Analysis of Hamlet’s Behavior through Minor Characters

murder in a rash mood. It is not seen by Gertrude. It tries to urge

When Prince Hamlet’s father, king of Denmark, dies, he returns home and grieves the death of his father. In turn, he discovers his father’s death was no accident. The Ghost of Old Hamlet tells his son that his brother, Hamlet’s uncle, Claudius murdered him in order to receive his crown. The rest of the play revolves around Hamlet planning revenge against Claudius to prove he is truly guilty of the crime; however, Hamlet shows signs of ignorance toward manifesting his thoughts into action and relies on scheming instead. Reasoning causes him to delay his revenge against Claudius until Act V of the play, where he finally musters up the courage to kill Claudius. His decision to choose action over reason, after choosing reason for four Acts, proves Hamlet morphed into an existential character. Hamlet appears to be the embodiment of an anti-existentialist in the beginning

The final way that Laertes acts as a foil to Hamlet occurs once again when Claudius and Laertes are discussing Laertes’ actions to achieve his vengeance. Claudius gives Laertes advice saying, “That we would do/ we should do when we would; for this ‘would’/ changes” (4.7.134-136). Claudius is warning Laertes that if he waits long enough, he will probably end up not doing anything at all and will not achieve his goal of vengeance. This quote spoken by Claudius is quite similar to when King Hamlet’s ghost meets with Hamlet earlier in the play to warn him about how he was killed by Claudius and that he must get revenge. King Hamlet’s ghost also warns Hamlet saying, “Taint not thy mind” (1.5.92), telling him to not over think his plan because otherwise he will not pursue his vengeance. After Claudius warns Laertes to not get side tracked, the audience is reminded of King Hamlet’s ghost telling Hamlet to not over think because then their plans will not be pursued. This scene acts as a foil towards Hamlet because soon after the conversation, Laertes does pursue his plan of seeking vengeance, whereas Hamlet has been working on his plan the whole play, and has still not started to execute it.

“To be, or not to be, that is the question,” (3.1.64). This famous line in William Shakespeare's Hamlet perfectly encapsulates Hamlet’s internal struggle throughout the play. Hamlet tells the story of the young prince of Denmark and his desire for revenge on the uncle, Claudius, who murdered his father. As is the case in many works of literature, Hamlet changes greatly throughout the play. However, because of his attempts to act insane, it can be difficult to precisely map the changes in Hamlet’s character. By carefully investigating his seven soliloquies, where he is alone and has no need to “put on an antic disposition,” one can understand and interpret how Hamlet’s character develops throughout the play.

Initially the reader can understand Hamlet’s anger with Gertrude when she marries his uncle. “O, most wicked speed, to post / with such dexterity to incestuous sheets,” says Hamlet in disgust towards his mother’s marriage (1.2.161-12). Gertrude did marry the king’s brother quickly after his death, so any resentment Hamlet feels towards his mother is justified. The reader sympathizes even more with the character when Hamlet says of the union, “It is not, nor it cannot come to good. / But break, my heart, for I must hold my tongue” (1.2.163-164). It appears that Hamlet is attempting to be respectful towards his mother, so it’s easy to appreciate his character in the beginning.

In the conclusion of Shakespeare’s Hamlet, the audience gains an understanding of the importance of Justice to each character. In the final act both Hamlet and Laertes seek to find justice for the wrongs committed against them and their families. This leaves both men trying to identify how to right these misdeeds

Many view Hamlet, the main character, in Shakespeare’s tragedy Hamlet as a hero. He portrays characteristics that prove to the reader that he does possess heroic qualities. Although, it is a struggle for him throughout the play, but as he goes through life and learns new ways of coping things, he develops new characteristics that he didn’t have in the beginning. Hamlet learns to overcome his anxiety, depression, and anger. In the end, he learns how to be calm and collected. The way Hamlet learns how to handle internal conflicts throughout the play, shows the readers a realistic view of the difficult encounters one may have when learning to cope with different

Will Hamlet accept the new changes in his life? What is he capable of to be happy? After his father’s death, Hamlet will have to face the new changes in his hometown, Denmark. Shakespeare develops Hamlet’s character in relation to other characters in these soliloquies.

