Analysis Of Yossarian's Assault On Nurse Duckett '

Generals Die in Bed is a narrative which never spares the readers from the truth of the horrors and futility of war. The reality of the shocking and inhumane trenches hits both the readers and the soldiers with apprehension of the front line. The actions of the soldiers are under constant tension of the war, and the conditions imposed upon them clearly become the catalyst for many of their actions. The narrator has indubitably portrayed war as nothing glorious or heroic, but giving the soldiers a sense of dread and demonstrating a

The narrator’s background of education conflicts with the current situation of war that he is in. The narrator has “graduated in law from St. Petersburg University”, giving him higher ground among soldiers with not only the education he possess but also the moral capacity he has. His fellow soldiers are on the other side of the spectrum in relation to the narrator. They have endured the tragedy of war, giving them vulgar personalities that allows them to express ideas and thoughts with no filter: “go and mess up a lady . . . and you 'll have the boys patting you on the back”. These contrasting personalities and cultures has set up the narrator to get test his singular moral standings to fit in with the other soldiers. Otherwise, the narrator would have to endure embaressing behavior such as: “went over to my little trunk and tossed it out at the gate . . . [and] emitted a series of shameful noises”.

Chapter 2 sums up the war in a different fashion, showing the contrast between the uselessness of past knowledge and the “raw and emotional skills necessary” in the trenches (20). The duties imposed on the camp by Corporal Himmelstoss symbolize the hours of work and duties done before enlistment that mean nothing during the war. Being “put through every conceivable refinement of parade ground soldiering” shows how schoolbook tasks were diligently performed only for fear of how society would perceive the boys if they were to do otherwise (26). Himmelstoss himself is the embodiment of previous responsibilities that only make the men “howl with rage” at present (26). The death of Kemmerich goes hand in hand with the death of innocence, Kemmerich’s shiny boots being the small glimpse of hope that keeps the men going. Baumer receives saveloy, hot tea, and rum from Muller for salvaging the boots. In return for giving Muller a sense of hope, Baumer receives a more needed sense of comfort and satisfaction. His hunger, one “greater than comes from the belly alone” (33), is thus satisfied. Chapter 7 directly reinforces this transition from an old life into a new one. Baumer “feels an attraction” to the

Often times Catch-22 is characterized by a very loose grip on reality. The line between what is apparent and what is real is continually indistinguishable, even to readers. One aspect that contributes greatly to this effect is the distortion of justice and the military technicalities. In the military world created by Heller, what is written on paper is what is true, even if it can be defied by reality. Throughout much of the book, Yossarian is found complaining that there is a “dead man”(24) in his tent. When the concept of the dead man is first introduced, the readers are led to believe that there is an actual dead soldier sitting in Yossarian’s tent, which the military refuses to remove. However, later clarification shows that is not the case at all, but rather, after setting his luggage down, the soldier was killed in the air before he even got the chance to sign in. The grim irony of the situation is that according to the appearance based logic of the military, it is as if the man was never there at all, and his things can therefore not be processed. Another example of such distorted reality is found in McWatt’s

The comedy that Catch-22 brings is ironic in itself, think how can you get humor out of war which entails pain and suffering, that beats me how Heller does it but by whatever means used Heller creates a complete package of humor and real life occurrences which is a great fete in itself. "Though it's comic formula riddle, Heller's novel expresses the apparently inescapable human predicament." (Colmer 213)

1. Paul Baumer and his friends, as German soldiers in World War I, collectively fight any who oppose the German army. However, Corporal Himmelstoss is an enemy whose transgressions are taken far more personally by Paul and his friends. Himmelstoss often torments Paul and his comrades for the sake of doing so, as he is power-driven and tries to exert control over others whenever he can. It is never stated that the soldiers hate or even dislike the enemies that they fight daily on the battlefield; yet they disfavor Himmelstoss openly. In addition, they all begin to harbor distaste for their former teacher, Kantorek, for encouraging them to join the army. All of the men also struggle against the knowledge that

"At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage." (Ch.9, Pg. 61) Jim Conklin, Wilson, and the tattered man are not only alike in some ways, but also have differences. The purpose of this essay is to tell you the similarities between the tall soldier, the loud soldier, and the tattered man, how they are like or unlike Henry Fleming, and what roles these major characters seem to play in the novel.

