Analysis: Reestablish The Eleo Pomare Dance Company

The stage travels, and outbursts, many swirling, dazzling colors, followed by a stampede of footwork accompanying the sound of the mariachi. Envision it. Mesmerizing isn't it?

The prestigious dance company located on the Manly Wharf, Walsh Bay supports a great following and appreciation of dance. Since 1985 the company has called The Wharf in Sydney’s Walsh Bay home. Being minutes from the city’s iconic Bridge and Opera House it gains a lot of attention by new comers to the city. Its studios can hold the most attending dance students in Australia, with nearly 80,000 attendances annually. An opportunity with a pre-professional course in dance was offered to dancers of the company during 2014. This would offer students the likelihood to gain experience with a number of Australia’s most well-known choreographers.

The Repertory Dance Company Fall Dance Concert was held at the Mannoni Performing Arts Center. The dancers involved in this dance concert are part of the University of Southern Mississippi Dance Department meaning they are either pursuing a degree in dance or teach dance at a university level. Both students and faculty had the opportunity to present work during adjudication to be chosen to be presented at this concert. I particularly enjoyed this concert because, while all of the dances presented were a part of the broad genre of modern dance, each dance had such a unique aesthetic so the concert still provided a great amount of variety to keep the audience captivated. The two pieces I have chosen to review represent this variety very

Since I was a little girl I’ve always been part of something. But none of the activities I did really filled me. I became part of a dance academy when I was 13 years old, and it was because my sister wanted to learn to dance for her Quinceañera. It’s kind of ironic how something that would be very important to me started so simple. But I guess that’s just how the best things in life happens.

The music played a large role in determining the style of the pieces in the show by Koresh Dance Company. It set the theme and mood for the dances. Also, the choreography was dependent on the beats and variations in the music. This basis added to the themes of the dances as well.

The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until

To prove everyone wrong, an interest was sparked in supporting ballet to show the world that American artists are just as competence as its foreign competitors. Unlike the Russians who have already established their mark in the ballet world, Americans were not commonly associated as talented ballet dancers. Thus, in 1954, President Dwight Eisenhower set aside $2,250,00 to fund dance, theatre, music, and sports tours to showcase American talents around the world. One of the funded dance tours was a ballet tour by New York City Ballet’s in Western Europe and the Soviet Union in 1962 (Croft, p. 425). New York City Ballet was a company founded by Balanchine and Kristen so their ballet performances reflected the innovation style of American ballet while maintaining its classical grace. Before their tour in the Soviet Union, the dancers were prepared for criticism and even booing during the performance due to the tensions between the two countries. However, all political differences were pushed aside, as “three thousand Soviet ballet fans rose to their feet to celebrate

Modern dance was created as a rebellion against the prevalent dance forms of the time, ballet and Vaudeville. It is a form of theatrical dance, known for its continual fusion of non-western style and ideas, which allows for a fresh source of movement inspiration. Choreographers rejected what they classified as the inflexible and imperialistic nature of ballet, and in order to be taken seriously as artists rather than simple entertainers they created a new art form. Artists Loie Fuller, Isadora Duncan, and Ruth St. Denis are considered to be the pioneers of modern dance in America. Dance is a social institution, recognized as being an important function in civilized life. The following essay will focus on the theory and work of artist Isadora Duncan, while incorporating lecture notes and articles of both authors Sally Bane and Ann Daly to explain the historical situations that culminated in the development of early modern dance. Arising from the 20th century modern dance was a form of cultural collaboration and exploration, as well as a resistance to colonial repression. Modern dance allowed for the experimentation of the new as well as a freer form of dance movement. Choreographers drew on exotic sources, and example of this illustrated in the work of Isadora Duncan with her use of Greek culture as a movement inspiration. Artists act as both the choreographer and performer creating their own conventions, or dance language.

