Analysis of Shirley Jackson's The Lottery Essay

“The less there is to justify a traditional custom, the harder it is to get rid of it” (Twain). The Lottery begins during the summer. A small, seemingly normal, town is gathering to throw the annual “Lottery”. In the end, the townspeople—children included—gather around and stone the winner to death, simply because it was tradition. The story reveals how traditions can become outdated and ineffective. “I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives” (Jackson). As humans develop as a race, their practices should develop with them. Shirley Jackson develops the

Shirley Jackson is often regarded as one of the most brilliant authors of the twentieth century. Born in San Francisco in 1916, she spent the majority of her adolescence writing short stories and poetry (Allen). While she is known best for her supernatural stories, one of her most popular works is a short story called “The Lottery”. The lottery takes place in a small village in which once a year on June 24th, the town population is gathered. After the gathering, there is a drawing to see which family is chosen, after the family is chosen, another drawing takes place to see who is stoned to death. In the New Yorker's magazine book review hailed “The Lottery” as “one of the most haunting and shocking short stories of modern America and is one of the most frequently anthologized” (Jackson). This review stems heavily from Jackson’s brilliant use of irony, symbolism, and foreshadowing. However, perhaps what truly stands out is how Jackson is able to wrap all of those elements together as a way to show an overarching theme of the corruption that exists in human nature. While the real source of “The Lottery’s” inspiration is unclear, there has been heavy speculation that the roots lie heavily in the actions of the holocaust and the actions that took place during World War II. Regardless of the source material, a general consensus can be made that the plot of the lottery is a dark reflection of human actions.

Another message that Jackson illustrates is the blind following of tradition and how that can be a terrible thing. All the members of the community participate in this horrible act because it is a tradition. The people believe that if it is a tradition it then the lottery must not be a bad thing. When Old Man Warner heard that some communities had stopped the lottery he called them a “pack of crazy fools.” He said, “There’s always been a lottery.”(247) Jackson shows how a tradition can be so brutal yet everyone will go with it because it’s in fact tradition. To go against tradition would be to go against the community, so no one is willing to do that. Jackson shows the long running tradition when the black box that is used to hold the slips of paper never changes. It shows the inability for change in the community.

In Shirley Jackson’s “The Lottery”, the small village, at first, seems to be lovely, full of tradition, with the townspeople fulfilling their civic duties, but instead this story is bursting with contrast. The expectations that the reader has are increasingly altered. The title of this short story raises hope, for in our society the term “lottery” typically is associated with winning money or other perceived “good” things. Most people associate winning a lottery with luck, yet Jackson twists this notion around and the luck in this village is with each of the losers.

Within the first few lines of Shirley Jackson's "The Lottery" we are faced with such adjectives as clear, sunny, fresh and warmth. She goes on to paint a picture of small children just out of school for the summer, as the townspeople gather for the annual Lottery. This leads us to believe that the rest of the story is as cheery as the summer day initially described. We as the readers are virtually unaware of the horrible senseless events that lie ahead. Through the use of symbolism Shirley Jackson reveals the underlying decay of ethics that results from an empty ritual followed by narrow-minded people.

Shirley Jackson’s “The Lottery” is a story littered with warnings and subtext about the dangers a submissive society can pose. While the opening is deceptively cheery and light Jackson uses an array of symbols and ominous syntax to help create the apprehensive and grim tone the story ends with. Her portrayal of the town folk as blindly following tradition represents the world during World War II when people’s failure to not mindlessly accept and heed authority lead to disastrous consequences. . Shirley Jackson uses a large array of techniques to help convey the idea that recklessly following and accepting traditions and orders can lead to disastrous consequences.

    "The Lottery," a short story written by Shirley Jackson, is a tale about a disturbing social practice.  The setting takes place in a small village consisting of about three hundred denizens.  On June twenty-seventh of every year, the members of this traditional community hold a village-wide lottery in which everyone is expected to participate.  Throughout the story, the reader gets an odd feeling regarding the residents and their annual practice.  Not until the end does he or she gets to know what the lottery is about.  Thus, from the beginning of the story until almost the end, there is an overwhelming sense that something terrible is about to happen due to the Jackson's effective

In her story “The Lottery”, Shirley Jackson manages to catch the readers’ attention and ultimately shock them with an unexpected ending; all of which help her emphasize her critique toward the dark side of human nature and the evil that resides, sometimes, in those who we less expect it from. Jackson uses symbolism throughout the story that helps her set the mood and also makes the readers wonder and analyze the senseless violence and cruelty in their own lives.

Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response

Society today sees the lottery as an easy way to win a ginormous amount of cash just by buying a little slip of paper with a combination of numbers. The irony that Shirley Jackson uses in her short story, The Lottery, is used to the extreme by not only the title being ironic, but also within the story. The lottery is seen as a way to gain cash, but the ironic part of the title is that the reader sees it and thinks that the story will be about someone winning a big prize, yet the winner is sentenced to being stoned to death. Within the story, Shirley Jackson writes about how one member of the community ultimately chooses who wins the lottery. Another ironic thing about someone chooses the winner is that one of the communities sons picked his own father to win the lottery. Linda Wagner-Martin analyzes The Lottery and its irony by writing, “Bringing in the small children as she does, from early in the story (they are gathering stones, piling them up where they will be handy, and participating in the ritual as if it were a kind of play), creates a poignance not only for the death of Tessie the mother, but for the sympathy the crowd gives to the youngest Hutchinson, little Dave. Having the child draw his own slip of paper from the box reinforces the normality of the occasion, and thereby adds to Jackson's irony. It is family members, women and children, and fellow residents who are being killed through this orderly, ritualized process. As Jackson herself once wrote, "I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's

Old Man Warner is the epitome of the lottery and its tradition. He is the oldest man in town, having participated in seventy-seven lotteries total. As a steadfast advocate for keeping things exactly how they stand and someone who is threatened by the idea of change, he distinguishes all the towns and the young people who have stopped pursuing the lottery as a “pack of crazy fools” (Jackson, 27). He is trapped within the past traditions, even if they should not sustain. Being the antagonist, Old Man Warner does not veer away from the tradition, even though many others do not agree with it.

Nebeker, Helen E. “The Lottery’: Symbolic Touch De Force” Short Story Criticism, edited by Jenny Cromie, vol. 39, Gale Group, 2000, 75 vols, pp. 187-90. Originally published in American Literature, vol. 46, no. 1, March, 1974, pp. 100-07.

The short story, The Lottery, by Shirley Jackson, managed to capture various human tendencies stemming from the very heart of the unalterable human condition. The willingness to follow tradition blindly, the inherent cruelty of humans, and the unwillingness to change were the primary negative behaviors depicted in the story.

Shirley Jackson?s insights and observations about society are reflected in her shocking and disturbing short story The Lottery. Jackson reveals two general attitudes in this story: first is the shocking tendency for societies to select a scapegoat and second is the idea that communities are victims of social tradition and rituals.

Old Man Warner is a man who has lived through more than seventy lottery drawings, and has the traditions of the village deep within his roots. Old Man Warner gets word that in a northern village they are considering to stop the lottery tradition, and he just says that they are crazy (Jackson ). From his reaction to the statement made by Mr. Adams, we can tell that he does not want there to be change because the tradition is imbedded in his system. What others may see as brutal or heinous, he sees as mandatory and obligatory. The men in the village have the ultimate say in what goes on, and when changes need to be made.