Analysis Of Zora Neale Hurston 's ' The Eyes Were Watching God ' Essay

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.

It’s amazing that one state can have within it places that differ greatly in all aspects—people, surrounding, weather, and feeling. Zora Neale Hurston exemplifies this phenomenon in Their Eyes Were Watching God. There are a multitude of differences between Eatonville, FL and the Everglades; each place represents a certain theme or feeling to Janie (the main character) and their differences each contribute to the meaning of the novel as a whole.

In Zora Neale Hurston's novel, Their Eyes Were Watching God, the reader is taken on an expedition through the life and love of Janie, which provides the reader different levels of imagery and symbolism. “Hurston… use the journey motif to structure and enhance their heroines‘quests as well as lyrical image patterns to evoke and communicate the processes of growth, regeneration and intimations of the Divine within each character.” (Sullivan 1364) Through this expedition Janie strives to achieve her principles about what love was and how she should be living her life. Hurston chose to introduce the reader to the return of Janie as the opening of the book. “Janie’s existence will become a continuous struggle to bring her own experience into harmony with her initial vision of the pear tree” (Maroto 72) Janie was not focusing on what is wrong in her single life, but what was good in it. “Now, women forget all those things they don't want to remember, and

Janie and Nanny’s views on marriage are completely different. Nanny was born during slavery and has seen firsthand the struggle of black women. She wants Janie to live a semi privileged life with a man that can provide for her. She is not concerned with age or love. “De black woman is de mule of de world as far as Ah can see” (Hurston; 1.14). Janie is young and in love with the idea of love and marriage. She has lived a privileged life with minimal worries and does not understand the importance of a man in her life. “Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day? (page 21) After her three marriages, Janie believes that love is more important than a big house and

Zora Neale Hurston’s novel Their Eyes Were Watching God recounts the life and loves of a bi-racial woman in the racially charged South during the 1900s. After the death of her third husband, Janie returns to Eatonville amid judgment and gossip, prompting her to share her life’s lessons with dear friend Phoeby. As Hurston’s protagonist relives her turbulent loves, she embarks of a journey of self-discovery, her voice transforming from suppressed to empowered over the course of her marriages.

The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.

All novels contain symbolism in one shape or form, masking a deeper meaning beneath the words that are written on the page. Usually, there is an assortment of symbols disguised by a literal meaning that blend in with the scene. Symbols frequently come in the form of nature. Nature, generally being in the background of a scene, becomes more prominent when it is meant to be identified as a symbol. In Zora Neale Hurston’s Their Eyes Were Watching God, the symbolism in nature is recurrent throughout the novel. It is used to indicate turning points and track the growth of the main character, Janie’s, coming-of-age. This is portrayed through the changing of the seasons and various correspondents. In this way, it can be seen that not all events affect Janie in the same way, leading her in one direction. In Hurston’s Their Eyes Were Watching God, seasonal symbols are used to target experiences in Janie’s life and how they affect her overall development into adulthood.

In Zora Neale Hurston’s Their Eyes Were Watching God, describe the various experiences Janie Crawford had with her marriages. However, this book is not about searching for the right men, but for finding herself and be independent. On her second marriage to Joe Starks, who is distrustful and possessive, doesn’t bear to see other men touch or contemplate Janie’s hair. This relationship demonstrates the domination of man because Joe controls Janie, from behaving as the Mayor’s wife to using a kerchief. Janie is a submissive woman, but as soon she finds the opportunity she confronts her husband. Therefore, the action of taking out the kerchief was symbolic because she reveals herself to the society and by letting her hair down she showed her freedom and beauty.

During the 1930s there was a time period known as the Harlem Renaissance, during this time African Americans sought a newfound cultural freedom and advancements in social classes. In the novel, Their Eyes Are Watching God, Zora Neale Hurston portrays both similarities and departures from the ideals of the Harlem Renaissance. Hurston uses the main character Janie to illustrate these ideals such as the struggle to find oneself and fight against the opinions of others. In addition Hurston also depicts issues and similarities like African Americans who achieved high social classes and discriminated those below them, racial segregation, but also a new found African American confidence. She also demonstrates departures from the Harlem Renaissance

In Zora Neale Hurston’s novel, Their eyes were watching God the main character Janie is on a quest for self-fulfillment. Of Janie’s three marriages, Logan and Joe provide her with a sense of security and status. However, only her union with Teacake flourishes into true love.

In the novel, Their Eyes Were Watching God, by Zora Neale Hurston, a young woman travels through difficult life experiences in order to find herself. Hurston portrays the protagonist as an adventurous soul trapped in the binds of suppressing marriages. Janie experiences three different types of marriage learning from each one what she values most. From these marriages she learned she values love and respect, finally achieving them in her last marriage. Each new marriage brought something new to the table for Janie and no matter the situation or the outcome of the relationship Janie grew into her own independent individual because of it.

Three women. Two out of the three were slaves for several decades and was able to obtain their freedom before the Civil War. The third woman, however, was never a slave since they were around after the Civil War. First, Sojourner Truth was born into slavery, later leaving her master in 1926 before she was legally emancipated in 1927 by the law of New York (Gates 245). Truth was also a Civil Rights and Women’s Rights activist (Gates 245). Next, Elizabeth Keckley, who was also born into slavery and stayed enslaved for over 30 years (Gates 365). After she had legally bought her and her son’s freedom, Keckley had established herself as a dressmaker and provide service to political figures, such as Abraham Lincoln and Jefferson Davis (Gates 365). Lastly, is the author, Zora Neale Hurston, who had written Their Eyes Were Watching God and Mules and Men (Gates 1019). In Hurston’s novel, Their Eyes Were Watching God, the protagonist, Janie Crawford, undergoes a journey of self-discovery while overcoming obstacles. Truth was fighting for equal rights for women, while in Keckley’s text, she informs people of her years as a slave, the purchasing of her freedom, and her time at the White House. Therefore, between Truth and Janie there is an overlapping attitude of gender differences amongst men and women which can cause male dominance, whereas with Janie and Keckley, the overlap occurs in their struggle for freedom and the experience of being married then leaving one’s spouse.

     “’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.

Love is different for each and every person. For some, it comes easy and happens early in life. For others, such as Janie in Their Eyes Were Watching God by Zora Neale Hurston, it happened much later in life after two unsuccessful marriages. Janie’s grandmother, Nanny raised Janie to be attracted to financial security and physical protection instead of seeking love. Nanny continually emphasized that love was something that was bound to happen after those needs were met; even though Nanny never married. Janie formulates her ideal of love while sitting under a pear tree as a teenager; one that fulfilled her intellectually, emotionally, spiritually and physically. She was then informed that she was to have an arranged marriage to an older