Enduring Love Chapter 9

In the 1985 movie “Love is Never Silent” it is set during the great depression and follows the Ryder family, Abel and Janice two deaf parents of two hearing children Margaret and Bradley. Abel works for a newspaper company on the printing press, Janice is a seamstress. The parents rely on the oldest child Margaret as their link to the hearing world by being their voice.

Love is unique in its striking ability to be a driving force in dictating interpersonal relationships. It patterns behavior and orients individuals towards their distinct, unique attractions. According to Velleman, love penetrates deeper than one’s qualities; it extends to one’s rational will, or the essence of a person. To him, though love appears to have particularity, it is also a moral emotion. Kolodny subscribes to the relationship theory, asserting that an ongoing, interpersonal, and historical relationship with a relative is a part of the reason for love. In Kolodny’s view, the existence of the true self is irrelevant, as is the morality of love. Both Velleman and Kolodny disprove the quality theory; however, their perceptions of love and its morality differ. I believe that Kolodny is correct in his view that morality is irrelevant to love and that there must be factual reasons for love. Although it is enticing to believe that one is attracted to the essence of another, the essence is not motivation enough for love. The relationship theory takes into account the motivation needed to love a particular person from a historical, interpersonal, and ongoing perspective.

It was confessing their secrets during the blackouts that became their main form of communication, and eventually their safe place. Although this served temporarily to build intimacy between them, it was inadequate to keep them together. They shared their secrets they would have otherwise not have told, they embraced each other and upmost they communicated with each other. Communication is important in this relationship because following the death of their baby, the couple never shared the same means of dealing with the tragedy. This leads to ineffectively expressing their feelings between each other, which results in the

At the beginning of Joe and Janie’s relationship, she was very much in love with him. When they started their endeavor to the new town, she was very proud of the man she was looking at. He moved to a new town to start his own business and buy his own land. However, as time progressed, the town began to feel lonely to Janie. She never saw Joe anymore, and when she did, he was trying to control her every move. He became very possessive and mean to her. He wanted her to submit to him, and he wouldn’t stop until he had it. The once loving relationship they had, has now become detached.

Towards the end of the first half of the novel, Paul D and Beloved are having a sexual relationship void of romantic feelings, despite the two having a strained relationship based on mutual-dislike. Overall, the two have a rather tension-filled relationship, with both vying for Sethe’s love and undivided attention. As seen by the statement, “But now—even the daylight time that Beloved had counted on…was being reduced, divides by Sethe’s willingness to pay attention to other things. Him mostly” (Morrison 118), Beloved is jealous of Paul D and resents the fact that Sethe pays him any mind. Likewise, Paul D resented Beloved and Denver, specifically due to the fact that Sethe seemed to give them more attention than him. Paul D was specifically

In the film, When a Man Loves a Woman, Meg Ryan plays the character Alice Green. Alice is a wife, mother, and school counselor. She is married to the handsome and consistently dependable airline pilot, Michael, played by Andy Garcia. The film illustrates how alcoholism affects a family. Despite the fact that Alice is an exciting and fun person, she is often reckless when drunk and very negligent to her children. She has a difficult relationship with her mom, and alluded that her dad drank excessively and that her mom made her “feel like nothing” (Mandoki, 1994). Alice’s mom makes passive-aggressive remarks such as, after asking Alice if she has lost weight and she says no, “you must be tired” (Mandoki, 1994). As the movie proceeds, the viewer sees multiple occasions where alcohol causes problems with her family. Alice, Michael, and their children, who are sweet and adoring of their parents, live a comfortable life in San Francisco. All the same, Alice drinks too much and is diagnosable as an alcoholic.

The US is appealing in the eyes of other countries, and even ourselves, because of the “free” and “equal” characteristics we claim ourselves to have, such as: freedom of religion, freedom to own private property, and freedom of equal justice. However, in the eyes of an African America, Atlantic Monthly Journalist, we see that all of these freedoms find a loophole when it comes to the black community. In Ta-Nehisi Coates’ book Between the World and Me, he writes from a political, yet deeply personal standpoint to analyze today’s version of racism. Coates strays away from his usual journalist works to a more deeper and personal view. His book is devoted to his fifteen-year-old son, Samori, and provides him with guidance through the struggle of racism; all while letting Samori fend for himself. Coates’ lets his son know all this through history, and heritage; of his own and of America’s.

