Analysis of Act One of Othello by William Shakespeare Essay

Act 5. Scene 2 gives the reader a good visual of Desdemona’s last words. The scene itself emphasizes Feminist Criticism by Othello’s dominance and powerful quotations. Feminist Criticism and other cultural productions reinforce or undermine the economic, political, social and psychological oppression of women. During the era, in which the novel was written, it was adequate that a woman fully submits to a man. In Act 5 you’re able to observe Feminist Criticism from many angles, which is what makes this novel so intense.

Act 1 Scene 1 as an Effective Opening to Othello The play begins in a dark street in Venice and the audience is thrown into a heated debate between Iago, a soldier and Roderigo, a wealthy Venetian. Roderigo is rejecting, 'Tush, Never tell me', what Iago has just said and is angry as Iago has not informed him that Desdemona has eloped with Othello, a black general hired by the city of Venice to protect it from the Turks. Iago has been apparently helping Roderigo win Desdemona's, daughter of the rich merchant Brabantio, heart, in return for money 'Iago, who hast had my purse As if the strings were thine'.

Iago and Cassio are going to spend time together partying and drinking. The dramatic irony in the situation is that the audience knows Iago is not really Cassio’s friend in this situation but instead Iago is just going along with his plan. In Othello’s statement “Iago is most honest” (IIiii), it is a dramatic irony because the audience knows that Iago is not honest at all and he’s only pretending to be honest to manipulate Cassio and Othello.

In the Act Two of Othello, a storm has hit causing the Turks to lose most of their fleet. It is still uncertain if Othello’s ship was able to survive the storm, so Cassio takes Desdemona away to speak with her in privacy about Othello arrival. Iago notices that Cassio holds Desdemona’s hand when talking to her. Iago gets the idea to use Cassio’s hand holding as a way to frame him so he will lose his promotion to lieutenant. Othello finally arrives, all but Roderigo and Iago head to the castle to celebrate the drowning of the Turks. Iago tells Roderigo that Desdemona will soon be tired of Othello and will long for a more well-mannered and handsome man. Iago tells Roderigo that the obvious first choice for Desdemona will be Cassio. Roderigo tries

man of extreme power but he does not have the tool that we refer to as

The scene that I chose to illustrate and direct was act 4 scene 1, when Othello slapped Desdemona. Here you can really grasp Othello’s controlling attitude as he insists on Desdemona lying, even though she didn’t know what she was necessarily lying about. We really witness the manipulative portion of Othello’s personality, and that’s why I'm focusing on this scene.

The Dramatic Impact of Act 1 Scene 3 in Shakespeare's Othello and Its Importance to the Whole Play

William Shakespeare’s Othello tells a story of the tragic downfall of a man through jealousy and mistrust, influenced by the manipulative actions of another. Due to innumerable changes within society over time, it is inevitable that a wide range of critical interpretations and readings of the text will emerge.

What dictates whether someone is evil or not? According to Merriam Webster, evil is defined as “morally reprehensible”. This definition of evil is very loose, thus has much room for interpretation. In Shakespeare’s play, Othello, many people may believe that Iago is comparable to evil. After exposing a relationship to a woman’s father, manipulating Othello, falsifying rumors of Desdemona’s infidelity to Othello, and killing a man people assume that Iago is evil. However, Iago’s actions aligned closely to Dollard and colleagues’ frustration-aggression hypothesis. Thus, Iago’s reactions to frustration are best defined as common human reactions, as opposed to evil. In order to analyze Iago’s behavior and discover the root of his aggression, not evil, the frustration-aggression hypothesis is most useful. As opposed to the argument of Iago being evil, his character acts comparable to the frustration-aggression hypothesis, Iago becomes frustrated due to lack of power, which leads to aggression towards people who frustrate him and those associated, such as Desdemona, Cassio, and Othello.

Can love--or what we imagine to be love-- sometimes inspire the most terrible of crimes?  Human emotion is often messy and often without defining lines. Can instinct alone impair our reason, or can a third deadly emotion mar all? In “Othello”, Shakespeare bids us look at some ugly facets of the human psyche and how what is beautiful and good can be twisted and destroyed in the name of self-interest and damning pride.

In this essay I will be exploring the importance of dramatic tragedy in the first 44 lines of Act 4 Scene 1 to show how Iago and Othello are presented in the play. I will also be referring to other parts of the play to do this. In Act 4 Scene 1 of 'Othello', Shakespeare uses aspects of dramatic tragedy to differentiate the two characters and show their dramatic funtion.

Iago reflects the ideas of feminist criticism in the book Othello because of his constant need for control over his wife, Emilia. Iago felt he should overpower Emilia. He treated her as if she was a servant, however Iago always made it seem as if she annoyed him. Iago felt that Emilia was not loyal to him, so therefore he did not respect her like he should have.

Mind control can be used to manipulate a person’s behavior through a psychological process, such as a process known as Classical Conditioning. Mind manipulation has been presented by villains throughout movies, novels, and even plays. The play Othello, written around 1603 by William Shakespeare, with the villain character Iago, is characterized as a jealous, hubris, sinister, crafty, and manipulative being. William Shakespeare has managed to write a tragic play where he used Iago’s malicious words to provide early Classical Conditioning, to cloud Othello’s mind of critical thoughts, turning him into a jealous zombie; this shows that Iago would go to any means necessary, whether it was murder or manipulation, to achieve his goal.

Introduction to Act 5 Scene 2 Our group will be presenting act five scene two of Othello. The opening scene begins with Desdemona alone in bed. Othello enters, angry with Desdemona, believing she has cheated on him with Cassio. His head is clogged with false ideas in which were fed to him by Iago, this cause his intentions towards Desdemona to become murderous.

Odin’s greatest fear is to slowly becomes the person that other people think he is, which may lead to a tragedy. Speech = talk more about the rape scene, how it connected to sexualism or race. At the end, he finally revealed his true self by allowing the society’s expectation to be a part of him, society’s typical stereotype of young black men. The movie showcases the modern adaptation of Shakespeare’s “Othello” and includes how teen violence and racism can relate to each other and can lead to a tragedy.