Analysis of Lore and Cynddylan on a Tractor

The poem is written in free verse, offers no type of rhyme scheme, and in one long stanza. This contributes to

She also presents a slight rhythm to the reading that allows for smooth reading. In keeping with her open form, there is no set scheme to the rhyme pattern. However, there is a single ending sound constantly repeated without a set pattern throughout the work. She also connects pairs of lines at random just for the sake of making connections to make that particular stanza flow. At the same time, she chose blatantly not to rhyme in certain parts to catch the reader’s attention.

The poem also uses end rhyme to add a certain rhythm to the poem as a whole. And the scheme he employs: aabbc, aabd, aabbad. End rhyme, in this poem, serves to effectively pull the reader through to the end of the poem. By pairing it with lines restricted to eight syllables. The narrator creates an almost nursery-rhyme like rhythm. In his third stanza however, his last line, cutting short of eight syllables, stands with an emphatic four syllables. Again, in the last stanza, he utilizes the same technique for the last line of the poem. The narrator’s awareness of rhyme and syllable structure provides the perfect bone structure for his poem’s rhythm.

The fact that enjambment is used throughout the poem such as in the lines, “like a colour slide or press an ear against its hive” portrays a lack of structure and therefore emphasizes the initial enjoyment one feels when reading a poem before the chore of analyzing it begins. This is also emphasized through the fact that the poem is a free verse poem.

John Updike arranges structure in the poem to create the specific feeling of having one’s heart change from seeing something beautiful. The beginning of the poem starts with a couplet that describes the setting; a man-made golf course “on Cape Ann in October” (1). Enjambment is integrated throughout the poem to surprise the reader and create anticipation. For example, in lines 8-9, enjambment adds tension as the narrator describes what he sees in the sky. The entire poem is free verse, this emphasizes the flight of the birds and how nature has no true rhythm. By using free verse, the reader is unable to predict what will happen next and uncertainty is added. Without the free verse, the poem would feel unrelaxed and harsh. In lines 50-1, Updike changes the word order to startle the reader and conclude the poem in an interesting and memorable way. The poet manipulates the structure to provide a suspenseful mood and make the reader feel interested in the storyline.

Enjambment in the poem sets the mood. The mood is that as of a snowfall, quiet cold, settled and slow. The poem does not need to rush its thoughts into a sentence or a stanza. By separating the thoughts into different lines and stanzas forces the reader to read slowly as that of a snowfall. The reader reads the poem peacefully, which depicts the images of a peaceful snow, covered forest.

The rhyme scheme in the second stanza ddeefg brings us to an end in the texts' relation to the Earth's cool breeze just as the rhyme pattern discontinues from its previous flow, aabbcc.

Contrary to Frost?s peaceful, luring diction and images, Dylan Thomas uses forceful, irate words to deter death. "No poet gives a greater sense of the feel of life" as Thomas, who provokes the reader to "rage" against death (Ackerman 407). Thomas conveys a resistance towards death with images of fury and fighting, as in "do not go gentle." Vivacious words as "blaze" and "burn" intensify desires to live on and to the fullest. With images of "good night" and "dying of the light," Thomas conveys death as the "end where only darkness prevails" (Savage 381). He takes his "stand within concrete, particular existence, he places birth and death at the poles of his vision" (Savage 381). "Life [for Thomas] begins at birth and ceases at death" therefore leaving no room for a previous life or an after life (Savage 381). Excessive images of anger and rage towards death exemplify the passion Thomas feels for life. His villanelle repeats the theme of living and fury through the most forceful two lines, "do not go gentle into that good night" and "rage, rage against the dying of the light." Contrasting images of light and darkness in the poem create the warmth of living and the coldness in death, so as to shun people from choosing the bleak, bitter frigidity of death.

The fourth line uses two verbs, which have internal rhyme to make the line flow

· But line 3 of stanza 1 becomes the rhyme sound for the first, second

The literary device, enjambment, is the “practice of running lines of poetry from one to the next without using any kind of punctuation to indicate a stop (Bureman, 2004).” The poem, “A Little Tooth” written by Thomas Lux is filled with the use of enjambment. The way that Lux constructed “A Little Tooth” through the use of enjambment really grabs the reader’s attention. It forces the reader to continue onto the next line to grasp what is happening with each line of the poem. Continuing on, Lux wanted to establish a rhythm that was faster paced, and he did that in “A Little Tooth” through the use of enjambment.

However the second stanza has repetition: “Unmoved … Unmoved …” (the beginning of the first and second lines). There is only one perfect rhyme in The Soul Selects her Own Society which is “Then shuts the door; … Obtrude no more.” However there are a few near rhymes; “I’ve known her from an ample

Immediately, the question of who this person may be comes to mind. As the second stanza begins it is clear the the point of view has switched to third person and Thomas’ goes on to describe how good, wise, wild and grave men have “[raged] against the dying of the light” (7). The entirety of the fifth stanza is a declarative sentence- a call to arms against the war on death. This is an apparatus to ignite passion amongst those who hear his words. But the sixth stanza comes full circle back to second person creating a more intimate effect. This illuminates the overwhelming distress and devastation he felt at the time because it is here that Thomas’ own father is revealed to be the subject of the poem.

Throughout the poem, Thomas relates the passing of a day to a lifetime. He refers to death as ‘that good night’ and ‘the dying of the light’ repeatedly. This metaphor shows the inevitability of death, in the same way that the end of each day is inevitable. Additionally, this metaphor comes at the end of the last line of each stanza, making the form imitate the ‘good night’ coming at the end of the day and death at the end of life. Despite this acknowledgement of the assuredness of death, Thomas insists that ‘old age’, a use of metonymy to represent the elderly, should ‘burn and rave at close of day’. Burning

The poem contained lines of great beauty, but descriptive in horror and suffering toward the redemption of man, after Crucifixion (Magill 54). This poem demonstrated the life and death paradox. It made clear that the person in the poem, resembled Christ who dies, along with humans who will also die. A critic stated that this poem was "absolute poetry," by a pattern of words and images. This certain critic saw Thomas begin his writing toward the economy more (Knepper 2885). Thomas was not successful in this poem because it was too packed and fragmentary. He did not communicate his suffering and hope into the poem (Magill 54).