Analysis of Diving Into the Wreck

The structure of a novel enables it to embody, integrate and communicate its content by revealing its role in the creation and perception of it. A complex structure such as that of Robert Drewe’s work The Drowner, published in 1996, refers to the interrelation or arrangement of parts in a complex entity1. Drewe’s novel is a multi-faceted epic love story presenting a fable of European ambitions in an alien landscape, and a magnificently sustained metaphor of water as the life and death force2. The main concerns of the novel include concerns about love, life, death and human frailty. These concerns are explored through the complex structure of the novel. That is, through its symbolic title, prologues, and division into sections. The

Initially Mai holds a negative perspective in “Mai closed her eyes and tried to recall her father's stories— but they rang shallow against the dense roaring slabs of water she'd just seen.” The hydrographia personifies the natural elements creating a pathetic fallacy, which reflects Mai’s initially pessimistic attitude as her hope is crushed by the harsh reality of her experiences on the boat. However, this provocative experience catalyses a transformed perception, as upon reaching the shore she thinks: “The boat would land - they would all land.” The epistrophe of “land” and high modality of “would” shows her renewed hopeful perspective, which would not have been possible without physically experiencing the harshness of being on the boat. Thus, the ability for discoveries to be far-reaching and transformative is seen through these provocative and confronting external experiences that transform individual perceptions.

Tim Winton’s short story, ‘The Water Was Dark and it Went Forever Down’, depicts a nameless, adolescent girl who is battling the voices inside her head along with the powerful punishments at the hands of her inebriated mother. The key concerns of life and death are portrayed through the girl’s viewpoint as she compares her life with her sad, depressed mother. Anonymous as she is, the girl constantly makes an attempt to escape the outbursts, that come as a result to her mother’s drinking, by submerging herself into the water. An extended metaphor is used when expressing the girl as a machine and her will to continue surviving in her sombre life.

Though written in a very light and simple manner, the poem comes across as something very profound, laden with meaning through its incongruities. The persona, wanting to see something, often goes to the well and looks down at the water to see it. This certain search below the water's surface can be compared to man's search beneath the human experience for meaning, for certainty.

For this essay, I am going to be discussing the short story “Swimming” found on the New Yorker, and written by T. Cooper. I have chosen this story for many reasons, and among those reasons is the personal sadness I felt when I first read the story, almost as if the universe was placing a certain theme in my life, that only the main character could possibly understand. I am talking about running, the god given instinct felt by all men, inherent in the nature of fear, and brought out in all who feel sadness in its full intensity. Though in my short life I can not compare the sadness I have felt with that of losing a child at my own hand, but if I had been placed in that situation, if fate had tempted my soul with such a sequence of events, I would like to think I could find the strength to endure and the courage to not abandon all I had previously known. Yet I am able to reconcile the themes of grief, the mode of recovery, and the longing to escape such a terrible tale. I think in this piece, as I will discuss in later parts, the author was able to put into words a transformation we rarely get to observe in closeness, the kind of transformation that turns a kind man into a “just man” the kind of death that turns this world from a beautiful and happy place into a world that is closing in on our main character, that is forcing him to surface temporarily and gasp for air, much like he does when he finds peace in the water, wading breath after air, after sea. I firmly believe that

To begin with, the author’s implementation of short sentence fragments throughout the poem illustrates the exasperation and frustration bottled up in women in response to

Adrienne Rich uses many poetic resources in her poem "Diving into the Wreck." In this poem a diver goes on a trip to investigate a shipwreck in the socially accepted schema. Rich shifts the role of the hero and the strategy for success in her second schema. In the second schema the hero goes on a journey where she discovers her true identity, both female and male.

Her use of the diving story really allowed her to express her experience with her mother without the reader feeling unable to relate, the fact that these events happened directly to her gave her whole argument more power due to the fact that she is able to say she did that first hand and she felt guilt prior to the events, and her appeal to emotion allowed her to give the reader a glimpse of the regret she felt thinking back on the whole experience. It is very challenging to think back on painful events and critique what one did wrong, Hopes essay urges the reader to try overcome their challenges so they won’t be able to share the same feeling as regret as she

Like an iceberg, Cole Douglas's depravity and lack of care and empathy for others lay ninety percent hidden. With his good looks and personable, charming demeanour on display for the world to see, the remainder of the twenty-three year old's true self lay in wait for an unsuspecting ship to pass in the middle of the night. To tear a ragged hole torn in it's hull and sink to the bottom of the ocean before it could react or the warning sirens be triggered. Forever damaged, even if was subsequently recovered from the murky depths.

