Analysis Of Wong Kar Wai 's The Mood For Love

“For Colored Girls” involves seven women who represents a different shade of the rainbow. The colors are brown, red, yellow, white, green, orange and blue. Their costumes and make-up transformed each of them and were significant of the color their character embodied. As a group their acting made all of their roles of equal importance, without one dominating the other. These women together formed a bond through their various adversities, gradually taking them from strangers to companion. From an objective view, the audience is allowed to simply observe the events as they take place chronologically. Throughout the movie during some of the conflicting and traumatic scenes, one of the women recites a poem to signify and release the emotion being felt at that time.

The camera follows the elders of the block, Da’ Mayor and Mother Sister, as they talk in her bedroom. For a rare moment in the film Da’ Mayor’s and Mother Sister’s eyes are at exactly the same level, showing that as different as the two may have seemed, they are very much the same. Then the camera slowly pulls out as the two stand and sluggishly walk down a hallway toward a window. Now, where a director would typically have to cut and setup a new shot, Lee pulls the camera straight out of the window as Mother Sister and Da’ Mayor survey the block. The audience would expect to see next exactly what Da’ Mayor and Mother Sister are looking at, but instead Lee quickly pans over in the opposite direction to reveal Mookie standing in the street bellow. By doing this Lee makes a connection that both the elders and Mookie are, in the words of Mother Sister, “still standing.” The shot is not particularly tight but still has a cramped feel due to the clutter of things in the background, the heavy shadowing, and the red tint on the lighting. The red lighting gives sense of volatility to the shot, which is contrasted by the slow camera and character movements. These slow movements are analogous to the block as, regardless of how slowly, it too will go on and life will continue. This shot is in the tradition of mise en scene advocates like Bazin in that,

The poem A Story by Li-Young Lee is the complex story of a father, son and the way their relationship changes as time goes on. The bittersweet use of symbolism and imagery makes readers feel the emotion behind the boy’s plea for a story and the father’s frustration at not being able to think of one and his fear of his son leaving him.

Perhaps, the powerful storyline of the Crouching Tiger, Hidden Dragon was what encouraged one of the greatest cinematic martial arts directors Ang Lee, to make a film out of the Chinese novel. In this film, Lee’s primary function is not only to portray skillfully choreographed fighting scenes, but also to connect powerful sequences of events that touches upon the emotional complex human condition that is associated with both the Taoist and Buddhist belief systems. By not allowing action to be the sole guiding force of the narrative of Crouching

In the short story “Yellow Woman”, Leslie Marmon Silko uses characterization and symbolism to address personal and cultural identity.

There are more than three billion people living on Earth; however, not everyone adores each other. On the other hand, if people met Bill and Bud, two main characters from The Tender Bar, they would find them charming. J.R. Moehringer wrote an emotional autobiography about himself and his devastating life, in The Tender Bar, J.R. walked into a bookstore in an unhabituated mall, and met Bill and Bud, who changes his life forever. Many youth, teens, and adults would find Bill and Bud likeable, because the pair of them are smart, optimist, and loving.

Junot Diaz, the author of “A Cheaters Guide to Love” writes his short story with many different references to anti-feminism. He writes about women in different ways to show them as powerless, and un-superior to the main character in the short story. From this short story, Diaz conveys the main characters ways when he shows the him talking about, the girl he calls to have sex with, the women at the yoga class, and the files read at the end of the story that show the fifty girls he cheated on his fiancé with. Diaz creates his main character and puts him in the second person to relate to the reader, but show his anti-feministic signs.

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

Love cannot be defined in one sentence or even a paragraph. Every human has his or her own definition of love because people usually define love based on their cultures, backgrounds, social classes, educations, and their societies. In this essay, the main point will be the different kinds of love that Carver illustrates in his story “What We Talk about When We Talk about Love.” In Carver’s story, there are some points that I can relate to my personal experience. There are a few characteristics and symbols in the story that are really important to understand in order to define what a real love is and find the intention thrown out the story. These characteristics includes, Mel, Terri and Ed and Terri’s relationship. Furthermore, symbols

While people are often able to identify when they feel the emotion love, love itself seems to defy definition.  In her polemic “Against Love”, Laura Kipnis argues that love cannot exist as traditional expressions of love such as marriage, monogamy, and mutuality.  However, in her argument, she defines love incorrectly by equating love to expressions of love. This definition lacks a component essential to understanding the abstract concept of love: emotion. Recognizing love as emotion helps us realize that, contrary to Kipnis’ argument love by nature transcends all expressions of love. Love is subjective and exists in any and all forms. In her argument that love cannot survive as conventional expressions of love, Kipnis ignores the nature of love as emotion in favor of equating love to different expressions of love. Love is a force which exists above expressions of love; a true understanding of love can only come from an assessment of how individuals, not societies, respond to the emotion.

For this essay I will be unraveling two poems to find a deeper meaning from The Norton Anthology of World Literature, Volume B. The two poems are “A Lover’s Prize” by Beatrice of Dia and “The Wound of Love” written by Heinrich von Morungen. Heinrich and Beatrice are considered to be medieval lyric poets; however, Beatrice was a medieval lyric poet from France and they are known as troubadour. Beatrice just so happened to be apart of southern France’s trobairitz which was just a tribute to some of the best troubadour of their time. She was married to the Count of Viennois, Guilhem de Poitiers but she was having an affair with another troubadour who went by the name Raimbaut d’Orange and their poetic style was quite similar. However, when it comes to Heinrich von Morungen not much is known about him. From the little we know about Heinrich, we find that, his style of writing fit into the category of Minnesang which means “songs of love”. His lyrics (that have survived) are also some of the greatest in early German history. Nonetheless, these writers have both put forth some impressive work.

One of my personal all-time-favorite movies, The Proposal¸ directed by Anne Fletcher, is a drama/romance that illustrates “two people who weren’t meant to fall in love” (Lieberman, 2009). The following movie trailer assists in outlining the storyline of the movie and how a series of unforeseen events can change animosity into romantic love.

The feature expressing style of Wong Kar Wai is indirection. Wong Kar Wai expresses indirect character’s emotion and thoughts. The main character of In the mood for love is Tony Leung, who acts Mr. Chow in this movie, Tony Leung is a famous actor as The Grandmaster (2013) directed by Wong Kar Wai. Maggie Cheung acts Mrs. Chan in the same movie for the main character. Maggie is a famous actor as HERO (2002) directed by Zhang Yimou. The story of In the mood for love is about illicit love. The set is the early 1960s Hong Kong. Chow Mo-Wan and Su Lizhen are neibour. but they realize that their companion have a love affair. Su and Chow do not have brave to face the problem and started meeting each

The main female character, Mrs. Chan appeared in qipao from beginning to the end of the film "In the mood for love". The uses of variety of color fabrics and fine fit cutting in qipao – high collar and shorter hem, makes Mrs. Chan's symmetry of the body appears more exquisite and the various colors of qipao incisively reflects the oriental feminine charm and also suggest the rich and exquisite emotional world of the character.

When it comes to Asian films, the audience can seldom avoid mentioning pure love films, one of the most outstanding film genres in East Asia, featured by delicate sentiment, touching plot and unique aestheticism. In these tear gases the viewers can easily find that pain-recovery complex does exist: unrealistic romance beyond time and space can heal the audience’s pain to some extent. The paper argues pure love in East Asian romance films in crisscross of time and space plays a significant role in relieving historical, national or individual pain through parallel narrative styles, taking Japanese pure love film Love Letter (1995), South Korean romantic film The Classic (2003) and Hong Kong nostalgia film The City of Glass (1998) for