Essay on Analysis of Dominant Ideology in Various Media Texts

The media has been a part of the daily life of the American people for the longest time, because of this fact, the media influences the decisions and views of how people should live. One big part of the media that tends to start to develop a sense of how the day-to-day American should live is Disney. Since kids are the main source of Disney’s billion dollar industry children have become an important dimension of the social theory (Giroux 1999: 65). “Within this context, television emerges as a consumer-oriented medium that reflects advertisers’ desire to reach a young, upscale, and primarily White audience” (Goodale1999; Henderson and Baldasty 2003: 100). As a result other races and ethnic groups other than white Americans are often put

“What if contemporary people are less interested in seeing depictions of their unconscious fears and more attracted to allegories of how their day-to-day existence feels?” (Klosterman 1).

The hallucination reveals the narrator’s hidden insecurity, in contrast to his projected confidence. Ambiguity not only of style but of value is predominant in the dream. The old woman says she both loved and hated her master and even poisoned him in an act of mercy. With that, the lines between love and hate, good and evil are blurred. In regard to freedom, a central concept in the (African) American conscious, she says, “I done forgot, son. It’s all mixed up. First I think it’s one thing, then I think it’s

In Stephen King's "Why we Crave Horror", the famous novelist argues for a rather depressing explanation of society's fixation with horror movies. He insinuates today's generation's obsession over gory and demonic storylines is a result of our internal need for violence that must be satisfied. Such claims may shock readers at first, however, King's use of diction, imagery and tone leave us no choice but to agree with his analysis of human behaviour. He uses these rhetorical tools to prove to the naive reader that we truly are "mentally ill".

The true horrors, which compose a fictitious dystopian world, are used as a literary tool by many authors in an attempt to magnify societies issues. Their texts serve as a moralistic warning with aim to

”The world is not responding to events in this country, but rather to the description of these events by news organizations. The key to understanding the strange nature of the response is thus to be found in the practice of journalism….” (Friedman, 2014)

In today’s society, media is present in our lives 24/7 allowing it to have a major influence on our culture in both positive and negative ways.

In Stephen King’s somewhat subjective essay in the 1984 Playboy magazine, Why We Crave Horror Movies, King describes his reasoning behind why so many people are fond of watching movies residing in the horror genre. The content of his essay, though inserted in an unconventional area for

“What if contemporary people are less interested in seeing depictions of their unconscious fears and more attracted to allegories of how their day-to-day existence feels?” (Klosterman 1).

The use of counter culture and ideology can provide unique perspectives on the issues faced by everyone, even those who do not acknowledge it. Trainspotting by Irvine Welsh portrays a drug addict who rejects any conventions of normalcy in the pursuit of an alternate reality. American Psycho by Bret Easton Ellis does the same through the depiction of a rich and greedy Wall Street tycoon. This essay will closely analyze the themes of illusion and reality in Trainspotting and American Psycho. The relationship between the fantasy world and the “real” world in these texts are closely linked and aid the narrative in a criticism of social and structural issues. The texts are often criticized as glorifying drug use and violence however through analyzing the effect of narrative, drug use and culture on the characters reality and illusions will argue that the elements of drug use and violence help in the deconstruction of greed and popular culture in the texts.

Whether it is through a newspaper, television, magazines or talk radio, people will always communicate through some type of medium. Now, whether or not the mediums are tainted with bias is a question of beliefs. Some people argue that journalism today is rather fair and balanced, while others would vehemently oppose that view by saying that bias is definitely prevalent in news media and other mediums today. In some instances, there lies the belief that the fairness doctrine should be reestablished in order to mend the problem of bias; however, many would strenuously fight that by arguing that such an act would destroy the freedom of the press guaranteed under the first amendment. Another argument surrounding this issue is the expectation

The literal surface of a work of literature is sometimes called the “manifest content” and treated as “manifest dream” or “dream story.” The psychoanalytic literary critic tries to analyze the latent, underlying content of the work, or the “dream thought” hidden in

Television today serves as a method to confront our societal fears in a comfortable setting, like books and oral tales did hundreds of years ago. The film The Shining directed by Stanley Kubrick, although a modern medium, still draws from the original gothic novel. Compared to The Castle of Otranto by Horace Walpole, The Shining plays on the same classic and applicable anxiety of finding terror within the nuclear family. Kubrick uses the gothic theme to address horror originating from family relationships, additionally taking the idea of “the gothic novel” to a heightened level through invoking despair in his audience rather than hope as Walpole did in his novel. Despair in The Shining is conveyed by

One of the greatest revolutions in the twentieth century was not political in nature, however, it aided in many different political revolutions. This revolution was the communications revolution. The twentieth century has experienced one of the greatest changes in means of communication including technologies such as radio, motion pictures, the Internet, advanced communications and most importantly the television. Sadly, political leaders and the government to convince or persuade the masses that their ideas supercede those of others have utilized these technologies.

Our society consists of consumers that buy into stereotypes and the propaganda that is being fed by the government and the media. Stereotypes steer individual's perceptions of a group of people in a certain way, usually negative, and generalize that opinion to all members of the group. Aware of the influence stereotypes have on people's views, governments use stereotypes already imbedded in society as a propaganda tactic to persuade people's thoughts, opinions and beliefs in order to benefit their cause. The media was used for disseminating stereotypes the effect violent music has on teenager's behaviours such as in the shootings at Columbine. After the September 11 attacks, the U.S. government used the media as an outlet to emphasize