Indigenous communities in Canada have long suffered from trauma that has largely been afflicted by Canada’s colonial past. This very idea is still prevalent today. “it takes an ocean not to break,” begins with the somber thoughts of the narrator reflecting on the suicide of a youth, she deeply cared about. who was close to her. Her statement: “i was in love with the idea that finally we had given birth to a generation that didn’t have to spend their adult lives recovering from their childhood.” (Simpson 79) represents the hope that in 21st century intergenerational trauma would no longer be prevalent in Indigenous society. The narrator also mentions “you weren’t going to drown yourself in anything.” (Simpson 79) This references the idea of substance abuse that has been prominent in Indigenous communities. The hopeful ideas quickly disappear when the speaker faces reality and the fact the youth was in a collision course with “a diagnosed train wreck”. (Simpson 79)

Rather than exploring lighter tones in her stories, she can only express herself through trauma. Let’s now explore what methods Danticat uses to explore such literary cliché’s within ‘Children of the Sea’.

Akin to intersectional romance fiction, poetry is equivalently as radical. Poetry magnifies the significance of language as a revolutionary tool, one that liberates women and cultivates an environment in which women are free to address their aspirations and anxieties while condemning the ideals of a society that operates under the canons of male chauvinism. In a collection of letters published as a tribute to the late Audre Lorde in Off Our Backs, a feminist newspaper journal written for women by women, one anonymous contributor discusses how Lorde “encourages all women to find their own means of expression, their own poetry to value and to use” (Tyler 32) in her piece “Poetry Is Not a Luxury”. In the piece, Lorde discusses how for women, poetry is not a nonessential indulgence, as Caucasian men throughout history have suggested through how they render poetry as an opportunity to “cover [a] desperate wish for imagination without insight” (Lorde, “Poetry Is Not a Luxury” 36). Lorde contends that poetry is a “vital necessity of [the] existence” (Lorde, “Poetry Is Not a Luxury” 36) of women because it establishes the infrastructure on which women “predicate [their] hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action” (Lorde, “Poetry Is Not a Luxury” 36). Lorde’s text motivates women to exercise “the power of the word, a freedom for women greatly feared by…patriarchal society” (Tyler 32). Lorde states the poetry

It’s easy to tell that the ocean is a mysterious and isolating place from all of the tragic tales we hear from sailors both real and fictional. Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” and an anonymous author’s “The Seafarer” are quite similar in that they both revolve around said tragic tales told by sailors. However, there seem to be more commonalities between their themes, tones, and messages rather than their seaward-bound settings. But before we can discuss these similar settings and deeper themes, we have to tackle their origins.

“The Open Boat” is short tale of endurance, suffering, and redemption. The story focuses on four interesting sailors on a journey towards survival. They try their best to overcome the adversities of the water and raging storm. Crane focuses on the constant struggle of man’s immobility to control his own life. “The Open Boat” is a nonfictional fiction some call it. It typically is argued as only fiction, but many lean toward its nonfictional quality. Crane wrote the story based off his real life experience of a shipwreck he tragically endured. The Commodore, the name of the ship, was the victim of the waves and Crane just so happened to be one of its friends. He wrote 2 articles based on this tragedy, but “The Open Boat” became the best

There is a distinct contrast between appearance and reality, which works to reinforce the idea of confining individualistic behaviours to retain the ‘pattern’ of society. In stanza two, she says that “tripping by in high-heeled, ribboned shoes/ (there is) not a softness anywhere about (her)” (lines 16 and 17) when she’s wearing “only whalebone and brocade” (line 18.) The term ‘whalebone’ refers to a whalebone corset, which is a very hard material that is restrictive to movement. By describing her actions as ‘tripping,’ a modern day feminist reader is reinforced that she is not coping in her current lifestyle where she is limited to living in a strict manner. In the next stanza, she says that “underneath (her) stiffened gown/ Is the softness of a woman” (lines 32 and 33.) This develops the idea that the way she dresses is a deceiving appearance, because she is not as stiff and stable on the inside as she comes across on the outside. Deep down she is soft and sad, in mourning of the loss of her lover, yet she cannot express these emotions due to the expectations and restrictions of women during the Victorian era.