Analysis of Edward Scissorhands Essays

The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an

We see Edward for the first time in the company of other people when he has dinner for the first time with the Boggs family. We see him struggling to do a simple ‘normal’ task of eating food, but he

The film ‘Edward Scissorhands’ by Tim Burton can be seen as a modern day fairytale. However, there are many important themes that make the film richer and deeper in meaning. The film is not simply entertaining, because the director examines the importance of individuality, love and appearance and reality.

In addition, mise-en-scene is used to show the contradictions between the two understandings of life. The barbecue and dinner scene show the emotional overkill and unstable conduct of the residents in the town by using the lively and distinctive color (Burton, 1990). The distinction with Edward’s gothic punk style of fashion, hairdo and makeup is unusual and marks him as an outcast. It is not only his exterior that points out his detachment from people, but also his ideas which represent his own reality and separates him from the world that he does not belong to. When the people discover Edward’s talents they begin to request different tasks from him. Overall, it seems as if the society is only accepting of Edward for their own benefit. However, Burton makes it clear that there is no true acceptance for Edward when he is forced to leave Peg’s house. Kim, the girl Edward falls in love with, knows she cannot change society, so she leaves him in the castle and tells everyone he’s dead so he is protected.

Another example from the movie is when Edward is introduced into this brand new style of living where he is the new ‘toy’ and uses his creative side to make people’s lives more enjoyable and fulfilling by cutting neighbours hair and turning a hedge into art. Tim Burton makes us think to look beneath the surface and not too just leave out someone who doesn’t look normal, he makes us think about our everyday life how we can be ignorant, rude and reject people who don’t look like us and have a disability. In Edward Scissorhands Edward isn’t always seen as the good guy from the town’s perspective. In the opening seen when we are given a bird’s eye view of the cars moving in and out of the town, this gives us the thought that the town is bright, bubbly and organized to the split second that the cars come out of the drive way but really as the movie goes on they seem to take the tag of being the ‘bad town’. In the movie the town thinks he is the bad guy because of what people have been gossiping about. Edward becomes the ‘bad guy’ as he is being betrayed/forced into the role of the town devil when he is the town hero as he has bought something to the town that will

The classic Edward Scissorhands brought to life a cultural change in movies that melded a dark ominous presence and added depth that could only be brought to life with the human characteristic of love. Tim Burton's tongue and cheek approach to dismantle the cookie cut American life style with a likable character with an unknown origin placed this neighbor hood in disarray. Showing that it was not the monster from the outside that would destroy peace, but the establishment that became consumed with having and wanting

Use of Allusion and Symbolism in Edward Scissorhands Nothing just happens in film. Directors all make certain choices in production in order to invite a particular response from the audience. The film, Edward Scissorhands is based around the introduction of a social outcast into a community and his attempts at acceptance. Although at first he is accepted whole heartedly and somewhat smothered, he later learns that despite how human he is, he cannot co-exist in the same world due to his differences.

Edward’s differences are viewed negatively by society as he is encouraged to conform. By having scars visible on his face, Peg makes an effort to mask Edwards imperfections. She is unfamiliar with his fair complexion as everyone in the neighborhood has glowing smooth skin and therefore she urges to “help with the scars”. While Peg applies a concealing cream on Edwards face, she insinuates that “blending is the secret” which symbolizes how blending into society will help Edward conform. This suggests that Edwards flaws are not accepted and how society pressures to cover up your differences because uniformity is acknowledged. As the family warms up to Edward in their home, Bill suggests that Edward gets a job to earn money like everyone else in the community. He says that having a job is the “greatest satisfaction” a man can have. This insinuates that men are conformed to have a job and earn money for their family. Edward decides to make an effort and get a loan to start up his own business at the local bank which is painted white and black symbolizing the dull and homogenous life the society lives in. Edward is rejected by the bank authorities when he finds that Edward has no previous bank records and therefore “may as well not even exists.” This implies that by Edward not having a job, he is not welcome to exist in society as they are not willing to give others who are different a chance. As humanity negatively views Edwards differences, Burton displays how humans encourage outcast to conform to society.

Tim Burton’s fictional worlds are ones of clear compartmentalization, quite often between literal shades of black and white. Through visual contrasts the audience is not only drawn into the plot, but also given explicit messages about how to interpret the actions and motives of the characters. His macabre art style and purposeful storytelling both hint at his rejection of the status quo; throughout his stories he reinforces the idea that normality is not synonymous with morality through the use of stark lighting contrast, yin and yang style settings, and costumes that are polarly different.

Edward Scissorhands is one of the most curios and anticipating oviesive seen and it all starts off with A man named edward scissorhands is living in a dark mansion up on the mountain towering over the little town. Then an Avon representative drives up to the mansion and realizes the Edward is the only one living up in this mansion and decides to take him home to her house. Then then the peg the Avon representative took edward on a tour of the house and they get to her daughter kim's room and right when you see it you can tell edward like kim but Jim edwards boyfriend does not like Edward every much because he's different. If i was that person i would not bring edward home because who knows what he is capable with those scissorhands.

Burton once said, “I think the atmosphere that I grew up in, yes, there was a subtext of normalcy. I don’t even know what the word means, but it’s stuck in my brain. It’s weird. I don’t know if it’s specifically American, or American in the time I grew up, but there’s a very strong sense of categorization and conformity.” This experience of having to conform is reflected in Burton’s work. For example, in Edward Scissorhands Edward, who dressed in dark colors, conformed to the neighborhood by putting on brighter colored clothes and changing his style. Using lighting, angles, and sound Burton’s unique style conveys that one should not have to hide one’s differences to be accepted.

The somewhat strange movie Edward Scissorhands, in reality, has a stunning connection to our everyday lives and how we deal with difference, despite the fact that none of us have differences to the extreme of having scissors for hands. The film Edward Scissorhands directed by Tim Burton shows the effect of a man with scissors for hands on a community of colourful carbon copies. The theme demonstrated by this film, through both the motif of the people in the neighbourhood using Edward for their own gain as well as the symbol of covering up Edward’s true self, is that people only tolerate individuality to the extent that they are directly benefited by it. The instances in which the members of the community are viewing Edward’s “irregularity”

The movie Edward Scissorhands starts off very interesting and the film continues to get more unique with a twist at the end. Johnny Depp plays the part of Edward Scissorhands, Winona Ryder is Kim, and Dianne Wiest is Peg. Each part is played very well with excitement at all times. This movie is for all to enjoy, it is a romantic, drama, and fantasy movie.

Most modern directors’ are heavily influenced by other film styles, films, or even other directors. German expressionism is a film style that contemporary directors have borrowed heavily from in order to create a new approach to the old film style. Therefore expressionism the style is something that modern directors often emulate in their films. Tim Burton is a director that has been clearly been influenced by German Expressionism and its use of stylized elements. This can be clearly seen through the movie Edward Scissorhands. German expressionism is a style of art which developed early into an influential movement of German painting, sculpture, literature,

Johnny Depp, is one of the most talented physical actors of this age. His unique and often wacky movements make each of his characters stand out. Most famous for his role as the ridiculous pirate captain Jack Sparrow, form Pirates of the Caribbean, Depp is also widely known for a number of other interesting characters in a number of other interesting shows, one of his earliest being Edward Scissorhands, in Edward Scissorhands (1990). The expansion of Depp 's use of physical movement is tremendous between Edward Scissor hands ad Pirates of the Caribbean. And though they both differ tremendously in personality and physicality, they still maintain the wacky persona that is so characteristic of Johnny Depp.