Analysis Of You And Me By Veronica Larsen

Generally, when innocence is thought of, the first speculation recalled to one’s mind is the thought of pureness and the idea that the specific individual is free from moral wrong. On the other end of the spectrum is the term known as guilt. Guilt is the emotional notion in which one feels that they have compromised his or her own standards in a negative way. In the novel Sarah’s Key, Sarah frequently proves to struggle with both guilt and innocence. These specific themes are put on display when Sarah realizes she is not going back home, the scenario in which Sarah boards the cattle car to the camps, and the tragic event in which Sarah takes her own life.

was the step-mother’s interest to make sure that his children were gotten rid of, for she wanted

“Seeing Ourselves” by Arthur Gottleib is an opened form poem that consists of four no rhyming quintains with the exception of the last stanza. The subject focuses on a complicated relationship between a man and a woman. In the poem, the speaker is a man who is having trouble with his love life. The theme of this poem is that one can only fight and battle so much for something they love before they meet the end and give up. The tone begins in frustration mixed with sadness, but in the end switches to hopelessness and gloom. At this point, the speaker has realized that he has been ‘fighting’ for a lost cause.

In today’s American society, lying has become something that we are accustomed to using almost every day without even realizing it. In “The Ways We Lie”, Stephanie Ericsson, screenwriter, advertising copywriter, and writer, elaborates on the act of lying and how it is used by everyone on a daily basis. She comes up with a list of the common, different kinds of lies that we all have told. Furthermore, the text goes in depth about the significance of lying and how it is an essential part of every human’s life. Ericsson’s essay effectively conveys this idea through the use of pathos, logos, ethos, personal examples, rhetorical questions, and analogies which helps the reader better understand the reasoning behind lies and how it affects our

The theme of education is strong in all the past readings and research throughout the class. Institutionalized learning versus self-learning and the fact that education through institutions can sometimes fail the individual in the sense of systematic learning compared to academic knowledge. In Never Let Me Go, by Kazuo Ishiguro, the institution of Hailsham helps shelter the clones, yet inhibits them. In Frankenstein by Mary Shelley, Creature learns languages from his neighbors. The lack of an academic system causes a form of self-teaching. While self-learning is a form of self-realization as mentioned in Walter Kirn’s article “Lost In Meritocracy” Kirn learns from his experiences, Ellison from Invisible Man learns “street smarts” similar to the clones in Never Let Me Go in which the clones are also self-taught. In Frankenstein, the Creature learns from Victor, who is a selfish man who never loves the Creature. A cultured education is stemming from a higher self of education, which is self-experience enlightenment, instead of academic institution whose instructors do not know how to convey the information correctly in the example in Never Let Me Go by Kazuo Ishiguro, the guardians not being able to teach the clones of their origins or properly educate them to be human. Consequently, producing the clones have a wrapped sense of information and education which makes them unnatural in mannerisms.

In the essay The Ways We Lie, author Stephanie Ericsson writes in depth about the different types of lies used by most people everyday. While listing examples of them, Ericsson questions her own experiences with lying and whether or not it was appropriate. By using hypothetical situations, true accounts, and personal occurrences, she highlights the moral conflicts and consequences that are a result of harmless fibs or impactful deceptions. In an essay detailing the lies told to ourselves and others, Ericsson points out one bold truth; everyone lies. Through her writing, Ericsson causes the reader to look into how they’ve lied in the past and how to effects others and the general greater good of society.

Lust is having a self-indulgent sexual desire. Susan Minot portrayed the mind of a promiscuous high school female perfectly. Lust is powerful and seductive, but it's inherently selfish and opposed to love. For many girls who are having sex with different boys they can identify with the desire to be needed. The characters in "Lust" are written in a way to highlight the dysfunction and disconnection of everyone involved. The narrator herself is nameless and faceless, making the reader believe that she has already somehow disappeared, just as the men in her life have made her disappear after having sex. Similarly, the men are listed in a brief and are identified only by their sexual acts or by other, easily objectified characteristics. What

Leaving the comforts of the first world, Jessica Alexander abandons her job, fiancé, family, and home to venture into the misleading volunteer work of Humanitarian aid. Chasing Chaos: My Decade In and Out of Humanitarian Aid by Jessica Alexander is a conglomeration of stories that are written from Jessica’s memory. “It is a true account based on [Jessica’s] best recollections of the events and [her] experiences.”.

