Analysis Of Zora Neale Hurston's Sweat

From the very beginning, the reader notices the psychological and verbal abuse that Sykes puts on Delia. It was a Sunday and Delia decided to get ahead on her work for the week by separating piles of clothes by color. Fear then came

“A battered woman can only endure, and only God can save her - if God will”(Carter 616). In “Sweat”, by Zora Neale Hurston, Delia, the main character, is trapped in an abusive relationship. No one in the town is willing to help Delia get out of her relationship. Delia has had to become a source of strength for herself, but if she wants to be saved, she will need God’s help. Delia faces many struggles and through it all tries to remain a woman of God. Eventually, she becomes an example of the Passion of Christ by suffering and triumphing over her hardships (Banks 3). Delia is a strong Christian woman, and there are many Biblical references throughout the story. In fact, Christian symbolism can be seen throughout Zora Neale

Missie May was slowly regaining the position she once held in the relationship. In "Sweat," the power dynamics started off a bit differently. Sykes seem to have all the power in the household, as he did come and go as he pleased and beat Delia considerably. Hurston begins "Sweat" by illustrating Sykes' dominance over Delia. Delia is in a submissive position on her knees while Sykes is towering over with a whip. Delia is frightened because she believes the whip to be a snake. The whip is described as "something long, round, limp, and black"(Sweat 1491) which creates the illusion of a penis. Delia's feeling for the one-eyed snake, the whip, equates to her sexual desires to Sykes. But throughout the story, time and time again, Delia attempts to grasp some power. When her house becomes threatened, she stands up to Sykes. This is such a surprise to him that he doesn't beat her as he usually would, he instead leaves. The story does leave one wondering how much power Sykes really has in the town. He parades around town with his mistress. He beats on his wife and tries to woo every woman he sees. These are all points brought up by the townspeople themselves as they complain about him. They even talk about killing the man, but they continur to remain at a distance and watch everything he does. Can one really argue that Sykes isn't powerful in a town that allows him to do whatever he wants? But this power is, indeed,

With rage and anger towards her husband, Delia states, “That ole snaggle-tooth black woman you runnin’ with ain’t comin’ heah to pile up on mah sweat and blood. You ain’t paid for nothin’ on this place, and Ah’m gointer stay right heah till Ah’m toted out foot foremost.” (Hurston 680). Her home is all Delia has. She worked hard for years and years to build and maintain the house she loves, and the last thing she will ever allow to happen is for someone to take that away from her.

The main character in Zora Neale Hurston’s “Sweat” is a black woman who resides in the South that clutches on to her belief in God to help her get through the suffering that she endures from her abusive and adulterous husband, Sykes. “Sweat” is full of religious symbolism that demonstrates that Hurston was using the theme of good vs. evil in the short story.

Delia represents the good in the story. She remains calm, level-headed, and spiritually in tune despite her husband‘s determination to make her miserable. Once a "right pretty li'l trick," Delia is now worn and dried out like sugar cane that's been chewed to no end (“Sweat” 43). However her soul remains strong as she turns to her spirituality for comfort and hope. She has smarts although uneducated and the fact that she built her own house and now supports her and her husband by washing white

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

Delia was physically abused many times by her husband, Sykes. He was also mentally and verbally abusive to her by calling her names and constantly teasing her. This can be seen when he pretends to scare Delia with a snake, and then calls her names for being scared. In Zora’s life, this is seen where she also grew up as an abused child from her father. Her father did not like her very much because her sassy attitude. He said that she “was too spirited and too mouthy for her own good” which hurt her feelings and made her very aware that she was not his favorite child in the family (Boyd 27). Her father would also physically abuse her by threatening and spanking her as a child. In the story, Sykes represents Zora’s father because they were both abusive towards women. Zora included this detail in her story to explain her life as a child. The story is put in the perspective of a grown woman who had been abused, but how she would feel the same pain a child would feel who had been abused. No matter the person’s age, anyone

Zora Neale Hurston is a remarkable author who reflects her life in most of her novels, short stories, and her essays. She was a writer during the Harlem Renaissance, also known as “the new negro movement”, however; her writings were not given proper recognition at first because they were not of the “norm” for that time period. All of the authors during the Harlem Renaissance were expected to write about race with a political mind set. Hurston was tired of seeing the same writings just different authors so her literary works were very different and were meant to stand out (Trudell). Among all of her abstracts, Sweat was a story of determination and oppression, with religion and strength as the backbone of

