Analysis of Home in the Grapes of Wrath

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

Throughout the book, The Grapes of Wrath by John Steinbeck, the physical transition of the Joad family from a small close-knit group of people living a quiet life on a farm in Oklahoma, corresponds with the internal transition of the concept of family. As the Joads leave their farm and journey westward, they no longer live just within their own isolated unit. Becoming involved with other families as they migrate, changes their focus and by the end of the book, the family members each reach out in their own way to embrace all of mankind as a family.

For the first time in 130 years, more young adults are living with parents until their mid thirties. Part of this could be an emotional attachment keeping them from leaving home because after they leave, everything will change. However, many are losing their real sense of home and are just using it as a place where they can avoid paying bills and many other responsibilities. Many young adults now do not understand the extensive sacrifice it is to leave their one and only home. In “On Going Home,” Joan Didion expounds on her struggle to connect with her current house, in a nostalgic and resigned tone, and vivid imagery, symbolism, and comparison Didion expresses the regret she feels every time she remembers she left her “home”.

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.

Houses, the final symbol, are where someone lives and are therefore echoes the soul of the occupant. The fact that Edna has multiple homes is important because they reflect her changing state of mind. Edna vacations in several houses in The Awakening: the cottages on Grand Isle, Madame Antoine’s home on the Chênière Caminada, the big house in New Orleans, and her “pigeon house”. Each of these houses serve as an indication of her progress as she experiences her awakening. Edna portrays the image of a “mother-woman” on Grand Isle, and to make sure she is the perfect social hostess in New Orleans. While living in the cottage on Grand Isle and in the big house in New Orleans, Edna does not look beyond the confines of these traditional roles.

What does the word home mean? In the essay “On Going Home” by Didion she recreates her feelings and thoughts about her meaning of home. Family is a big part of one’s life and important one at that and Didion uses it as the center of her work. The work itself is about re- defining what home truly is.

As a woman, Mama’s aspirations to get a house was uncommon in those days, but Mama always dreamed of moving out of there small apartment and into a nice house in a safer neighborhood with a small garden.(92). She describes her dream house like it is the most spectacular thing in the world. She is extremely happy for herself, but happier for her family. However, Mama’s goals are more complicated then just wanting a house. With this house she feels that the family now has hope and can accomplish their dreams. On the other hand, without this house Mama predicts that the family will continue with

“At the heart of every immigrant’s experience is a dream- a vision of hope that is embodied in his or her destination” (Gladstein 685). In the novel, The Grapes of Wrath the migrants imagined the absolute aspects of living care free to the west. However, everything changed once they traveled to the west, realizing the simple concept turned into hazardous problems. John Steinback emphasized the American dream of economic stability and truculent situations towards the Joads family's point of view. Throughout the immigration, the Joads family goes through constant and unpredictable changes in employment, and their eventual failure to find success in California. The novel has been called by critics "a celebration of the human spirit", in several ways it is true due to the aspects of human nature. Despite the hazardous actions people can do, it is important to realize everything around us.

This quote is important to the narrator, because it upturns her feelings about her home.

One would say that on a literal level The Grapes of Wrath by John Steinbeck is about the Joad family's journey to California during The Dust Bowl. However, it is also about the unity of a family and the concept of birth and death, both literal and abstract. Along with this, the idea of a family unit is explored through these births and deaths.

Home is a dwelling where people unwind, mature, and can safely reside. Coates, Andreou, and Owen see home as a material structure and are chiefly concerned and focused on the importance of access to home. On the other hand, Shammas, Iyers, and De Botton view the abstract concept of home, which emphasizes that home, is about creating feelings and memories. Home is not a material place where it can be several different places and have no meaning. Home is a place where you create fond memories, feelings, and grow with the culture.

(MIP-1) The characters in this novel value their objects and focus on the superficial. (SIP-A) Everyone highly values all of their possessions. (STEWE-1) In real life, most people highly value their families. People like Mildred also value their families, except the fact that they are not humans. Instead their families are the items they own. Montag and Mildred get into an argument where he talks about books and parlor walls and how there is no one there but them. Mildred disagrees to this point and says “‘Now’, said Mildred, ‘my ‘family’ is people. They tell me things; I laugh, they laugh! And the colors!”’(69). She is convinced that her house and surroundings are her family because she thinks they have the characteristics of a person. When in reality, she has just gotten used to them and addicted to them which makes her more comforted by the parlor walls instead of her husband

A person’s home should be more than a place to shelter them from the elements. It should be a place where one could express him/her self freely and not have to worry about any harm coming to them. In the play Trifles Mrs. Wright lived in a house that was anything but calm. In block eleven,

of the fact that she is kept in the house. One specific characteristic of the house that symbolizes