When I was a child my parents pushed me toward physical activities such as football and other sports, while on the other hand my sister was pushed toward things like music and arts. Whenever I would hurt myself my parents would laugh it off, but they were quick to aid my sister in the event she was hurt. As most people know, women and men are treated differently in how they should act. Men cannot show their emptions, while women are expected to be emotional. Society has strict guidelines on what it means to be a man and a woman, and these guidelines can have negative effects on both genders.

Stephanie Ericsson is a writer of all sorts who pulls events from her life to use as starting points for her work. She does this to make everything she writes deeply personal. The essay, “The Ways We Lie” was originally published in the Utne Reader. The Utne Reader is a reader’s digest based out of Topeka, Kansas. It presents new and fresh ideas in art, culture, politics, and spirituality. Utne readers are people who are motivated for social change, and they want to make the world a better place. The readers want to be well rounded on current events. That is what the Utne Reader has provided its readers for over thirty years. It is a combination of reprints and original writings. The Utne Reader is published monthly online for its readers to enjoy (citation). Does the Utne Reader give credit to those whose articles they reprint? How large is the fan base for this digest? Does anyone in our school subscribe to the Utne Reader?

Just like Us by Helen Thorpe was on systematic study of four young Mexican women growing up in the suburbs of Denver, Colorado with two of the women living in the country as legal residents and the other two living as undocumented. The definition of sociology is defined as “the systematic study behavior and human groups.” (Scheuble, 2014). Thus definition and can be directly applied the Thorpe’s novel and specifically to the illegal immigrant status of the girls. Throughout her novel she explores situations and problems that occur in America specifically relating to illegal immigrants. For example Thorpe goes on to write about how Yadira was forced into purchasing a fake social security card through the black market. After Raúl Gómez

This week’s reflection is on a book titled Girls Like Us and it is authored by Rachel Lloyd. The cover also says “fighting for a world where girls not for sale”. After reading that title I had a feeling this book was going to be about girls being prostituted at a young age and after reading prologue I sadly realized I was right in my prediction.

Set in a futuristic society, a central influence on ones status and wealth in “The Semplica-Girl Diaries” by George Saunders, comes from ownership of semplica-girls; women from poor countries who agree to become human ornaments, strung by a microline installed in their temple, in order to provide money for their families. Through characterizing Eva as sensitive, and abnormal, Saunders shows that the average person doesn 't see how owning semplica-girls is morally wrong. The majority of people who can afford SG’s have them; in Eastridge, a presumably rich neighborhood, approximately 39/50 had. This number shows the normalization of owning SG’s. Eva consistently expresses her dislike saying, “I don’t like it. It’s not nice. . .If we want to help them, why can’t we just give them the money?”. The rest of her family are fascinated by the semplica-girls, and aspire to have one of their own. However, Eva sees the cruelty in displaying humans as ornaments for their own benefits, because as she suggests, if they wanted to help them they would give them money. In an attempt to defend themselves, her parents justify owning semplica-girls because the women have seen worse, are “happier”, and able to send money to their families. The fact that Eva goes against society’s beliefs, shows that she sees through the distorted justification society proposes. Her father writes that Eva “has developed tendency to set herself apart from others” and sees her sensitivity as “an

A synonym for insanity is lunacy which has its origins in becoming affected by the changes of the moon. Defining insanity is especially relevant in reading Leonora Carrington’s memoir Down Below which is an “account of the experience of being insane” (Warner). In the narrative, she recalls the events leading up to her psychotic break during the breakout of WWII and her subsequent time in a mental institution. Considering Carrington’s narrative voice, Marina Warner describes an “antimony” in the text between “rational” and “irrational” narration. Warner understands “rational” narrative to be “composed” and “accurately recalled” that is that the narrative is believable to be the truth.

While reading “Summer Night, Riverside” by Sara Teasdale, I was struck by the elegant diction Teasdale chose to portray the summer night as a peaceful, and mysterious transformation in the couple’s date. My first impression of this was in the first line “In the wild and soft summer darkness” (1). The use of the word “wild” gives the impression of an untamed, possibly chaotic place and time upon which there is no existence of regulations. This sets a carefree tone which gently foreshadows the idea that this is a free and untamed meeting of two people. The word “soft” curbs the chaotic possibility that “wild” gives, and implies that even in the untamed realm that this rendezvous takes place, it is still not without responsibility and has no potential