Analysis of Filming Techniques in Spirited Away

Miyazaki’s childhood was short as he was born January 5, 1941 during World War II, thus without exception, his films main characters are children, deal with growing up and often consist of one young female lead and one young male lead. This is evident in My Neighbor Totoro (1988) as the two main characters are young girls who, unlike adults, can see and befriend the spirits of the spirit world. In Spirited Away (2001), the leading character Chihiro is a young girl who must deal with growing up, similarly to Kiki in Kiki’s Delivery Service (1989). Princess Mononoke (1997) also features these stock characters in the form of young San, adopted daughter of the wolf goddess Moro and Prince Ashitaka, a young girl and boy. Hayao Miyazaki has expressed strong feelings about childhood, saying that it's a paradisiacal time when, "you're protected by your parents and unaware of the problems around you". Miyazaki’s upbringing during World War II would explain another unique mark of his films, that being his interest in flight.

Be who you are and say what you feel, because those who mind don’t matter and those who matter don’t mind(Tim Burton). Who knew that a movie could be so much like the real world events? Two subjects projected in two single clips. One from sorrow and the other formed by fright, yet you can only overcome a fear if you face it. As shown in the Tim Burton clips.

Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.

‘The Castle’ directed by Rob Sitch, is a 1997 Australian comedy, starring Michael Caton and Anne Tenney. The film showcases what being a true Australian is like from the love the Kerrigan family share for their home, each other and their communications to their neighbours and family. Daryl Kerrigan, the main character within the film epitomises as a true Australian, close up shots of Daryl before he was going to court about his house. Shows the emotional and dedication he has in himself. Following this, multiple close up shots of Daryl, to show his guilt he feels towards his family and friends.

“The Dressmaker” has many similar elements and features to spaghetti westerns. How has the director used this style to engage a modern audience?

Sleepy Hollow is a gothic horror film directed by Tim Burton in 1999. It tells the story of when Ichabod Crane is sent to the isolated town of Sleepy Hollow to solve the mystery of the Headless Horseman. The isolated gloomy setting for example, when Ichabod Crane enters the town, the film techniques such as music and lighting such as when the Headless Horseman appears combined with characters that have supernatural powers including Catrina and Lady Van Tassel reinforces the idea that Sleepy Hollow is a gothic horror film.

Like walking through a barren street in a crumbling ghost town, isolation can feel melancholy and hopeless. Yet, all it takes is an ordinary flower bud amidst the desolation to show life really can exist anywhere. This is similar to Stephen’s journey in The Samurai’s Garden. This novel is about an ailing Chinese boy named Stephen who goes to a Japanese village during a time of war between Japan and China to recover from his disease. By forming bonds with several locals and listening to their stories, he quickly matures into a young adult. Throughout the novel, Gail Tsukiyama shows how disease forces Stephen into isolation; however, Matsu’s garden and Sachi lead him out of solitude.

Miyazaki shows his audience that both worlds share the same parallel circles; names were powerful in the spirit and human worlds -- names identify identity in both worlds. It was very important for Sen aka Chihiro, in “Spirited Away” to remember her name because if she did not, then she wouldn’t be able to return to her natural world. In “Ponyo” it was also important for her to have a name. Another example of the power of words was when Yubaba let Chihiro, in “Spirited Away”, signed over her name to her and then she assigned Chihiro a new. Haku in “Spirited Away”, couldn’t remember his name but he sensed that Yubaba had something to do with it, and so, he made sure that Chihiro didn’t forget her name – because she would be trapped just as he was. Sosuke also assigned Ponyo a name; not that giving Ponyo a name in the human world would bring anything mystical, but it gives her self-worth, identity, and belonging, just like Chihiro. Miyazaki shows his audience that there was no difference in the sprite or the human world that both worlds are equally

