Analysis of Act 3 Scene 5 in Romeo and Juliet Essay

This scene as shown has an impact to the play. During this scene we witness the courage in decision making as we learn that Juliet would rather die than enter a false marriage. Also, the growth and independence in this scene was seen well. For example, Juliet is isolated by the Nurse and her parents so she now must think for herself what her options are and where her loyalties lie. The character development was seen clearly in this scene as so was the mood.

The next transformation is Juliet's defiance of her parent's wishes for her to marry Paris. The context of this scene is crucially important, for a woman to defy a man, much less a father in the Elizabethan Age, is preposterous. Although Juliet is only fourteen her development into a woman is beginning as her submissive nature leaves her. In her conversation with her mother, Juliet boldly makes puns to her undying love for Romeo. For example she says, ."..no man like he doth grieve my heart," (III.v. 175) in reference to Romeo, however her mother believes that Romeo makes her sad for murdering Tybalt. Even in the face of her monstrous and powerful father she holds fast to her heart's desire. Again, this time using Capulet for the vehicle, Juliet's death is foreshadowed, as Capulet tells Juliet to "Hang, beg, starve, die in the streets, For, by my soul, I'll ne'er acknowledge thee" (III.v.194-195).

Over the course of Act III, Juliet’s state of mind transforms from naïve and innocent to impulsive and independent due to the aspects of loyalty, love and maturity. Although conflicts begin to unfold, Juliet, despite the loss of her cousin Tybalt, remains faithful and honest to her newly wedded husband, Romeo. Juliet lived in a rather obedient lifestyle, as she was growing up – obeying her parent’s orders and everybody’s expectations, but as her affections towards Romeo continues to flourish, so does she as an independent human being.

During the dispute with her parents after Romeo’s departure, Shakespeare’s Romeo and Juliet Act 3 Scene 5 encapsulates the domestic structure inherent in Renaissance households, as Capulet’s desire for his daughter to marry “a gentleman of noble parentage” (3.5.179) is influenced by society’s patriarchal expectations of him. Unaware of her betrothal to Romeo, Juliet’s assertion of defiance to “delay this marriage” (219) sees her father threatening to disown her. The scene concludes with the final realisation that suicide epitomizes the only means by which Juliet has to truly gain autonomy over herself.

William Shakespeare’s Romeo and Juliet is a tragic play about two star-crossed lovers toying with forbidden love, despite the ancient feud of the two families. One of the four major characters is Juliet Capulet. Shakespeare introduces Juliet as a young and innocent teenage girl with little thought about love or marriage, but at the end of the play she is viewed as quite the contrary. Her unwavering love for Romeo transforms her into a young, but mature, woman. Juliet’s maturity is portrayed through many different characteristics independence being a main characteristic amongst them. Her independence and stubbornness is being displayed when the Nurse pushes her to marry Paris, but Juliet strongly refuses and no longer trusts the Nurse,

This relationship and newfound determination from Juliet to stay true to Romeo drives the rest of the play and ultimately her death. Later in the argument with her mother, Juliet uses verbal irony or says exactly what she does not mean when discussing her wish not to get married. Juliet shows her distaste for marriage by saying, “I will not marry yet, and when I do I swear / It shall be Romeo, whom you know I hate, / Rather than Paris…” (3.5. 21-23). This clear verbal irony further develops the change in Juliet occurring in the play and at the same time brings a comedic element into the argument. The fact that Romeo and Juliet are already married makes the audience chuckle when Juliet claims she hates the man whom she snuck out her window just moments before. The audience laughs at this claim because Juliet is telling the truth in a way that goes above her mother’s head but not above the audience’s. This example of verbal irony also shows Juliet’s new defiant nature. Through this quote we see how Juliet has grown to lie directly to her parent’s while before she would not have dreamed to do such a thing. By directly telling her mother that she would rather marry Romeo to make a point not to get married, she shows her newfound deceptive

Act 3 Scene 1 of William Shakespeare's Romeo and Juliet In the romantic tragedy `Romeo and Juliet` William Shakespeare uses dramatic techniques and devices to convey emotional inclines and declines, emphasise breaks and linking tensions as well as to underline the outlying plot diversification. Preceding Act 3 Scene 1 we see Romeo fall madly in love with Juliet and marry her, both showing his instinctive nature, and setting the scene for this dramatic twists soon to follow. In this way Shakespeare creates a semantic field of happiness, which he shows by the use of "positive" phrases, which are colourful and effervescent.

