Analysis of Much Ado About Nothing Essay

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Analysis of Much Ado About Nothing Much Ado About Nothing illustrates a kind of deliberately puzzling title that seems to have been popular in the late 1590s (ex "As You Like It"). Indeed, the play is about nothing; it follows the relationships of Claudio and Hero (which is constantly hampered by plots to disrupt it), and in the end, the play culminates in the two other main characters falling in love (Beatrice and Bena*censored*), which, because it was an event that was quite predictable, proves to be "much ado about nothing". The pronunciation of the word "nothing" would, in the late 16th Century, have been "noting," and so the title also apparently suggests a pun on the word, "noting," and on the use of the word…show more content…
This attitude is reflected in Shakespeare’s plays. For example, in Much Ado About Nothing, many f the characters have Italian names (Borachio, Claudio, etc.). This is also true of some of Shakespeare’s others plays such as The Taming of the Shrew, and Romeo and Juliet. Major Themes One of the major themes in Much Ado About Nothing centers around the question and battle between deception and reality. One first notices of the image of deception as we witness the masking and unmasking at the masquerade. In the play, most overhear discussions are deceptions. It is through eavesdropping that we see the true battle between deception and reality as we look at the subplots of Bene*censored* and Beatrice, Hero and Claudio, as well as the comedy of Dogberry and his crew. The relationship between Bene*censored* and Beatrice is one manufactured completely through deception on the behalf of their friends. Though the plot to unite them was planned, many of the problems that arose were because of things that were overheard accidentally or on purpose. In Act II, Scene 3 Bene*censored* is deceived into thinking that Beatrice loves him because of the speech in the garden between Leonato, Claudio, and Don Pedro. Beatrice is sent to fetch Bene*censored* for dinner, and Bene*censored* notes "some marks of love in her[Beatrice]," (240-241) and he decides to take pity upon her and return her love. In Act III, Scene 1 Beatrice

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