Analysis: The Beheading Of John The Baptist

The painting focuses on the Virgin Mary and two children; one we know is Saint John the Baptist from the title. We can assume that the

Giovanni Battista Gaulli, also known as II Baciccio, painted Abraham’s Sacrifice of Isaac in ca. 1700. He used oil on a canvas that is 63 ¼’’ by 51 5/8,'' so it is fairly large, and most likely a piece for public viewing. Using a simple palette of brown, blue, green, white, gold, and red, Baciccio depicts the biblical story of Abraham and Isaac. This representation shows Abraham standing over the restricted Isaac, who appears to be content with being sacrificed. Unlike Isaac, the emotional Abraham holds the knife stretched from his side towards an unknown voice, and is captured in the moment of his realization that the voice belonged to an angel of the lord. The graceful being floats down from the upper left of the canvas dressed in all white.

Giotto di Bondonne created “Lamentation” circa 1305. This piece depicts Jesus Christ removed from the cross as Mary the Virgin embraces Him. There are two figures in the foreground with their backs facing the audience. Dawning a new style of artwork creating a sense of depth. John the Baptist is seen flailing his arms backwards. Body gestures were stiff and stern in comparison to previous works. Bondonne is an early artist in “the revival of the visual arts” by painting a scene to suggest a story (Richards). For example, angels are captured flying in the distance watching the people care for the deceased Jesus Christ. They grieve in unison with the crowd down below. Bondonne successfully creates a feeling of three dimensions by including a cluster of people on the far left tucked away in the corner. The mass of people gathered around to offer praise for His ultimate sacrifice.

Christian artwork is used to represent and symbolise the Gospel and important figures. Not all individuals could read and write, therefore images were very important in delivering messages and teachings. One artwork chosen is “Annunciation” by John Collier created in 2003. This modern artwork shows Gabriel asking Mary if she would become the mother of Jesus. The other one is the “Holy Night Nativity Scene” by Antonio Correggio created in 1530, which focuses on and sets the scene of Jesus’ birth.

The ominous figure in the centre of the foreground - Jesus Christ hanging lifeless on the cross, in Luca di Tommè’s ‘The Crucifixion’, primarily catches the eye. The symmetrical arrangement of lamenting figures around the cross, as well as the gilded background, highlight him as the focal point of this artwork.

The painting itself was created in 1937 and depicts a rural home. Outside it appears that someone has come to visit, as there is a vehicle parked out front and a man standing at the doorway of the house. Inside the home it can be seen that someone has passed away and loved ones are mourning their loss. Above the home there is a spiritual battle taking place for the soul of the deceased. Light has parted the clouds and there is a horse driven chariot followed by a parade of angels coming down from above. The spirit itself is surrounded by even more angels with trumpets in hand, ready to take the soul up to eternal glory. In a nearby tree is another angel who appears busy with a demon who

painting. This is a painting in which Jesus is the center of the movement in the work everything

In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds. The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several other depictions of Christ's crucifixion.

This is similar to a renaissance painting The Rest on the Flight into Egypt with St. John the baptist by Fra Bartolommeo composed about 1509. This piece on the contrary is

The left panel depicts the first of three saints, Saint John the Baptist, in the midst of his signature baptizing of Christ. A river flows from the furthest reaches of the landscape down to the bottom frame, with Christ standing thigh-deep in the water, a dove alighting from God perched in the clouds in the top left. Saint John kneels over him on the riverbank while a group of people huddle in the distance behind the baptism scene. In traditional style, the triptych simultaneously depicts a central scene as well as past and future narrative events—present here as Saint John preaching chronologically before the actual baptism of Christ.

location this painting depicts. It seems to be of biblical nature, as both people in the

2. There are 18 people in the foreground of the image and an uncountable number in the background. Jesus and Peter both have halos indicating their divine status, while Judas doesn’t. The people have a sort of bulky feel to them as well as very vibrant colored clothes. The contrast of the kiss against the side of the painting where peter is on the verge of violence. The painting includes torches and spears. The darker background really contrast with the more vibrant colors of the clothes depicted. The sky is black fading into blue. One of the first things that stands out to me is the vibrant colors of the robes and the fact that Judas’s yellow robe almost completely obscures Jesus from the neck down. The colors used on the clothes also stand out to me because of what the certain colors are associated with. Such as yellow being a color associated with cowardice; which is the color of Judas’s robe, while Peters robe is blue and red, red is also the color of Jesus’s robe so maybe indicating the closeness of the relationship between Peter and Jesus. It appears as if Jesus and Peter’s robes are the inverse of each other, Jesus appears to have a red base robe with a blue overcoat, while Peter’s robe is blue with a red overcoat.

The title of this artwork is Virgin and Child with the Young Saint John the Baptist and Angels. It was created by François Boucher in Paris. It was painted in the year 1765. It was painted with oil on a canvas. This painting is housed in the Metropolitan Museum in New York City, New York. In this painting, Boucher wonderfully depicts the Virgin Mary and the baby Jesus, along with a toddler Saint John the Baptist and a lamb, having a picnic together. They are being watched over by five small cherub angels up in the heavens.

When I see the painting the shape is symmetric in the sense that there are the same amount of people on both sides of Jesus. The genre of this painting is Christian art.There are also four panels on both sides of the walls. In my opinion, the target audience that this painting was intended for are those who are believers of Christ. I feel this way because I think that this painting portrays the event that is talked about in the bible in the scripture Matthew 26, verse 21 where Jesus says “…"Truly I tell you, one of you will betray me.". He then continues in verse 23 saying, “The one who has dipped his hand into the bowl with me will betray me”. In the painting, you can clearly see the man two seats away from his right reaching for the bowl at the same time as Christ. This event lead to the Holy Eucharist, also known as communion or the Lord’s Supper where Christ takes the bread which was to symbolize his body and wine which was to symbolize his

It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, Saint Mary Magdalene and Joseph of Arimathea.