Analysis of "The Grave"

In the reading land of open graves by De Leon, discusses the dangers that millions of Mexican and central Americans face when trying to get into the United States undocumented. These people include people who have the dream of living in America and creating a new life where they can support their families. Also for those who have been deported back to Mexico being separated from their families and are in hopes of being reunited with their loved ones. These people face a hard battle ahead of them because they have to travel through the Sonoran desert of Arizona that is one of the largest deserts in North America. And have to deal with not only fighting the harsh desert elements, while only caring as many supplies as they can. They also have to deal with the structural violence that goes under looked that thousands of Mexicans have to face while migrating to the United States.

The power of the story has been very much a part of the lives of humans throughout time. The story is able to bring the past to the present and the dead to the living. The story can make the blind see. The story is able to make others feel for events in time that they have never experienced. The story has a profound effect on both the teller and the audience. As the audience is thought to be the beneficiary or the storytelling process, the teller is able to relive the times of old, or even teach a valuable lesson to his or her audience. Thus, allowing both parties to gain something intangible throughout this process. In “The Lives of the Dead,” O’Brien conveys the importance of storytelling and imagination by suggesting that the dead can be brought back to life in the minds of the people who hear it.

Characters lose their innocence throughout American literature. What exactly does “losing their innocence” mean? Losing one’s innocence can be seen as a character maturing. A character may lose his/her innocence in ways including the viewing of a traumatic event, especially one that will scar his/her life forever. Losing one’s innocence can also be caused by losing one’s trust in someone whom he/she once trusted, catching a glimpse into the “real world”, or performing an act of immorality. The recurring theme of loss of innocence, as seen throughout American literature and reality, can affect a person and the people around him/her both negatively and positively. As a result, the audience can see the character mature through losing hope of dreams, becoming an outcast of society, gaining a new perspective of ideas, or gaining confidence. Negative and positive effects falling onto characters as a result of a loss of innocence can be found in works such as The Scarlet Letter, The Great Gatsby, To Kill a Mockingbird, Of Mice and Men, and The Hunger Games; this theme can also be seen in real life through the effects of children exposed to violent video games.

In the novel The Dead, Gabriel Conroy, who is the nephew of Julia and Kate Morkan, is the main character of the story. One night he and his wife attended a party, which was given by his two aunts, and there were many other members in the party. The story revolves around their life and memories.Gabriel Conroy felt a blur between his soul and the dead. Some people died, but they are still alive because they have true love. Some people are alive, but they are still dead because they never love.I like the story for three reasons.

With the fast-paced globalization together with the heightening political economic issues of the world, it has brought forth the illegal immigrants to cross the Sonoran Desert of Southern Arizona, or as the anthropologist, Jason De León describes it, The Land of the Open Graves. However, there is more to unauthorized immigration than what meets the eye. Scratching the surface of the case of undocumented migrants reveals that it rooted from the intensifying global inequality and crisis of the world. Accordingly, the author’s decision to vividly depict the brutality beyond words the undocumented migrants had suffered while crossing the borders allows the readers to see the bigger picture behind illegal immigration, preventing further unnecessary deaths of the innocents.

Edna St. Vincent Millay’s “Thou famished grave” and “Mindful of you” both include the themes of death, however, “Thou famished grave” uses the personification of a grave as a starving beast, diction to add imagery of starvation, and an image of a strong will to live to show the resentfulness and bitterness that the speaker has towards death, while, “Mindful of you” uses the imagery and personification of the four seasons to remember someone close who has died, to express that although death may take people physically, but they live and are remembered through memories.

     The theme of the loss of innocence covers the entire essence of the book. There are many cases in the story where people had lost their innocence of life and it was lost to them

‘The Grave’ by Katherine Anne Porter is a story that illustrates the initiation of a child from innocence to experience. The underlying theme behind the central idea of innocence to experience is the cycle of life and death and rebirth. This theme is illustrated in the young protagonist, Miranda, and her epiphany on the concept of the cycle of life and rebirth. The dominant tone in ‘The Grave’ is melancholic, and that tone is created through the language elements of symbolism, diction, and imagery. The story’s tone is also supported by the fiction element character.

This summer, I read the book The Dead by Charlie Higson is a novel about a large group of kids, left to live by themselves without guidance from their parents. In this run-down setting of London, England, people who are over the age of 16 turn into kid hunting, flesh-eating zombies. The younger kids are forced to live on their own, fighting for life against the wrath of the Adults. The message Higson showed in his book is: after people are forced to rely on themselves without experience, their lack of experience and knowledge will lead them to failure.

The 1968 cult classic, Night of the Living Dead, begins under the credits with brother and sister Johnny (Russell Streiner) and Barbara (Judith O’Dea) bickering about the long journey to rural Pennsylvania after arriving at a secluded cemetery to leave flowers on their father’s grave at their mother’s request. As they make their way back to the car, Johnny begins to tease Barbara. “They’re coming to get you, Barbara… They’re coming for you… Look, there’s one now!” A staggering, pale-faced figure (S. William Hinzman) approaches the two siblings and attacks Barbara. When Johnny comes to her rescue, he is killed during the struggle

Knowledge is the information in which we perceive to be the truth of the world around us. However, all knowledge is susceptible to change depending of the bias of the character. Gabriel García Márquez demonstrates this issue in the novel Chronicle of a Death Foretold by exploiting the understanding of knowledge through fabula and syuzhet.

Medieval China, as seen in the Stories from a Ming Collection, was characterized by distinct separations between men and women’s abilities, typical old fashioned family structure, and a desire to advance their social status. Throughout all the stories in this book, it dives deep into different aspects of how men and women are treated, how families were structured and how that affects their lives, as well as the values these people held. A very common trend in the stories was how different men and women were treated and the limitations they may or may not had.

In Chronicle of a Death Foretold, Gabriel Marquez employs the motif of flowers within the novel to illustrate the role of women within a Latin American society; the cultural and symbolic implications of this associate flowers with purity, victimization, gender barriers, and deceit. In doing so, Marquez creates a microcosm of Latin America, exposing the core of Columbian culture and society with all its aspects such as ethnicity, and social norms and conventions that led to a series of insecurities and poverty in the community, and its affect on the role of women. The cultural context of this novel must first be considered before examining the symbolic importance of flowers.

Fictional novels, in this case, The Graveyard Book, can teach us about ourselves. A fictional novel is imaginary and is not necessarily based true facts. The Graveyard Book was published in 2008 by Neil Gaiman. This book is about a normal boy named Nobody Owens but is known to his friends as Bod. Bod is raised in the graveyard by educated ghosts, a solitary guardian who is neither living nor dead and is under attack by the Man Jack. Two ideas that have been demonstrated throughout the novel is that life is full of endless possibilities and relationships are a key part of our identity. This novel teaches us about ourselves and the experiences that we have with our relationships with other people in our life with

"My personal impression is that he died without understanding his death" (Marquez 101). The above statement is stated by the narrator in Marquez's text. The novel, Chronicle of a Death Foretold tells the story of the narrator's return in a small Colombian town in the 1950's to resolve the details of the murder of his close friend, Santiago Nasar, who is a handsome and wealthy man, who is dead due to Anglea’s lies. Angela Viscario is a beautiful girl, who is not a virgin. She lies about Santiago taking her virginity, due to this false statement, her twin brothers Pedro and Pablo Viscario decide to kill him to restore the family's honor. In the book Chronicle of a Death Foretold by Gabriel Garcia Marquez, Santiago Nasar is a victim of murder