Erdrich House Essay

Another notable building is also located in Melbourne, on Little Collin St, the Yule House. As one of the earliest modern architecture in Australia, its style that features bands of glass set in geometric patterns of fixed and opening panes, a terracotta surface and dominant spandrels extending well beyond the surface.  (Johnson, 2002) Both buildings were constructed under the Great Depression and their completion incorporating new material, new technology and new style signified “the clouds of financial gloom were already lifting” (“History - Manchesterunitybulding.com.au” n.d.)  and boosted the morale fighting against the depression.The two building are well preserved and still in function in 21st century.

In the study of Australian modern architecture, the term regionalism has constantly been discussed. In an architectural sense, regionalism can be understood as an architecture that is derived from its local setting. In relevance to this, elements of regionalism can be found in the works of Sydney Ancher and Peter Muller, two figures that had significant influence in Australian architecture discourse whose works can be seen as being Australian. Nevertheless, as much as how their works respond to regionalism, the proof of overseas principles being adopted is clear.

Marc Antoine Laugiers : An Essay on Architecture (translated and republished in 1977) is an important text that opens with the authors belief that architectural design has and should come only from the necessary requirements of man and not from the need of mere ornamentation, as expressed through his story of mans primitive hut where branches may become a roof, or trunks columns and so on. Early on in his essay, Laugier states that Beauty is the “combination of simplicity and nobility ” –specifying one of his driving beliefs throughout the text that a simple building that meets only the mere requirements of our needs is what is ‘beautiful’ and perhaps

Elizabeth Bay house that was built between 1835 and 1839 as the home of Alexander Macleay became one of the Australian historic houses and opened as a museum in 1977. This is a critical analysis of comparing and contrasting between the historic and contemporary design. The first object that has been chosen from Elizabeth Bay house was the ‘cabinet’ (picture 1) that was made for Alexander Macleay in the late 18th century and the second object is contemporary cabinet which is called “Delphine Cabinet” (picture 2) made by the company named Coco Republic design. In this critical analysis, firstly it will demonstrate the detail information of each item. Secondly, it will explain the significance between the two objects that related to the international design movement during their time.

Elsie de Wolfe designed during the Victorian movement, however “had adopted the 1890’s preference for Neoclassicism” (Smith, 22). Unlike the cluttered and dark interiors of an average Victorian interior, her interiors were, “in the words of one visitor, ‘[models] of simplicity’” (Smith, 20). She redecorated the once cluttered dining room of her apartment in the

Australia is one of the continents over the world. The vast, varied land and the culture in this abundant place has a deep and lasting impact to the architectural design traditions—Tectonic. Tectonic can be regarded as one distinctive characteristic which is relating to building or architectural construction. It also gives ability for people to read a structure, or see how a structure was put together. Among those architects who had used this tradition in their designs, Donovan Hill and Glenn Murcutt, as Australian architectures, have their own style relates to tectonic. For example, Donovan Hill composes different materials and layered against with one another in D House, while Murcutt establishes a harmonious connection to the surrounding landscape and local climate with Magney House.

Frank Gehry’s deconstructivism evolution is showcased by the use of non-traditional materials, conscientious detail to the building’s intended use which elevates his architecture into

Architect James Stirling’s first commissioned project, the Flats at Ham common, is a project that contained a lot of direct influences from Le Corbusier’s Maisons Jaoul which was just completed one year ago. Stirling criticized after he visited the Maisons Jaoul and explains the architecture contained a mismatch with its conceptualizations. Greatly disappointed by Le

In this picture, Victorian style house stands alone in the field. A railroad track cuts through the foreground. There is a bare sky behind the house with no secondary objects in the immediate surroundings of the building. this enables us to keenly focus on the articulation of the building and its relationship with its environment.

On his book on Modern Architecture, Curtis writes that modern architecture was faulted for it’s “supposed lack of ‘recognizable imagery’” towards the end of the 1970s. This statement supports the idea of Jencks’ double coding where architects must now make

Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.

The incredible work of these Modernist architects had a strong and distinct influence on up and coming young Australian Architects during the 1950’s – 1970’s.

Vernacular building is a typology which results from a direct response to regional context (Murphy 2011). While contemporary Australian architecture

Linking to the idea of conservatories being around since Victorian times, but this was always an addition to the ’conventional house’. Herzog merged the two together by creating a two-storey house with a

What a beautiful mind in Thomas Heatherwick! His dedication to the idea of ‘soulfulness’ is reflected in every piece of architectural design from the mundane to the exotic. In this sense, Thomas’ exceptional creative talent produces bio-inspired design, which is an experience in the built form as living art. Architectural innovation is communicated through the poetic steel that is the kissing bridge; the gold temple speaks of emotive architectural aesthetic design; and 66,000 optic seeds breathe life into the cubist aesthetic of the Seed Cathedral.