In the novel All Quiet on the Western Front, author Erich Maria Remarque adopts an exemplary use of diction and emotion to describe a critical moment in the life of the protagonist, Paul Bäumer, as he ends the life of the French soldier Gérard Duval. On a “patrol… sent out to discover just how strongly the enemy position is manned” (209), Paul dives into a shell hole for refuge from the lead storm above. Trapped, an alarmed Paul is forced to stay in the hole for an extended period of time as “minute after minute trickles away” (217), all the while fearfully attempting to escape. When the enemy troops begin to attack, Paul plans what he might do in advance in the event of one of them falling in the hole and finding him. He ultimately decides to pull his knife out as self-defense. When an enemy soldier stumbles and falls on top of him, without thinking and merely responding to survival instincts, Paul stabs the soldier. In that dire scene, Remarque depicts the entire perspective of war as it evolves for both the reader and the young Paul Bäumer. It is only until Paul (who represents the entirety of the armies) discovers what he has truly done as he kills and witnesses Gérard Duval’s life slowly drain from the pool of red on his chest, realizing that everybody is a human, much like himself.

At this point in the book, Malle has succesfully introduced to the reader a controversial theme which demands a lot of thought and consideration, as we are made aware that not all German soldiers had the same principles.

8. What does the simile at the end of the first paragraph suggest about the lieutenant?

Yossarian cannot go home because his superiors require him for their own personal gain, and it makes no difference what justification they might give for making him stay. The rest of Yossarian’s squadron has a ‘false consciousness’; they are accepting of the overbearing military system, ironically calling Yossarian, “crazy”. “They’re trying to kill me,” Yossarian told him calmly. Clevinger answered. "They're trying to kill everyone". “And what difference does that

As mentioned previously, the story is told from Paul's point of view. This view of his is parallel to that of Remarque's. Remarque's characterization of paul and the other soldiers is intended to convey information and instruction to the reader. For example the way these characters are described instructs the reader in the needless suffering and loss brought on by war. The author makes a point about military leaders through one of the characters. Kropp notes about rise in rank, "As sure as they get a stripe or a star they become different men, just as though they'd swallowed concrete" (43). Kat mentions that military life brings out the worst in men, particularly the abuse of power over lesser men. This is a significant part that the author adds into the book because it illustrates a metaphor of the greater powers wanting to attack the weaker countries to gain more power; imperialism, which is one of the main causes of the war. In chapter 4, one of the most dramatic in the book,

Additionally, Heller uses the theme of appearance versus reality in instance of Clevinger’s foreshadowed death. Yossarian messes with the map during their initial plan to bomb in Bolonga to make it indicate that the city as captured and spares himself a couple days of going into battle. As Yossarian tells Clevinger after he reveals holds responsible for the prior events, who still believes in appearance versus reality, "Open your eyes, Clevinger. It doesn't make a damned bit of difference who wins the war to someone who's dead. . . . The enemy is anybody who's going to get you killed, no matter which side he's on” (Heller 122). In regards to the situation, Heller has taken an institutional truism and exaggerated it, distorted it, so that we

Catch-22, by Joseph Heller, is a fictitious novel that depicts life on an American bomber squadron on Pianosa, an island off the coast of Italy, during the closing years of World War II. A bombardier by the name of Yossarian, the main character in the story, is joined by many others to create a comic drama unlike any other. But aside from the entertainment, Heller uses Catch-22 to satirize many aspects of everyday life that consist of hypocrisy, corruption, and insanity. From the laziness of policeman to the fake happiness brought about by money, the novel is painted with a great number of points targeted against the faults of modern society. However, along with these smaller targets, a majority of the Heller’s satire in the novel is

War forces young soldiers to grow up quickly. In Stephen Crane’s Civil War novel, The Red Badge of Courage, Henry Fleming is no exception. He is faced with the hard reality of war and this forces him to readjust his romantic beliefs about war. Through the novel, the reader can trace the growth and development of Henry through these four stages: (1) romanticizing war and the heroic role each soldier plays, (2) facing the realities of war, (3) lying to himself to maintain his self-importance, and (4) realistic awareness of his abilities and place in life. Through Henry’s experiences in his path to self-discovery, he is strongly affected by events that help shape his ideology of war, death,