Analysis of John Huston's the Dead

Compare and contrast the imagery of death and decay in the opening sections of ‘The Bell Jar’, ‘A Streetcar Named Desire’ and ‘Hamlet’.

James Joyce’s short story, “The Dead” depicts characters that all are seemingly alive, yet, on the inside, are very much dead. The main character, Gabriel Conroy, is more concerned with himself and how he is perceived than anyone else. His conceited nature plays a major role in his epiphany at the end of the story. After his wife, Gretta, divulges her childhood to Gabriel and the first young man who ever loved her, Gabriel come to the realization that “he had never felt like that himself towards any woman but he knew that feeling must be love (p. 628). With Gabriel’s sudden epiphany, the issue the readers knew, but he did not, surfaced. Gabriel was dead inside and only cared about himself. Any form of love he ever gave was to himself to boost his own egotistical personality.

The power of the story has been very much a part of the lives of humans throughout time. The story is able to bring the past to the present and the dead to the living. The story can make the blind see. The story is able to make others feel for events in time that they have never experienced. The story has a profound effect on both the teller and the audience. As the audience is thought to be the beneficiary or the storytelling process, the teller is able to relive the times of old, or even teach a valuable lesson to his or her audience. Thus, allowing both parties to gain something intangible throughout this process. In “The Lives of the Dead,” O’Brien conveys the importance of storytelling and imagination by suggesting that the dead can be brought back to life in the minds of the people who hear it.

    In his short story The Dead, James Joyce creates a strong contrast between Gabriel, who is emotionally lifeless, and the other guests, who are physically aging and near death. Though physical mortality is inevitable, Joyce shows that emotional sterility is not, and Gabriel ultimately realizes this and decides that he must follow his passions. Throughout the story, a strong focus on death and mortality, a focus that serves as a constant reminder of our inevitable end of physical life, is prevalent in Joyce's selection of details. In the story, the unconquerable death ultimately triumphs over life, but it brings a triumph for the central character, not a loss. Despite the presence of death, the

“What the dead don’t know piles up, though we don’t notice it at first,” is an insight in Roger Angell’s descriptive memoir, “Over the Wall” (414). Emotional responses, stimulating thoughts and solid feelings are elicited through the use of personal reflection, regarding the death of his wife, Carol. This literary nonfiction, memoir uses the present tense, a constant tone, and an informal view to help add immediacy, by keeping the reader involved step by step as the author connects his personal present and past experiences regarding death. Readers are continually intrigued by Angell’s literary nonfiction essay, with provoking thoughts focusing on death, while using figurative language to keep Carol alive, with the use of vivid personal reflections and descriptive personal experiences.

In David Sedaris’ “Nuit of the Living Dead”, we at first see only a story about a slightly strange night at a home off the beaten path where our author lives. Through the first person narrative, there is much to learn of David and his perspective and with this comes an understanding of how we ourselves perceive things. Context is perhaps the greatest tool used to show us these mental processes. We are given the benign details with David’s explanation of them and then reflect on those details from another point of view without context yet still coming from the narrator himself. This very simple and elegant short story illustrates that things are not always what they seem and it ranges from things that go bump in the night, the reasons for those bumps, and to the assumptions we make when we do not have all of the information.

According to Edgar Allan Poe’s “Single Effect Theory”, “the short story writer should deliberately subordinate everything in the storycharacters, incidents, style, and toneto [the] brining out of a single, preconceived effect” (qtd. in Reuben). In other words, all elements within a short story have to come together to create tone. One such story is the “The Dead”, an exceptional conclusion to James Joyce Dubliners (1914) that is a collection of short stories that consist of natural depictions of middle class Irish men and women in the early twentieth century. The primary focus of “The Dead” concerns not only dead people, but more specifically a dead generation and the living who behave as if they were dead already. Through artistic

Many authors use storytelling as a vehicle to convey the immortality of past selves and those who have passed to not only in their piece of literature but in their life as an author. In Tim O’Brien’s work of fiction The Things They Carried, through his final chapter “The Lives of the Dead,” O 'Brien conveys that writing is a matter of survival since, the powers of storytelling can ensure the immortality of all those who were significant in his life. Through their immortality, O’Brien has the ability to save himself with a simple story. Through snippets of main plot event of other chapters, O’Brien speaks to the fact the dead have not actually left; they are gone physically, but not spiritually or emotionally. They live on in memories as Linda lives on in the memories of O’Brien and as many of his war buddies live on through his stories. He can revive them and bring them back to the world through his writings and through these emotions or events he experienced with them and with their deaths can make them immortal. Through the reminiscent stories of Linda and O’Brien’s war companions and himself, O’Brien conveys that storytelling allows people to reanimate others who have died and past selves to create an immortality of humans.

In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death

Drawing upon the ability of fiction to preserve life against death, O 'Brien says that, during wartime, that they were able to "[keep] the dead alive with stories" (239). To the living, stories were a way to keep the memory of the dead alive, but to the dead, it was the simple act of remembering that kept them alive: "That 's what a story does. The bodies are animated. You make the dead talk" (232). This theme of preservation is exemplified by story of Linda, in which O 'Brien uses the power of storytelling and memory to keep people alive: "Stories can save us. I 'm forty-three years old, and a writer now, and even still, right here, I keep dreaming Linda alive...They 're all dead. But in a story, which is a kind of dreaming, the dead sometimes smile and sit up and return to the world." (225).

Mayoral elections of Huston are going to held on 3 November 2015, while the runoff election will be held on 12 December 2015 for Mayor and city council of Huston .Among all of the candidates, which are taking part in this election only one candidate belongs to a political party,while the rest of them are nonpartisan candidates .Sylvester Turner is also one of these candidates, he is part of the Democrat party of united states of America.

In some instances within literature, writers surprise readers by incorporating ideas that the reader may or may not expect. Within Emily Dickinson’s poem “I heard a Fly Buzz When I Died”, readers are introduced to a ghostly speaker that discusses the scene of their deathbed. Readers are exposed to many surprises throughout various aspects of the poem.

In the short story "The Dead", the creator James Joyce certainly and unequivocally breathes life into an unpredictable character, Gabriel, through the abstract literary elements of motif and symbolism.

James Joyce short story "The Dead" is written in a rambling manner which reveals an intriguing theme. The story revolved around Gabriel Conroy and his marriage with a woman named Gretta. It is obvious that their marriage is deteriorating because during his aunts dinner party he interprets sometjing differently from his wife. As his wife is listening to the song The Lass of Aughirm, he thinks that she is reacting to their loving marriage. However, Gabriel soon finds out that he reaction was due to the fond memory she had of her former lover named Micheal Furey. She tells him that Michael died for her, which causes Gabriel to think about his current marriage. The short story has many themes entangled within it. First, jealousy is the central

The Dead is one of the many short stories written by James Joyce in the period of the early 20th century in Dublin Ireland. This story discusses upon the lifestyle in Dublin- reflecting upon the past and present events that take place and the significance of Irish culture. Also, it touches upon the inevitable process of growing old which for the main character Gabriel Conroy is something new.