Analysis of Doll House Play Essay

Throughout Nora’s whole life she has been controlled by whomever she has been close to. She has never had to chance to have her own experiences, to think her own thoughts and to try to make something of her life. She knows nothing but what her and her father let her. Nora admits to

Although Nora is secretive about the crime she committed, which is forging her father’s name in order to borrow money; she does it to save her husband. During Act I when Nora is speaking to Mrs. Linde about someday revealing to Torvald about the secret loan Nora exclaims: “One day I might, yes. Many years from now, when I’ve lost my looks a little. Don’t laugh. I mean, of course, a time will come when Torvald is not as devoted to me, not quite so happy when I dance for him, and dress for him, and play with him.” (Act I, pg. 12). This quotation shows that even early on in the play Nora understands the reality of her marriage, and her existence to Torvald. Therefore, Act I is merely an introduction to the overall overarching theme of independence. Act I shows the obedient side of Nora, until later scenes when she reveals her independence. Torvald attempts to oppress his wife, but his actions do not stop Nora’s independent thoughts from forming.

In “A Doll’s House” Torvald Helmer and Nora start out to seem as a happy married couple with three young children. In the beginning Nora is seen as woman who cares about her children and her husband but someone who also cares greatly about money. Torvald is seen as a man who is important in the society. Nora was portrayed as a very caring wife when it is revealed that she borrowed money illegally from Krogstad to fund the trip to Italy to try and save her husband life because he was sick. Once Krogstad begins to try and blackmail her Nora tries everything in her power to prevent Torvald from discovering the truth so that his pride and reputation would not be hurt or challenged. When Torvald finally discovers the

Firstly, Nora and Torvald have different opinions regarding money: he upholds that borrowing is never an alternative to financial problems, but acknowledges that Nora does not follow this rule. Torvald believes she cannot help her tendency of over-spending, describing it as a hereditary condition: "It is in the blood; for indeed it is true that you can inherit these things, Nora." (p 9). She has been content to maintain her secret of borrowing money from Krogstad without her husband’s consent. This allows her husband to think of her as a possession and an expense, as "One would hardly believe how expensive such little persons are." (p 8). This becomes the main source from which the play 's tension originates. This is essential, as Nora’s terror of Torvald uncovering this secret causes her to weave an increasingly unstable web of lies, which subsequently collapses around her

In A Doll House, Nora finds herself subordinate to her husband as well as the rules of society. Torvald forbids her from the consumption of macarons, bestows on her an allowance as if she were a child, persuades her to do as he wishes, dance like this, not like that, and she like a “good little lark” obeys his most every will. Her act of courage and independence, illegally taking out a loan to save his life, is seen as wrong in the eyes of society, while she sees it as necessary and forgivable; it is what a good wife should do for her husband.

Each time Nora finds herself unable to help herself the problem is easily directly traced back to her husband, her father, and to the overbearing dominance of the male society. She tries to save the life of the man she thinks she loves and in doing so sees how she has become a victim of her own ignorance which has been brought upon her by the men in her life.

Torvald told Nora “Don’t contradict me, Nora. Sweet Nora… Spendthrifts are sweet, but they spend an awful lot of money. You have no idea what it cost a man to feed these little birds.” (Ibsen 335). Instead of being the spendthrift that both Torvald and Christine blame her for, Nora is pretty dang thrifty. She has been secretly working odd jobs and not continually skimming cash from her allowance to pay back the loan. Later on we discover that Nora was so determined to save her spouse that she committed fraud just to do as such. This decision demonstrates that Nora is both brave and diligent. She values love over the law. When her little secret is uncovered one may realize that, underneath the silly character she plays for her spouse, there is an entire other very skilled Nora waiting to take place. This other, more competent Nora was eventually brought out away from any confining influence. The anguish of Krogstad 's blackmail begins the procedure, but yet the last blow is Torvald 's response when he figures out the truth. At the point when what Nora believes to be "the brilliant thing" doesn 't happen when Torvald

restricted to playing with the children, doing little housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Torvald, making her role similar to that of a slave. Torvald easily talks down to Nora saying things like: “…worries that you couldn’t possible help me with”, “Nora, Nora, just like a woman”, and “Mayn’t I look at my dearest treasure? At all the beauty that belongs to no one but me—that’s my very own?” as if she is considered his property.

Henrik Ibsen’s A Doll’s House conveys the story of a wife’s struggle to break away from the social norms of late nineteenth century middle class Europe. Throughout the play, Ibsen focuses on Nora’s characterization and experiences and thus this leads the reader to perceive her as the protagonist. On the other hand, her husband, Helmer – also referred to as Torvald, is revealed as the antagonist as the dialogue between him and Nora throughout the entire play portrays him as an authoritative figure and oppressor rather than a

Throughout the play, Torvald calls Nora by names [nicknames] that symbolize that their relationship is

In Henrik Ibsen’s A Doll’s House, we are introduced to the 19th century relationship between Nora and her husband Torvald Helmer. While reading through the three acts of the play numerous things are uncovered. It becomes clear that Torvald and his expectation for his wife are strongly influenced by society and culture in the 19th century. Torvald himself believes that he is the ideal husband. Torvald believes his wife is clueless and he is her savior. However in reality Torvald is the one that’s clueless and Nora is his savior. Additionally, Nora is everything he ever wanted to be.

In A Doll House, Ibsen presents us with Torvald and Nora Helmer, a husband and wife who have lived together for eight years and still don't know each other. This rift in their relationship, caused in part by Torvald's and Nora's societally-induced gender roles and also by the naivete of both parties to the fact that they don't truly love one another, expands to a chasm by the end of the play, ultimately causing Nora to leave Helmer. Throughout most of the play, Ibsen continually has his characters prepare for a masquerade ball that takes place at their friends' house.

After having used Krogstad to get what she needed, yet another issue arose. Krogstad turned on Nora once his position at the bank was on the line, and used her borrowing against her for his own good. “Niles Krogstad is also Mrs. Linde’s former crush, and he tries to redeem himself of his crimes of forgery by raising his children” (Rosefeldt).

lacking free will. Throughout the play, Torvald refers to Nora as his “lark” or “little squirrel”,

Her father owned her and made her do everything he wanted, and now her husband is playing that role. Her whole life seems to be awful, but then the plot thickens, and Nora awakens from her everyday, coma of ignorance. Nora has morphed from a housewife into a liberated woman. These changes occur throughout the three acts of A Doll’s House, and are the basis of the play.