Analysis: The Battle Of Polygon Wood

Within a painting, the watercolors and each discrete stroke of the brush gives each element a diverse connotation. The Parade By Abraham Rattner, was painted in 1969 to illustrate the protests of the Vietnam war that the United States was involved in.This exceptional piece of art work exhibits the warm colors of the crowd and the fiery blazes colored across the skies, highlighting the widespread conflicts the nation had against this horrendous battle. During this time, individuals were protesting against the government’s actions in order to conserve tranquility. This painting captures the scenery that had taken place during these frightful days of war and the disputes happening internationally.

In Alexander Gardner’s Photographic Sketchbook of the Civil War, the haunting image “Harvest of Death” catches one’s eye with the seemingly endless field of corpses. The jarring facial expression on the figure in the foreground draws one into the narrative of the piece. However, our initial understanding of the image’s narrative is limited to what we can see and what we know of the circumstances surrounding it. While we know it was taken during the American Civil War, by simply looking at the photograph, we cannot know who is depicted. In black and white, it is difficult to even tell what side of the conflict these fallen soldiers fought for. We can interpret the image for our own readings, but we cannot tell what the artist intended us to see or what message he wanted to impart with it. These unknowns, however, are addressed in the related text associated with the image. These short passages can tell us a great deal about the photographer’s intentions and influence the way we read the image. Through the excerpt, we not only learn the intended meaning of the photography, but we also learn about Gardner’s political intentions and the key points he wanted his viewers to note within the image. Published as a pair, Gardner used his text to contextualize his images and inform the way we perceive them. This is clearly illustrated in “A Harvest of Death” and its accompanying passage.

how beautiful ideals were painted for our boys who were sent out to die. In War is a Racket, the

The Grandfather is the grotesque character in the short story for his age and for his experiences, and is a link to a past that America wants to dissociate itself with. Since the grandfather is one hundred and four years old and is a living relic of the civil war, specifically a piece of confederate memorabilia, his granddaughter and most of the townspeople come close to worshipping him. The man is paraded around, and then displayed in a roped off area to be shown to people during their confederate holiday (O’ Connor 89). In truth the grandfather has no recollection of the civil war and most of his life in fact “he had probably been a foot soldier; he didn’t remember what he had been; in fact, he didn’t remember that war at all.” This is symbolic of a time that was long ago in the south that people boast about, but no one truly remembers what really went on, and what is truly historically accurate. People call the man “The General” but truly he was not a general but a foot solider that was lucky enough to live to the point that he has. Not even his uniform was the same as what he had worn in the civil war it was no more than a movie prop that was given to him to inflate his fame,(O’Connor 88) and to make him a larger figure to the south as their living historical figurine. The

An artist's job is to interpret, and express the aspects of life in a creative fashion. War has played a big part in shaping our human history, and many artists have portrayed their feelings about art through paintings, and even monuments. Whether it be to show; the joy of victory, the sorrow of defeat, or to educate the public on the gory realities of war. Art about war can also show us a great amount of history of the kinds of weapons that were used at the time. It is necessary for artists to interpret, and criticize all aspects of life; even ones as tragic as war, It can make the public more aware of what goes on in times of war.

In the center of White Point Garden at the Charleston Battery, beholds a statue thats beautiful art conveys a very powerful message to the public that cannot be ignored. The Confederate Defenders of Charleston monument very clearly conveys a sense of power, but with more analyzation, a deeper meaning is found through description, visuals, and appeals.

Famed Confederate General Thomas “Stonewall” Jackson’s legacy is hardly easy to define. His is most remembered for cunning speed and brutality in battle and many consider him without equal. The same strategies Jackson used in the Shenandoah Valley campaign were scrutinized by both Rommel and Patton for inspiration in WWII. Jackson’s personal discipline carried over into his command. Although his men were often barefoot and near starvation, he pushed them forward into battle, not wishing to sacrifice the element of surprise. Many of his battles were actually waged on Sundays which contradicts Jackson’s steadfast devotion to Christianity that many attribute to fanaticism.

A recent hot-button subject in the media has been what to do with Confederate monuments in the South. After the removal of a statue honoring Robert E. Lee, a general in the Confederate Army considered by many to be a hero for the part he played in the American Civil War, a clear divide has formed over whether it was the right thing to do. Some agree with this choice, calling the statues remnants from a time of racial oppression in the United States. Others are outraged, considering it desecration of their proud history. Still others don't understand either side of the issue, and see it as a pointless feud. It is imperative to understand that to many people, these are more than just statues. Whether their impression is positive or negative, this issue goes beyond physical monuments.

In March 1918, with nearly 50 additional divisions freed by the Russian surrender on the Eastern Front, the German Army launched a series of attacks on the Western Front, hoping to defeat the Allies before U.S. forces could be fully deployed. In the north, the British 5th Army was virtually destroyed by two major offensive operations, Michael and Georgette around the Somme. A third offensive launched in May against the French between Soissons and Reims, known as the Third Battle of the Aisne, saw the Germans reach the north bank of the Marne river at Château-Thierry, 95 kilometres (59 mi) from Paris, on 27 May. Two U.S. Army divisions, the 2nd and the 3rd, were thrown into the Allied effort to stop the Germans. On 31 May, the 3rd Division

“There stands Jackson like a stone wall," called General Bernard Bee years ago. Stony is the word I would use to describe Thomas "Stonewall" Jackson, the firm-faced man with deep-set eyes and salt-and-pepper beard whose portrait hung in front of me. This is the man whose military tactics are known as the most brilliant of the Civil War. On the other hand, the man seen gazing lovingly into his wife's eyes in a painting across the room looked anything but stony. I strode across the entry room of Jackson's former Lexington home and joined the tour guide's side.

The Battle of Belleau Wood was one the most famous battles of World War I in which the U.S. Marine Corps made their debut into the Western Front. This battle was decisive because it confirmed the entry of the U.S. into World War I which is one of the main reasons, that the allies won the war. American involvement for the first couple years of World War I had been kept to simply supply the allies with weapons and supplies. It wasn’t until 1917 when the United States changed its view on isolationism due to a building pressure and Germany’s several indiscriminate attacks on civilians and attempt at a secret alliance as described in the Zimmerman note. The Battle of Belleau Wood was the Marine Corps attempt to aid the ailing French in losing

Painters enormously manipulated the truth in their portraits they painted since they aimed to present a specific meaning or feeling to their observers. One of the results, paintings of America`s wars especially before the Civil War had a

One of the pieces that I found to be the most moving was Frederic Edwin Church's "Our Banner in the Sky", which was painted during the war's outset in 1861. This is one of the pieces in which the enthusiasm for the war was quite clearly seen. In this work, the

This clipping contains a photo of the soldier we are looking at in the painting, along with pictures of a couple of his ribbons. Hanging to the left of the photo is a pair of blue coveralls, and to the right a single blue star banner. The banner has a white background, blue star, and is framed with a bright red border. Hanging around the room and on the workbench is numerous items associated with a mechanic’s workshop, to include tools, manuals, gaskets, work lights etc. We can also see a small American flag displayed in the upper left corner of the

Images, such as paintings and photographs, are intensely visually striking and evoke strong emotions in those who view them.“Into the Jaws of Death” provides a perfect example of that intensity, having been taken by Robert F. Sargent during the early morning hours of the D-Day invasion of Normandy. Even today the famous photograph evokes strong emotional reactions in many people who view it. This photograph served a purpose more significant than was realized at the time, to the point of becoming a pivotal point in support for the war effort. How was this accomplished? By conveying personal themes of heroism, patriotism, and mortality through devices such as angles, colors, uniforms, and proxemics.