks directly to ordinary individuals. Williams' poetry utilizes objectivism to craft the poem into an object and to emphasize the action of perception. The poems, "Poem," "The Great Figure," and "Spring and All" are each representative of Williams' ability to craft language and imagery into

Amongst the judgmental stares of the audience that has bestowed an image of pathetic vulnerability upon the dancer, the poem’s speaker emerges to provide a portrait of the dancer that is much less lascivious, acknowledging that “Her voice was like the sound of blended flutes / Blown by black players upon a picnic day” (3-4). The sudden juxtaposition of a “picnic day” vis-a-vis a crowded night-club highlights the speakers attempt to remove the sexualized image of the dancer with the intent of identifying her noble power as a member of the black community. The elegance of the dancer, recognized by her soft voice, is affirmed by the speaker’s specific mention of “black players,” displaying black heritage as containing multi-faceted artistic potential. While the poem begins with a dehumanizing portrayal of the dancer, the speaker successfully reformulates the identity of the dancer into a component of a larger black tradition.

In the first section, Desmond focuses on “movement style and meaning” (pg. 31). She explains how movement is learned through our communities. In some locations, some dances may be seen as proper because that is what they learned in their community, but if performed in another community, those people may see their dance as “improper.” Desmond provides the example of how in the nineteenth century the waltz was seen as “too sexually dangerous” when introduced in North America and Europe. Their reasoning

Renowned choreographer Alonzo King is the Balanchine of a new style of dance, his style of dance, a style shying away from the expected and catapulting its audience into a state of wonderment. Alonzo King uses sharp lines intertwined with severe movements all engaging a classical technique in order to create movements, unseen to the dance world. King’s impressive résumé includes having trained with a number of world-renowned ballet companies, and setting works on an even more substantial number of companies, along with establishing his own celebrated company: Alonzo King’s LINES Ballet in San Francisco, California.

With the creation of music there comes dance along with it. This dancing brings freedom a step forward and allows for individual expression. In the 18th and 19th century we begin to see the social effect of suppression. You can only imagine what it would be like to be a slave and what the effects would have had upon your psych. A way to let it all out on top of song is dance. The dance that becomes to be really expressed how they were feeling. This was also a way to keep a part of who they are still in tack, keeping thy self close to heritage was and still is crucial. Today 's depiction of the dance that took place then is a slow step by step/twisting dance. This motion personifies a sad person. Also, the conditions were harsh and the labor was back breaking. From their heritage though, their song and dance that originated from Africa had a very different kind of vibe. African Folk music which was mainly played by drums which had an expression of energy & togetherness. The drums there could be a representation of their hearts. They enjoyed life, lived at a fast rhythm with time flying by. In America, time went slow, the work and the slavery conditions bogged everything down. With dance, they were able to keep close to what was formally

Claude McKay’s “The Harlem Dancer,” focuses on an African American woman performing in a nightclub during a period of time in the 1920’s know as the Harlem Renaissance. She faces the crisis of self-exploitation and perception while exposing her “perfect half-clothed body (line 2)” to those who “toss coins in praise (line 10)” of her dancing. One can conclude from line 14 of the poem, “I knew her self was not in that strange place,” that the dancer feels like a slave to her job in being that perhaps she is doing it against her will. She appears not mentally strong enough to stop doing it.

Dance was not a new element in the theatre realm. It had been used for years as a way of interpretation of feelings of a character that the writer or director wanted the audience to feel visually. Through movement, expression of those feelings was portrayed and helped the audience to somewhat

The poem "The Harlem Dancer" is specifically about a women who dances. This is evident from the first two lines "applauding youth laughed with young prostitutes and watched her perfect, half clothed body sway." Despite the fact that the woman is a dancer the speaker finds beauty in her. He compares her voice to "blended flutes" given her an elegant qualities that seems to contradict the environment she is in. The speaker notices the way in which she carries herself on stage, with grace and calm. Even though she's a dancer she carries her self with pride, and in a way this shines more of her beauty. In line 10 reality finally sets in for the speaker when he acknowledges the "tossed coins in praise". He had been so mesmerized by the woman's elegance

Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.

Dance is said to have existed prior to the invention of written languages, and was perhaps an essential aspect of storytelling for the passing of knowledge and information from generation to generation. And it has been, since time immemorial, a part of every culture and religion as a means of self and collective expression.