He was very consistent and he did not discriminate by race as a 12 year old, but now after 40 years have passed he is depressed and he is losing faith in his life. As a 12 year old he meets Keiko; a Japanese girl. Although his parents are against Japanese people because of the bad relationship the Japanese have with the Chinese, he is determined to do anything to be with Keiko, even by going against his father’s rules. He loses contact with Keiko when she is sent to a concentration camp. Eventually, he forgets his crush, Keiko and marries a friend named Ethel and gives birth his son Marty Lee. About 40 years have passed since Henry has forgotten Keiko and Ethel has died after fighting cancer for 7 years. Henry is depressed and he is losing hope and faith, but there is a great big discovery that changes his personality. The discovery of the belongings of many Japanese families including Keiko’s in the basement of Panama Hotel. Keiko Okabe is a Japanese American. She faces many struggles being a Japanese person in the period of World War II. Keiko is a very outgoing, likable, and carefree character. Despite what her family is going through, she is determined to spend every moment she

Psycho is a 1960 American film directed by Alfred Hitchock. The screenplay of the movie written by Joseph Stefano was inspired by the novel of the same name by Robert Bloch on the year 1959. This film is categorized into the horror-thriller genre of film. The starring was Anthony Perkins as Norman Bates, Janet Leigh as Marion Crane, Vera Miles as Lila Crane and John Gravin as San Loomis.

Sixteen candles was written by John Hughes, this movie was his first 1980s teen movies. Hughes was inspired by Molly Ringwald, to write the screenplay. As, he was finishing up writing the screenplay for Mr. Mom and National Lampoon’s Vacation, Hughes' agents at ICM gave him a stack of photos of young actors. When he was going through the stack he noticed Molly Ringwald, then began write the screenplay for the Sixteen Candles. John Hughes finished the script over a single Fourth of July weekend. Hughes also was so impressed with Anthony Michael Hall's performance in National Lampoon's Vacation that he created the role of Ted “The Geek” just for him. Michael Schoeffling got the role of Jake Ryan, as the leading male because of his good

Throughout the story the protagonist is left nameless. This provides the reader with another question of identity. Without a name to attach to the character, we are left without an identity.

There comes a point in time in an individual’s life in which their name truly becomes a part of their identity. A name is more than just a title to differentiate people; it is a part of the person. In Lost Names: Scenes from a Korean Boyhood by Richard E. Kim, names play a major role on the character’s identities. The absence and importance of the names in the story make the story rich with detail and identity through something as simple as the name of a character. Names are a significant factor affecting the story and the characters throughout the novel Lost Names.

With the help of their companions, the main characters must overcome a series of obstacles before they can discover their full potential. In the beginning of the story, Chihiro is a spoiled child forced into the fantastic world. Chihiro becomes completely separated from everything she has known and must find her way back to reality. Her adult guidance is stripped away from her when her parents are turned into pigs after being greedy and eating plenty of food that did not belong to them. Chihiro is then forced to step up and save her own parents: “I'm sorry my sister turned your parents into pigs, but there's nothing I can do. It’s just the way things are. You'll have to help your parents and Haku by yourself” (Miyazaki). Never having been cast such responsibility, Chihiro does a pretty good job. In order to survive in the spirit world, Chihiro takes a job at the bath house run by Yubaba. There she performs hard tasks most kids her age would not be able to grasp. Chihiro taking a job is a first step into her reaching adulthood, as providing an income and hard work are grown up responsibilities. While she is working there, she faces some difficult challenges which the other

Most of the science fiction works contain a crucial message that the writer wishes to convey to the viewers. There are two categories of film message, one is positive and the other is negative. A positive message is one that is expected to have favourable outcome to the audience, and continuously aiming to promote better societal changes. In contrast, a negative message is one that could deliver threats or unpleasant information to the audience, which could have significant impact on the normal order of the society. This essay will argue that if the message contains positive elements, then it is not a bad sign to embed science fiction works with a message. First, this essay will suggest that the well-integrated message within a particular