Barb blames Janice for Anne's death to hurt her and make her feel guilty, not knowing that Janice already feels guilty but does not express it. However, Barb does not think about the challenges Janice might have endured but is angry because she is not the ‘ideal Janice’ that she had been expecting. Barb is too busy and eager wanting to express her anger towards Janice that she cannot relate to Janice’s problems and the struggles that she goes through. Barb’s lack of sympathy towards the unexpected changes in Janice’s life only results in a bigger gap in their relationship. Once Barb and Janice start talking, Barb is again angered by Janice’s quietness and her unwillingness to strengthen their relationship. However, she does not make an effort herself to understand why. Barb says to Janice: “You told us the facts. I don’t know one damn thing about you, the person” (36). Barb is annoyed and frustrated by Janice keeping to herself, she cannot understand her. Barb wants a strong relationship with her as sisters. For Janice, the sister relationship is too difficult and would rather prefer being friends. However, Barb does not acknowledge or accept Janice’s different views but expects Janice to want the same. Barb misunderstands the quietness of Janice and takes it personally, thinking that she wants to keep a distance from her and does not want to open up. Barb does not think of the opposite. What if Janice can’t

The first time he kisses Ryou, he thinks let me drag you down with me. He's stuck in the liminal stages between self-recrimination and self-adulation, of I tread where none did before, Alexander and Caesar and Napoleon all, and I almost destroyed what I had left of what was mine, and Ryou's responding caress is his consent, proof that he's already there, wherever down may be.

Lester Horton has been named, as one of the many founders of modern dance, whose style continues to be used in present day choreography. Although Hortons’ early technique was impacted by his interest in various cultures; his style eventually shifted towards a more theatrical technique. Horton used his versatile dance background and interests to develop the sub genre under modern dance, more formally known as choreodramas. His technique seen in earlier pieces and choreodramas such as “The Beloved” and “Salome” were effective in displaying the purpose of Horton’s style. Horton integrated his background in dance, props, costumes, and choreography to emphasize contemporary ideas and display the new genre of choreodramas.

Morrison and Twain each present freed slave mothers as self-sacrificing. Each woman 's traumatic experiences as slaves create a deep fear of her children 's enslavement. In Morrison 's Beloved, Sethe is so distressed by her past; she murders her child to save her from slavery. Morrison uses Sethe 's drastic sacrifice to comment on slavery 's psychological effects. Meanwhile, Twain 's Pudd 'n Head Wilson portrays Roxy as a sacrificial mother to create sympathy for black people. From a cultural perspective, Roxy counters all of the propaganda about black people in the nineteenth century. Roxy plans to kill her son and herself, but figures out a different way to save her son from slavery. Both characters are selfless mothers, but the authors use this sacrificial behavior to prove different points about slavery. Morrison uses her characters selflessness to show the distress slavery can cause, while Twain capitalizes on the sympathy it creates to humanize black people in the public 's view.

J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these

While people are often able to identify when they feel the emotion love, love itself seems to defy definition.  In her polemic “Against Love”, Laura Kipnis argues that love cannot exist as traditional expressions of love such as marriage, monogamy, and mutuality.  However, in her argument, she defines love incorrectly by equating love to expressions of love. This definition lacks a component essential to understanding the abstract concept of love: emotion. Recognizing love as emotion helps us realize that, contrary to Kipnis’ argument love by nature transcends all expressions of love. Love is subjective and exists in any and all forms. In her argument that love cannot survive as conventional expressions of love, Kipnis ignores the nature of love as emotion in favor of equating love to different expressions of love. Love is a force which exists above expressions of love; a true understanding of love can only come from an assessment of how individuals, not societies, respond to the emotion.

For this essay I will be unraveling two poems to find a deeper meaning from The Norton Anthology of World Literature, Volume B. The two poems are “A Lover’s Prize” by Beatrice of Dia and “The Wound of Love” written by Heinrich von Morungen. Heinrich and Beatrice are considered to be medieval lyric poets; however, Beatrice was a medieval lyric poet from France and they are known as troubadour. Beatrice just so happened to be apart of southern France’s trobairitz which was just a tribute to some of the best troubadour of their time. She was married to the Count of Viennois, Guilhem de Poitiers but she was having an affair with another troubadour who went by the name Raimbaut d’Orange and their poetic style was quite similar. However, when it comes to Heinrich von Morungen not much is known about him. From the little we know about Heinrich, we find that, his style of writing fit into the category of Minnesang which means “songs of love”. His lyrics (that have survived) are also some of the greatest in early German history. Nonetheless, these writers have both put forth some impressive work.

Letitia Elizabeth Landon is recognized as the most read British poet of the early nineteenth century. Landon is regarded as a renaissance woman—among the first wave of women to gain individual recognition, financial independence, prestigious literary acclaim, and supporters of her unique style of poetry. Landon published an enormous amount of literature from 1820-1838; generating seven book of poetry, creating literary annuals, authoring three novels, several children’s stories, publishing translations, a number of short stories, and providing literary reviews/criticism. The quality of Landon’s work speaks for itself and is consistently reviewed in the literary society. For this paper I intended to compare and contrast the textual similarities and differences of Letitia Elizabeth Landon and George Gordon, Lord Byron—using literary devices and subject matter.