Analysis Paper : Paul Cezanne

Most of the lines in this painting are hard lines that are created by the different edges of color and different shapes touching each other. These shapes are all free form and organic, they help create an illusion of wind, water, and clouds. Without these organic shapes, it would not feel as though it was a stormy day on the lake and the wind and water were traveling across the painting. All of these shapes are positive shapes and nothing really seems

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

This work embodies the period style because it contains avant-garde geometric shapes to define the forms, colors, and interpretations that were important to the Post-Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist in the work. The shapes tend to be simplified shapes, which demonstrates that Cezanne wanted things to appear as if they could be broken down. Cezanne utilizes an array of geometric

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

The art work has great use of line an obvious example is the stars as they connect to one another. Also the man he is made up of lots of different lines. I don’t see any form in this painting. There are lots of shapes the mans body is made up of several different shapes. The work of art appears somewhat serious as a result of the dim hues and rakish appearance of the man. The colors used in this painting are different value of blue and brown and also black, white. The art work shows mass by the mans legs in comparison to the rest of the

In 1908, Henri Cartier-Bresson was conceived on August 22nd in Chanteloup, Seine-et-Marne and instructed at the Lycée Condorcet, Paris. In 1926, he considered painting under Andre Lhote. Takes his initially photos. 1931: Finds a photo by Martin Munkacsi in expressions of the human experience magazine Expressions et Metiers Graphiques and chooses to concentrate on photography. In 1935, Shows with Manuel Alvarez Bravo at the Palacio de Bellas Artes, Mexico and after one month at the Julien Impose Exhibition with Walker Evans and Manuel Alvarez-Bravo. 1936: Acts as second aide to Jean Renoir on Une partie de campagne (A Day in the Nation) and La strive est a nous. In 1937, He coordinates two documentaries: Victoire de la strive (Come back to Life) on the medicinal care of Republican Spain and With the Abraham Lincoln Unit, on the American soldier's' life amid the Second World War. 1944: Takes a progression of photographic representations of essayists and craftsmen for Versions Braun (Henri Matisse, Pablo Picasso,

Vincent van Gogh was an incredible painter who was a part of the post-impressionism movement of art. Many believe his artwork and style shaped 20th-century art and many artists incorporated his painting style. Van Gogh is often regarded as on of the fathers of post-expressionism. Sadly, critics only appreciated his work after his death, by a self-inflicted gunshot, in 1880.

Henri Cartier-Bresson was a French photographer who developed the genre of candid photography. In his early life, he was introduced to cameras such that a Box Brownie and a view camera. As a young boy, he was very much interested in the arts. He took up the hobby of oil painting, music, and sketching. However, he later abandoned those ideas and developed a new found interest in photography. He also took part in the sport of hunting. Ironically, hunting was the indirect reason he began photography. In 1929, he was held house arrest because he had been found hunting without a license. Harry Crosby, an American evacuee, got Henri out of house arrest and brought him to his custody. Henri also received his very first camera from Harry. They took

In Saint-Germain-en-Laye, France, Claude Debussy was born on August 22, 1862. By the time he was nine, Debussy became skilled at playing the piano. Debussy was encouraged to enter the Paris Conservatory in 1873. At this conservatory, he studied the piano and its structure. In 1884, with his cantata The Prodigal Child, Debussy won the Grand Prix de Rome. Debussy’s childhood was filled with many troubling situations. It was quite a bumpy ride. He was faced with problems, both substantial and emotional. He lived with his parents in the suburbs of Paris. They struggled living in poverty. Unpredictably, Nadezhda Filaretovna von Meck, a Russian millionaire, took Debussy under her patronage. Throughout Europe, she and Debussy traveled to grand residences,

Art has been part of our society since humanity existed. For countless years’ people been creating, observing, criticizing and appreciating art. Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in the morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting,

I agree with your post. The Seurat painting is intriguing because of the way he puts many different colors together to form one color. Even with all those colors the painting does look well defined. The Cezanne painting is different in in this regard. Like you mention the painting doesn't look that realistic. One of the reason it looks unrealistic is because of Cezanne's color patches that he used to form sphere, cylinder and cones. This part of the reason the heads of the men are a weird shape. This shapes give the painting an awkward and unrealistic

The pattern which is obviously noticeable, Using vertical lines It help give this painting the anticipation to convey a message or meaning, seeing as if the two worlds transcend with each other. The cast shadow on the women's faces, allows you to see the different tonal ranges and value of it. Also, Which helps you see the faces become more defined: showing 3-dimensionality to

Even without understanding the subject matter of the piece, there is still sense of mysticality present in the way that the lines merge and take shape. This plays into why Les Cosmogones (1944) is one of Paalen’s most famous piece because no matter what a person’s previous knowledge is, they are still able to experience just how much of an effect a painting can have on someone’s emotions, which in all actuality is the true purpose of