On Saturday, March 28, 2015 at 8pm, I took a trip to the Public Playhouse located in Cheverly, Maryland to witness the “World Dance Showcase”. The “World Dance Showcase” was comprised of six different dances. However, I decided to focus solely on the dance titled “Night in an English Village Pub” that was performed by Charm City Rapper Sword Dancers. This dance was performed by Sindee Ernst, Miriam Hack, Jack Hemler, Rhonda Keilholtz, Kappy Laning, Megan Philippi, Laura Robertson, Joe Shelby, Alexandra Sjaardo, and Jerry Stein and accompanied by traditional tunes that were played by Cyd Shelby. The movements stemmed from traditional figures by Laura Robertson and clogging steps by Anna Marley. The Charm City Rapper Sword Dancers are stationed in Baltimore, MD but are based on a ritual English dance company. The swords that they employ in their dance were derived from a coal-mining instrument. In total, there were ten performers all of which who were White Americans, mainly woman, and above the age of 40.

Dance has always been a part of my life, and it was always fun to look back at old pictures and reminisce about all of the dance issues I had when I was younger. But as I got older and better, the growing stopped. I wasn’t learning as much new stuff, just perfecting old choreography. Ballet has never been my favorite dance style, my studio is more invested in lyrical and performance styles, like tap, jazz, and musical theatre. I originally only wanted to take ballet here because I wanted to be in the Nutcracker because it was something my studio doesn’t do. But this class brought me back to ballet basics, and I have seen major growth in my ballet technique, enough for my mom to notice. I’ve gotten a lot stronger at certain ballet barre warm

Six families come to Central College and spend the day interacting and playing with its students. They do all of this at The Big Event, put on by Central’s Dance Marathon team. Katlyn Wells, one of Centrals Dance Marathon’s team leaders says, “The Big Event this year we held in Graham Annex and we have probably, by the time we had all the students there I want to say there were probably somewhere between 40 and 50 dancers. We had six families and five our kiddo show up and it was a day filled with music, dancing, we had some different in structures come in And and teach different styles of dancing, lots of food, lots of activities, coloring and playing baseball with the kids” (personal communication, April 13, 2017). These students are throwing this event to get to know and celebrate the children and families the have dedicated their time and effort raising money and awareness for (K. Wells).

Throughout my life I have never really been interested in the dance until last year where I started to accept it. why? Why do we put ourselves through the physical stress to call ourselves dancers? Why do we love it so? I simply found those answers when I started dancing as I saw the potential it gave, showed the importance of teamwork, and the courage it taught.

When reflecting back on my journey with West African Dance, I can honestly say it has been one of my highlights of my first semester. When I first signed up for this course, I had no clue what to expect on the first day. All I knew is that I wanted to explore my artistic side seeing that I have never taken a class that involves any type of art. Nevertheless, I always have loved to dance for fun, and I figured I should try something I am already reasonably comfortable with. I knew West African Dance was all about fluidity and individuality compared to that if Ballet or Ballroom dance, so I decided it would be best for me to try the course. After the first day of the class, I learned that while the dancing may not be as rigid as that of Western dances, this style of dancing is no easier, and possibly harder. Even though I knew West African

It was interesting to see how the rehearsal went, to be able to see how they collaborated and worked together as a dance team. It began on Thursday at the AWC gym for dance; it went on from seven through ten p.m with Coach Tiffany Minick. As they began, they prepared for a stretch to warm up their body. They continued to do a routine called a “pom dance” using remixes from “stanky leg”. Occasionally, they mix it with a thing called “sideline”, a type of song that can be danced to anything. Seeing from my point of view, the age group ranged from eighteen to twenty one. All which of course were females. Due to my research all the dancers had to audition for their part to get a role in their routines. What really put the rehearsal review to the

In one my classes; Dance Appreciation, I had an assignment to view a dance piece on YouTube. The dance that I viewed was called “She without arm, he without leg, Hand in Hand”. The dance was not only informative, but it was enlightening to watch.