Analysis of "Facing It" by Yusef Komunyakaa Essay example

“Facing It” by the American black poet Yusef Komunyakaa of Shreveport is written with the use of visual images. Yusef Komunyakaa writes about one of his many trips to the Vietnam's Veteran's Memorial in Washington DC. This Memorial is a long polished slab of black reflectant granite with the names of all the US soldiers who lost their lives in Vietnam. Yusef says “my black face fades, hiding inside the black granite”. Here Yusef uses his reflection in the wall to bring the reader back to the war and how he feels standing at the wall now. He makes his feeling ambiguous and give the reader the opportuntity to decide what he is feeling through his use of viual images.

The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are two powerful poems with the graphical life like images on the reality of war. It is apparent that the authors was a soldier who experienced some of the most gruesome images of World War I. In “Ducle et Decorum Est” Owen tells us about a personal experience in which he survived a chemical warfare attack. Although he survives, some of his fellow troops do not. As in “Facing It” Komunyakaa is also a soldier who has survived a war. Komunyakaa response to his war experience is deeply shaped by his visit to Lin’s memorial. Inspired by the monument, Komunyakaa confronts his conflicted feelings about Vietnam, its legacy, and even more broadly, the part race plays in

In the poems of “Dulce et Decorum Est” and “Facing It” written by Wilfred Owen and Yusef Komunyakaa respectively, two entirely different yet similar stories of war are told. “Dulce et Decorum Est” is told through the perspective of our narrator as he’s directly in the middle of a war and of the horrors he sees. From the unforgiving terrain to the description of the already beaten down soldiers, and quickly followed up with a gas attack, it is not a pretty picture. The poem tells of the soldiers scrambling to put their helmets on to shield them from the gas, but not all of them make it. One soldier helplessly fumbles with his helmet and does not manage to put it on in time. The images of his friend choking and drowning are all too real for

In his poem, “Facing It”, Yusef Komunyakaa describes his ambivalent emotions towards the Vietnam War of which he was a veteran. Reflecting on his experiences, Yusef expresses his conflicting feelings about the Vietnam War and his feelings about how racism has played a part in America’s history. By using visual imagery and metaphoric language throughout the poem, Yusef is able to reflect the sad and confused emotions he felt while visiting the Vietnam memorial.

The poem describes the life of a man during the Vietnam War, a conflict involving the United States and local Vietnamese who supported a communist regime, and how unexplainable sporadic events saved his life. He gives thanks to an unknown force that saves his life multiple times throughout his tour in Vietnam because the instances are what some people consider luck and others and act of a higher being or deity. Throughout the poem he expresses his gratitude towards the entity that watches over him but later he questions the existence of a god because why would one allow there to be a war in the first place and then send

The author was giving a message then at the end of the poem it changes. He was giving the message that war happens to everybody and that they will have to go to war at some point in there life. The problem is that they don’t know the bourdon that it puts on the people that he has supported and been supported by until his son is sent of. He gets a totally different feeling when he doesn’t know what could happen to his son. He gets his message across by proving that every body has something to do with war wether they like it or not. Your parents might have been to war, if not them then your uncles, cousins, friends, or your neighbors(old men). Then if it isn’t them it could be your child who is going and the feeling is different, you lose the feeling of security when you cant protect your child. He

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are 2 great poems written in the perspective of soldiers who experienced disturbance of war. In “Dulce et Decorum Est” Owen talks about his experience in World War 1, taking the reader inside the actual event and giving them the insight on his feelings watching his fellow troops die. In “Facing it”, Komunyakaa also discusses his feeling towards his fellow troops who didn’t survive the attack but he also sheds light on his racial identity. Komunyakaa talks more of his feeling about the Vietnam War while visiting a memorial as oppose to describing the actual event. In "Facing It" by Yusef Komunyakaa and Wilfred Owen 's “Dulce et Decorum Est," the poets use various literary techniques to express their traumatic experiences of war. Without these literary devices, the poems would not be as powerful and effective in expressing how war mentally damaged them.

