Analysis of Erik, Phantom of the Opera Using Two Contrasting Personality Theories

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Analysis of Erik, Phantom of the Opera Using Two Contrasting Personality Theories The tremendously popular and well-known Andrew Lloyd Webber’s 1986 musical production of The Phantom of the Opera was based on the French novel Le Fantôme de l'Opéra written by Gaston Leroux in1910 (Leroux, 1910/1990). The original novel gave little direct details with respect to Erik’s past; what was abundant however were hints and implications about the character’s life history throughout the book (Leroux, 1910/1990). Erik was actually not his birth name but rather a name given to him by accident, and Leroux had simply called him “the man’s voice” in the novel; Erik, however, had referred himself as “the opera ghost” and “the angel of music” throughout…show more content…
By the intervention of the local police chief (the Persian), Erik escaped to Constantinople and was employed by its’ ruling Sultan to build his grand palace of a similar design. Alas, he was later forced to escape Constantinople for the same reason he fled Persia. Erik’s next destination was most likely to be somewhere in Southeast Asia, where he decided that he was tired of his nomadic lifestyle. Eventually, he returned to Paris and successfully bided on a contract to help build the Paris Opera. Using his extensive experiences from the past, the theater was built with trap doors and secret passageways throughout. In addition, Erik built himself a palace, or a playhouse, of a sort deep within the cellar of the opera house so that he did not have to live amongst the cruelty of humankind. He spent the next 20 years or so in his “home” writing and composing music of various sorts. At about the same time, a beautiful and technically talented chorus girl by the name of Christine Daaé, who had lost all passion to sing and perform due to her father’s passing, somehow heard Erik’s singing and music in her dressing room at late nights. Thinking that must have been an “angel” sent by her father, Christine took singing lessons from the “Angel of Music” during the nights and later
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