From Act 1 to Act 3 Juliet went from an obedient young women who does not know what she wants in life and allows her parents to make those decisions for her, to a young women making choices for herself and choosing not to listen to her parents. Juliet was looking to get married before she met Romeo, but it was to be with a man that her parents liked. Juliet, not knowing much about marriage, said she would agree if it would make her parents happy, “I’ll look to like, if looking liking move… Than your consent gives strength to make [it] fly.” (1.4.103-105). Meaning that she will learn to like him (Paris, the man her parents want her to marry) if it would make her parents happy. But later on once she meets and falls in love with Romeo, Juliet

In Act Four Scene Five of William Shakespeare’s Romeo and Juliet, the Capulets and Paris face a turning point in their lives when they find Juliet “dead.” However, the viewers know that Juliet is actually asleep. Crushed by the prospect of marrying Paris instead of Romeo, she sought out Friar Lawrence to find a solution. The Friar gave her a vial to drink, which allows Juliet to have death-like qualities for forty-two hours. Act Four Scene Five starts off with the Nurse finding Juliet’s body, and one by one, the rest of the Capulet household react to Juliet’s death in a way that reveals their true affection for her. Staging and directing should enhance the dramatic lines spoken, for this scene is the beginning of the climax that will eventually lead to Romeo and Juliet’s deaths.

One of the most painful scenes in Romeo and Juliet is where Capulet berates on Juliet. This scene has more meaning than what some may be deterred from seeing by being so befuddled as a result of Capulet’s shear rage towards his only daughter. To provoke such an eruption, Juliet had chosen not to marry Paris who is selected by Capulet himself. Due to the time period this is shown as great disrespect because she disobeyed her parents. She is forced to rebel against her parents because of choices she makes throughout the entirety of the play. This rebellion against her parents that has sparked within Juliet is caused by her marriage to Romeo and her decision to not marry Paris.

Juliet separates emotionally and physically from her family, because of her obsession with new found, quick love that causes her to grow up just enough to outsmart her parents and achieve her own goals. Juliet becomes enamored by the idea of love very quickly. The idea of love consumes the young girl’s time and actions, “Love’s herald should be thoughts, which ten times faster glides than the sun’s beam” (2.5.4-5). Juliet waits impatiently for the news from the nurse about her love interest, while she paces the room talking to herself and groaning about the glory of love. The impatient Capulet complains about how love should be fast with its arrival, and how hers is not arriving fast enough. The young teenager focuses greatly on love and

In scene 3 act 5 Lady Capulet tells Juliet about her getting married with Paris that Thursday. Juliet is not pleased about this news, and she tells her mother that she refuses to get married with Paris. Lady Capulet gets really mad at Juliet, and she starts telling her how much she wished she died.

When Juliet refuses to marry Paris, Capulet shouts, “Hang thee, young baggage, disobedient wretch!” (3,5,160). Although Capulet is a multifaceted man, this side of him is shown when Juliet goes against his will. He believes that if he decided who his daughter should marry, she should have to marry that man, regardless of how she feels. When choosing a man for Juliet, he chose based on how perfect he was to make his family look good.

Juliet is introduced to the audience as an obedient child who is wholly dependant on her parents. She has yet taken much time to think about her marriage and does not seem interested in such matter. After her mother introduces her to the idea of an intimate relationship with Paris, she says, “I’ll look to like, if looking liking move; / But no more deep will endart mine eye / Than your consent gives strength to fly” (I.iv.98-100). Juliet’s indifference towards boys is expressed through her obedience to her mother. She does not wish to engage in anything deeper than acquaintanceship with Paris, but because of her dependency Juliet must do so in order to appease her parents. Being girl at such a young age, Juliet must have her mother’s “consent,” to anything. However, Juliet’s obedience diminishes after she meets Romeo at her father’s feast. When Juliet is informed by the nurse that Romeo is a Montague, she says, “Prodigious birth of love it is to me, / That I must love a loathed enemy” (I.v.139-140). Juliet is troubled by conflicting feelings, she knows that her love for Romeo is forbidden in the Capulet family yet, she is not able to banish the love from her heart. Being extremely dependant on her parents, Juliet is frightened of what her parents might do if they find out about her defiant love for Romeo. As Juliet speaks about her “prodigious,” love, she is foreshadowing their tragic fate. Despite not knowing

Juliet is introduced into the play in act one scene three, as an innocent, obedient, and respectful adolescent. Her polite response to her mother, "Madam, I am here, What is your will?" (1.3.7), establishes an optimistic sentiment that assures the audience of her acquiescent nature. She further demonstrates her eloquence in response to her mother's proposal to consider marriage as she sensibly and astutely replies, "It is an honour that I dream not of" (1.3.68). Her response is genuinely reverential, thus confirming she understands her responsibility as a daughter, and her place in a male-dominate world; she continues showing such submission, grace, and maturity throughout the entire scene, especially when she decides to agree to "look to like, if looking liking move" (1.3.99), then acknowledging that the parental "consent" (1.3.101) is imperative. This is the only scene where Juliet is depicted this innocent, for when she meets Romeo in act one scene five, she begins transforming from a yielding child into a focused woman in love, however, she still sustains the same element of grace in her presence.