After being accused of being possessed by the devil and visited by her Uncle Marco’s dead body, Clare del Valle began to keep a diary. Fifty years later, her journal was used to solve the puzzle of a family history. In The House of Spirits, Isabel Allende tells the story of many generations of a family in Latin America. There are three prominent themes in The House of Spirits by Isabel Allende. First, the social divide between those who are “civilized” and those who are supposed barbarians. Second, the influence of women and their role in society. Third, the clash between social classes.
The first major theme in The House of Spirits is the division between civilization and savagery. The country in which the story takes place remains
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Every woman in The House of Spirits is a protagonist, who each work in different ways to protect their rights. Alba, Clara, and Blanca remain the focus of the story, while the men enter through means of love and marriage. The major events that dominate the story are experiences central to these women, including childbirth, sexual and physical violence, and abortion. Besides Nivea’s devotion to female suffrage, the women rarely condemn gender inequality for their struggles. Each woman’s life is, however, scarred by this. The women in The House of the Spirits are strong women who do not submit to mistreatment. The women affect more permanent and extreme changes than any of the men implement. For example, the men lead revolutions that temporarily collapsed the government, and soon after those revolutions failed. The women have more exquisite methods. By teaching people to read and to write and to practice health care, by setting curses, and by refusing to speak aloud increases productivity in implementing long-lasting change in society. For example, when Clara’s husband, Esteban, abuses her, she stops speaking to him. She then restores her maiden name, and moves out of Tres Marías and back to the city, with her daughter Blanca. However, she preserves a civil relationship with him until her demise. Acting out violently against Esteban may have been effective temporarily, but not speaking to him enforced a permanent change in their
In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one
In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.
The House of the Spirits written by Isabel Allende is an extraordinary novel that weaves together, history, politics, and current events to create a unique piece of literature. Throughout the novel on several occasions it is clear that there is inequality between the aristocrats and the peasants and this leads to struggle between the classes. The issue of class struggle takes the form of growing conflict by causing a division between the Conservatives and Socialists. At the head of the Conservatives is Esteban Trueba, a violent and materialistic figure. He believes people need to work their way up to the top and there is no reason that peasants share the upper classes wealth. On the other hand, Pedro Tercero Garcia represents the
Esperanza as a child takes the responsibility to fight for all the women who suffer from men discrimination, because in “Mango Street” mostly women are abandoned and the others dominated by their husband, Esperanza takes the responsibility to invite all the women to organize themselves in order to protect each other from men violence. Esperanza consider herself as the one who can liberate those women such as Minerva, a young woman who have already two children and abandoned by her husband, there is also Rafaela held indoors the house by her husband and she spends all her time in the windowsill to watch what is happen outside and many other women who undergo sufferings caused by their men, that is what characterized her commitment for the liberation of the women of her neighborhood. So as the girl, Esperanza carry the burden to deliver all women in “Mango Street” from all pains and she feels she is the right one who capable to let know her neighbors’
In Isabel Allende’s novel The House of the Spirits, there are two definitive classes of people that are present throughout the novel. The poor class, including the peasants of Tres Marias and the socialist party members, has continual resentment towards the other class, which is the wealthy aristocratic class. The wealthy division of the novel shows little humanity towards the poor, treats the poor as servants, and control all politics involved in the country. The wealthy’s treatment of the lower class shattered the peace experienced by Chile because the poor and the wealthy maintained a struggle to co-exist with such division between their
For decades Minerva, Maria Teresa, Patria and Dede’s bravery and heroism have lived in the heart of many Dominicans who suffered from the ruthless dictatorship of Rafael Leonidas Trujillo. The Mirabal sisters were four brave women who defied the traditional role of women in their Era and had a major role during revolution against Trujillo. Much of their story has been told in books and in movies from many different accounts. In Julia Alvarez’s novel “In the Time of the Butterflies”, she writes fictionalized personal accounts of the Mirabal sisters. Julia Alvarez structures her Novel in three parts with each chapter having a first person narrative for each sister. Alvarez personalized the way each of them would speak, feel and think, to even structuring Maria Teresa parts in the Novel as journal entries. This paper is an attempt to analyze how the structure of Julia Alvarez’s novel “In the Time of the Butterflies” can give the reader a better understanding of the Mirabal sisters, while utilizing Manuel F. Medina’s “Writing From Memory: History, Stories And Narrative Voices In In The time of The Butterflies by Julia Alvarez”.
Clara married Esteban Trueba, a man who was harsh, quick to react. During the patriarchal society, women were a man’s possession. They had few rights and were exploited and sometimes rejected by men (Metzger). Clara doesn’t put up with disrespect from any man and when her husband, Esteban, hits her during a fight, Clara never speak a word to him again (Allende 223). With this act of cruelty on his part it allowed Clara to escape to her own world of solitude, a spiritual world where Esteban cannot follow her. This world is without rules, without structure, no subordinate to men, no patriarchy, no boundaries (Metzger). These is a gift Clara can give to her daughter, Blanca.
People are afraid of the unknown and things that they cannot understand. It is something that people spend their entire lives trying to understand, but there will always be an unknown, something people fear. Magic is one of these things, it is something that people do not understand and therefore fear.In the novel, The House of the Spirits, the author includes a dog named Barrabas which seems normal enough in the beginning but quickly grows to the size of a horse. This is an example of magical realism in the novel which is a commonly used device by the author. Through magical realism, Allende explores the idea that Barrabas connects the magical world and reality.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example,
The exemplary novels are timeless not only for the stories they tell, but also for the vivid ways in which they depict society at the time when these stories were written. Through the analysis of Cervantes’s Jealous Extremaduran and Deceitful Marriage, one is able to see and dissect the many jobs and roles played by people in society during the 16th and 17th centuries in Spain.
Julia Alvarez also uses language to show how the four Garcia girls adjust to living in a new, and to them alien, culture. The protagonist in this novel is the family Garcia de la Torre, a wealthy, aristocratic family from the Santo Domingo, who can trace their genealogy back to the Spanish
that he only did it to get revenge for what her grandfather did to his
All of the women in the novel share one thing that all of them are independent and they don’t let the men take control over them. That life is more important than class and social status. In going against the patriarchy of the society and defying the men in their lives shows that there is a really strong bond between the women in the novel. Clara is a good example to show how independent and strong the women in the story are. She’s always mistreated by her husband Esteban.
In many novels, relationships shape a character. Throughout Isabel Allende's The House of the Spirits dissimilar individuals constantly come together to form relationships that change or develop their disposition. While Allende uses relationships to build upon a character, she also depicts a character's living environment in order to confirm their true soul and lifestyle. Due to the observation of both relationships and environments, a character's true qualities are expressed to a reader. The relationship between two individuals, Ferula and Clara, proves itself a positive product of the union of differing people. Through analysis of Ferula's home and close observation of her bond with Clara,
The House of Bernarda Alba is a drama depicting the lives of women in villages of Spain during the 20th century. The play begins by the mother, Bernarda, issuing a seven-year mourning period upon her family of five daughters after the death of her beloved spouse. The isolation inside this house causes tensions to rise, and a thematic struggle between freedom and captivity becomes apparent as emotions start to snowball out of control.