In the tragedy play Hamlet written by Shakespeare, Hamlet’s character and emotions changed various times. In Act 1 Hamlet was portrayed as weak and in a deep grief about his father’s death. In lines 78-86 as a response to his mother unsympathetic comment, Hamlets states, “Seems madam? Nay it is. I know not ‘seems.’ Tis not alone my inky cloak, good-mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all the forms, moods, shows of grief  That can denote me truly. These indeed ‘seem’, For they are actions that a man might play; But I have that within which passeth slowly-these but the trappings and the suits of woe.” In these lines, Hamlet explains that his visible signs of grief are nothing compared to how he feels inside. Hamlet not only offers the first illustration of the anguish and emotions of his character, but encompasses much of the universal experience of grieving. He doesn’t show it externally, but he was struggling with painful emotions internally. Act 2 Hamlet was seen as a very vengeful person due to the fact that his uncle murder his father just to be king. In line 611-616 Hamlet states,” Why, what an ass am I! This is most brave, That I, the son of a dear father murdered, Prompted to my revenge by heaven and hell,

In Hamlet by William Shakespeare, Hamlet plays the main character of a prince who loses his father and his heir to the throne. Hamlet experiences troubling events that affect his irrational behavior. Stylistically, Hamlet’s character is both beautiful and poetic. Realistically, Hamlet may have suffered from a psychological disorder and several complexes. Hamlet is affected by Bipolar I disorder, causing him to act irritably and have an elevated mood. He is also a victim of Freud’s Oedipus complex which makes it harder for him to accept his mother’s remarriage. Hamlet’s hatred toward Ophelia and his mother is a result of his subconscious overwhelming hatred and fear of femininity. These psychological disorders and complexes that Hamlet suffers from show why he acts as he does.

“Mad as the sea and wind when both contend. Which is the mightier. In his lawless fit, Behind the arras hearing something stir, whips out his rapier, cries “A rat, a rat,” And in this brainiac apprehension kills The unseen good old man.”

In William Shakespeare’s play Hamlet, the combination of characters’ weaknesses and circumstances lead to their downfall. Weaknesses will always exist in characters, although they go unnoticed and do not have any true impact until they are highlighted by unfortunate circumstances. These emphasized weaknesses ultimately lead to the characters’ downfall. Claudius’ ambition, Ophelia’s obedience and Hamlet’s tendency to overthink all lead to their downfalls in the play.

In Hamlet: Prince of Denmark, Shakespeare uses the tragic hero to contribute to the tragic vision of the work, through the suffering brought upon other characters from Hamlet such as, Ophelia, Laertes, and Gertrude. The story takes place in Elsinore, Denmark. In the late middle ages around and in the royal palace.

When one reads William Shakespeare’s Hamlet, it is easy to overlook the female characters as powerless and subservient. However, things are not always what they seem at first glance, as a further analysis of Gertrude and Ophelia suggests. Although the plot centers around Hamlet’s quest for revenge, these two female characters have a profound influence on what transpires. These women certainly play more significant roles than they seem at first.

Throughout the play, Hamlet is ambitious to avenge his father’s death. In the end of act one, Hamlet realizes the truth and the cause of his father’s death. For instance, the ghost of Hamlet’s father told Hamlet to “revenge his foul and most unnatural murder.” His father demands revenge and Hamlet swears to avenge his father’s death showing that he is willing to do anything to achieve it. In Act three, Hamlet finally puts his desire for revenge into action. He does this by re-enacting a scene of the death of Hamlet’s father. Hamlet uses the players to prove King Claudius’s guilt and becomes successful because King Claudius exits immediately after what he has seen. During the duel with Hamlet and Laertes, Gertrude is dead after she drinks the poison Claudius gave to Hamlet. Hamlet is gone mad about it and forces King Claudius to drink the poison as well. This shows that Hamlet is ambitious to kill Claudius and gets the King`s crown after doing so. Though he mainly focuses on getting the job done by avenging his father`s death, but he has other things that he is ambitious to do.