“Facing It” a powerful sonnet, brings both exact and metaphorical meanings to the reader. As seen in “I see the booby trap’s white flash,” (18) where there is no room for a different interpretation, but a flashback; which invites the reader into the world of war. It is up to the vet to see himself as something other than a man of war and the Vietnam Memorial allows them to release their pain into the stone, the black granite; releasing the empty pain that is carried for years. “[H]alf-expecting to find / my own [name] in the letter” (15, 16) and the portrayal of “I am a window” (27) allows others to see through the vet what a veteran took away from the war. Not all came back whole either mind or body and Komunyakaa displays this within the reference of “his right arm / inside the stone” (28, 29) and how this soldier wishes the names and pain could be erased by the simple movement of a

Yusef Komunyakaa, born in 1947, wrote both February in Sydney and Facing it. These poems were written as a way of “talking around an idea or question,” this idea/ question being that of growing up during the civil rights movement. His poetical technique makes his opinions stand out, being affluencial because although poems contain less words they often have a more powerful appeal. Komunyakaa was especially influenced by jazz and the time that he served in the Vietnam War. He creates his poem February In Sydney to mimic that freedom that he felt through jazz similar to that of meditation. In Facing it he bases the poem on flashbacks of the war while visiting the Vietnam Veterans Memorial.

This internal war starts the second that you set foot in this unknown word as a baby, all the way up to the last step you take to say your last goodbyes to this world. The poem begins with a life of a child in whom people around him tended to call the child “...crybaby or poor or fatty or crazy and made [the child] an alien…”(Sexton), and the child “...drank their acid and concealed it.”(Sexton) illustrating how painful it is, not react and take actions,but counseling is the best method the child seemed fit. Furthermore, courage in a person can also cause a war, in which the author shows the imagery, how the child’s “...courage was a small coal that [the child] kept swallowing.”(Sexton) and encouraging to society to make his own future. As an adult, the person endured many difficulties, such as the of enduring “...a great despair…”(Sexton), but you didn’t do it with a companion but rather “...did it alone.”(Sexton) and endured that suffering within yourself. Being an adult is not only passing a time with your loved ones and remembering the ones that sacrificed their time to make you who you are now, from your teachers to your peers to your parents, but to actually live your life the fullest and make each day worth living.Until the last moment that has been waiting since the beginning in which the death “...opens the back door...” and “...[the adult will] put on [his] carpet slippers and stride out.”(Sexton), exemplifying how all you have done, from engulfing the pain given by the society to living your whole life just to see a tear of happiness from seeing your grandchild, will not be taken with you at the moment when you really need it the

The collection of poems “Theater”, “Water”, and “Safe House” by Solmaz Sharif shows the varied viewpoints of how war affects the speakers and how death is all too common in the midst of warfare. The author uses a spectrum of literary techniques to enhance the experience of the reader, so we can fully grasp the severity of each speaker’s plight. All of Sharif’s poems differ in form with the use of white space and indentations in “Theater”, colons in “Water”, and a style of abecedarian using the letter S in “Safe House”. While her diverse use of forms generate different emotions from the reader, they share the same notion of how violence is problematic. Each poem has a unique outlook to the sight of war: “Theater” being in the position of a victim and an assailant of war, “Water” explaining a war mission and fatalities in terse terms, and “Safe House” as an observer of an activist against war. Sharif’s strategy to exemplify the effects of how war affects the victim and the civilian is particularly critical because mass media tends to hide the collateral damage of war and only illustrates why we should attack the “enemy”. Another approach the author uses to critique the speakers central conflicts is by arranging words from the US Department of Defense 's Dictionary of Military and Associated Terms, to concur with the message of the several ways war influences the lives of those who are unwillingly encompassed by it. Sharif uses poetry as an outlet to show the underlying tone

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

It can be hard to fully comprehend the effects the Vietnam War had on not just the veterans, but the nation as a whole. The violent battles and acts of war became all too common during the long years of the conflict. The war warped the soldiers and civilians characters and desensitized their mentalities to the cruelty seen on the battlefield. Bao Ninh and Tim O’Brien, both veterans of the war, narrate their experiences of the war and use the loss of love as a metaphor for the detrimental effects of the years of fighting.

When faced with the countless problems of war including death, disease, sorrow, and loss, soldiers develop and intense bond between one another as they seek support in one another. A brotherhood is formed among these soldiers who rely on one another for protection and companionship amid a time in their lives where they are faced with the constant threat of death and violence everyday of their lives. But what happens to them after the war? In After the War, poet brings awareness to how the war-torn soldier attempts to reestablish their self in a society they have been isolated from for so many years through use of free verse and repetitive phrases, which further reinforces the theme throughout the poem.