Analysis of Imitiaz Dharker's Poems.

2339 Words Jun 29th, 2013 10 Pages
“They’ll say: ‘She must be from another Country’”
-Imitiaz Dharker Imitiaz Dharker was born in Lahore, Pakistan in the year 1954. She is a poet, documentary film-maker and an artist. Her family moved from Lahore to Glasgow when she was less than year old. Presently she divides her time between London and Mumbai. Her other works includes Purdah and other poems (1988), Post Cards from God (1997), I speak for devil (2001), Terrorist at my table (2006), Leaving foot prints (2009). Dharker is also a documentary film-maker and has scripted and directed over a hundred films and audio-visuals, centering on education, reproductive health and shelter for women and children. In 1980 she was awarded a Silver Lotus for a short
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They see someone who is not tuned with them, someone who is not like them, someone who is from a different world, someone like a ghost. For them the speaker stands out for apparently all wrong reasons and she is an outsider to them, in their midst she is an alien. So the speaker sits scratching throughout her lonely nights. It can be interpreted as she is scratching a desperate plea a message on a piece of paper. But if we infer the deeper meaning it can also mean that she is scratching because she is feeling uneasy, she is scratching over the scab of division and the label that she is a minority. She is scratching over the scab of people treating her minority over her skin colour. ‘A page doesn’t fight back’, according to me this is the most powerful line in the whole poem. By page here she is referring to a minority person like herself. The speaker hopes that whatever she has spoken so far shoots through the thick layer of stereotypes the community has set and the noise of repression of the community. So whole carrying on with this life of hers, the speaker comes across a person who is stranger to her yet there is something about the person that makes her feel like she knows him or her. The face of the person is pure and simple without any mask of stereotypes. The speaker can actually read through the persons face and his or her outcast
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