It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of
Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.
It’s amazing that one state can have within it places that differ greatly in all aspects—people, surrounding, weather, and feeling. Zora Neale Hurston exemplifies this phenomenon in Their Eyes Were Watching God. There are a multitude of differences between Eatonville, FL and the Everglades; each place represents a certain theme or feeling to Janie (the main character) and their differences each contribute to the meaning of the novel as a whole.
Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).
In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus
Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’
Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world
The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.
All novels contain symbolism in one shape or form, masking a deeper meaning beneath the words that are written on the page. Usually, there is an assortment of symbols disguised by a literal meaning that blend in with the scene. Symbols frequently come in the form of nature. Nature, generally being in the background of a scene, becomes more prominent when it is meant to be identified as a symbol. In Zora Neale Hurston’s Their Eyes Were Watching God, the symbolism in nature is recurrent throughout the novel. It is used to indicate turning points and track the growth of the main character, Janie’s, coming-of-age. This is portrayed through the changing of the seasons and various correspondents. In this way, it can be seen that not all events affect Janie in the same way, leading her in one direction. In Hurston’s Their Eyes Were Watching God, seasonal symbols are used to target experiences in Janie’s life and how they affect her overall development into adulthood.
Throughout the Novel Janie struggles with handling the opinions of others and allowing them to affect how she sees herself. For instance Hurston writes “some people could look at a mud puddle and see an ocean with ships. Here Nanny had taken the biggest thing God ever made, the horizon- for no matter how far a person can go the horizon is still way beyond you- and pinched it into such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her” (Hurston 89). Here Hurston demonstrates that others will always see things differently from one's perspective and Janie’s ongoing internal conflict with doing what would make her happy or doing what will satisfy those around her. However at the end of the novel Janie ultimately departs from the beliefs of others and displays self empowerment by disregarding the opinions of others over her actions. Similarly Hurston states “so she was free and the judge and everybody up there smiled with her and shook her hand. And the white women cried and stood around her like a protecting wall”(Hurston 188). This quote from the novel indicates that Janie displays self empowerment throughout the course of the novel and individual progress. This quote also shows the ideal of equality because although Janie is mixed she has always made her African
“’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.
Despite this, Hurston proclaims that she is proud to be an African American and shows enthusiasm for things that are associated with African American culture. This shows the reader an important
In the novel, Their Eyes Were Watching God, written by Zora Neale Hurston, the story opens with an intriguing extended metaphor: “Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight…” In this quote, Zora Neale Hurston describes how far off a man’s dream can be. Within the first few paragraphs, we meet our main character, Janie Crawford as she’s walking back into town. Multiple people are looking on from the porch, wondering where Janie has been.
Their Eyes Were Watching God by Zora Neale Hurston tells the story of Janie and her journey to find herself. She went through a lot meeting different people specifically men to help her understand what she really wanted in her future. Throughout her life, Janie was on a mission to chase her dreams and find her happiness by experiencing new horizons, which suggest that in order to be happy one has to push out of the comfort zone.
In Their Eyes Were Watching God by Zora Neale Hurston, Janie compares Joe to Abraham Lincoln because he freed the mule just as Abraham Lincoln freed the slaves. While comparing him to President Lincoln, she says “. . . and dat makes you lak uh king uh something” (58) and this quote shows how Joe is seen by Janie and the people of Eatonville. He is seen as a king with the power to control everyone but instead of king, his title is Mayor of Eatonville. When Joe died, Janie stated that “Dis sittin’ in de rulin’ chair is been hard on Jody” (87) and his position of power finally caused him to collapse. The chair was his throne and he was on the throne as Mayor of Eatonville.His his reign eventually came to an end and it became too much for him.