Although this angers Delia to hear, she simply reminds Sykes that she spends all of her time supporting them, and has done nothing but work, sweat, and pray for the fifteen years that she had been married to him. Delia eventually tells Sykes “Dat’s de reason Ah got mah letter from de church an’ moved mah membership to tuh Woodbridge – so Ah don’t haftuh take no sacrament wid yuh” (Hurston 569). Before she falls asleep that night, she reflects on the events of the evening, and finds some peace through her faith that Sykes would eventually get what is coming to him when she says aloud “Oh well, whatever goes over the Devil’s back, is got to come under his belly” (Hurston 565). It is also important to note that rather than give Sykes exactly what he has coming to him, Delia’s beliefs, both moral and religious, prevent her from taking action because she trusts that eventually God will take care of Sykes for the wrong he has done. We can see a bit of foreshadowing as to the fate of Sykes in the story when he assures everyone he is a snake charmer and can charm the deadly diamondback and says “Ah’m a snake charmer an’ knows how to handle ‘em. Shux, dat ain’t nothin’” (Hurston 568).

The literary element of Marxist feminism focuses on the idea in which women are oppressed through capitalism and private property. Starting from the Harlem Renaissance the Hurston’s work focuses on issues presenting on the turmoil of African-Americans from American literature in the nineteenth century on. Zora Neal Hurston’s work entitled “Sweat” is a prime example of how culture is affected by its cultures standards of economic “base”. The story was published in 1926 during a time of trial and error considering the obstacles that faced many female authors at the time. Hurston’s story “Sweat” overlaps with her novel “Their Eyes are Watching God” which also supports the idea that culture

First, Delia had to stand up to her husband by expressing her true feelings to him and to show that she was no longer afraid to stand up for herself, “she seized the iron skillet from the stove and struck a defensive pose, which act surprised him greatly, coming from her. It cowed his and he did not strike her as he usually did.” (Hurston 350). I believe that the snake represented her fear and her feeling of helplessness. But rather than letting it consume her, she let it, literally, consume her husband. Despite a rather gruesome ending, the story ends in a place of empowerment and the character is now in control of her own

Through external conflict exhibited by three significant occasions with the antagonist and husband, Sykes Jones, Zora Neale Hurston takes her leading character, Delia Jones, through an internal change from a submissive character to an aggressive and defensive character in her short story, "Sweat." When the story opens, one finds Delia Jones on a Sunday evening washing clothes, as was her profession, and humming a tune, wondering where her husband had gone with her horse and carriage. Little did she know that within the week she would stand against her abusive husband and watch him die of the situation he would create.

In “Sweat”, Hurston’s use of Sykes’s evil qualities illustrates the actions and the personality of the character Sykes. For example, Sykes has kicked the clothes around the ground because Delia refuses to stop cleaning white men’s clothes and kept working. Hurston’s description of how Sykes is threatening Delia as “Next time, Ah’m gointer kick’em outdoor!,” foregrounding his intimidation (Hurston 517). Snakes were known for being demanding to get what they want and Sykes used a ruthless tactic to hope that Delia would do what he wanted. Also, another illustration of his wicked qualities is shown when Merchant talks to the village men about Sykes seducing his wife with a basket of pecans. The description is described as “He's allus been crazy 'bout fat women, put in Merchant. He'd a' been tied up wid one long time ago if he could a' found one tub have him. Did Ah tell yuh 'bout him come sidlin' roun' mah wife-bringin' her a basket uh pee-cans outa his yard fuh a present? Yessir, mah wife! She tol' him tub take 'em right straight back home, cause Delia works so hard ovah dat washtub she reckon everything on de place taste lak sweat an' soapsuds. Ah jus' wisht Ah'd a' caught 'im 'roun' dere! Ah'd a' made his hips ketch on fiah down dat shell road,” emphasizes this fact (Hurston 519). The author makes use of Sykes’s womanizing ways to show that he tries to win the affection of Merchant’s wife instead of taking the pecans to Delia. His relationship is indifferent when it comes to romance toward Delia, which often

In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.