Analysis of The Yellow Wallpaper, The Birthmark, and The Goose Girl

Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s

In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing. Gilman does not give the reader the name of the women who narrates the story through her stream of consciousness. She shares that she has a nervous depression condition. John, the narrator’s husband feels it is “a slight hysterical tendency” (266). She has been treated for some nervous habits that she feels are legitimately causing harm to her way of life. However she feels her husband, a physician, and her doctor believe that she is embellishing her condition. The woman shares with the reader early in the story that she is defensive of how others around her perceive her emotional state. This causes a small abrasion of animosity that

“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.

     Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” is as a wonderful example of the gothic horror genre. It was not until the rediscovery of the story in the early 1970’s that “The Yellow Wallpaper” was recognized as a feminist indictment of a male dominated society. The story contains many typical gothic trappings, but beneath the conventional façade hides a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.

The short stories, “Turned”, by Charlotte Perkins Gilman and “The Good Corn”, by H.E Bates provide strong examples of how the representation of characters influence’s the reader’s perception of a text. Both stories depict similar characters: a middle-aged, childless wife, her husband and an 18-year old girl who works for them. They are both about a similar situation: man cheats on wife with girl and girl falls pregnant. However, the author’s of the text are from very different backgrounds and this is reflected in their stories. Although there are many similarities between “The Good Corn” and “Turned”, the values reflected in these stories, their resolutions and the reader’s perception of them are vastly different due to the contexts of

D. The chosen interpretation rests on how the narrator’s character is analyzed through her hidden thoughts.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

The symbolism of multiple aspects of “The Yellow Wallpaper” help to make the reader understand the subordination of women and the heinousness of such subordination. Moonlight is the first symbolism one can see the prominence of. The moon has long been a symbol of the woman as with early

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression.

In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story.  “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.

There is no end to the different approaches presented in critiques of "The Yellow Wallpaper." A prominent

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

The topic of discussion for this essay is a story written by Charlotte Perkins Gilman called "The Yellow wallpaper. Firstly, several pieces of evidence within the text prove that the genre of the story is irony, in accordance with Frye 's "theory of myths". This essay shows exactly how those instances exemplify the genre of irony. Additionally, from a deconstructive point of view, there is a central binary of constraint and freedom. The examples from the text show both evidence of constraints within the story as well as freedom. Thus, proving this to be the central binary of this piece of literature. Finally, these two aspects can be used to show the similarities between this text and the short story "How to Become a Writer" by Lorie Moore.

The narrator, who is never named, is depicted as a woman who is confined and repressed based on her gender. During the time Gilman wrote “The Yellow Wallpaper”, the feminist movement was going through its second surge and was continuously expanding. Gilman was considered “the idol of radical feminists” (Degler 21) and the “most original and challenging mind, which the women movement produced” (Degler 21). One of the major themes found throughout Gilman’s writings is “to show the disastrous and all-pervasive effects upon women and upon society of the continued suppression of her sex” ( Degler 22). This is seen in Gilman’s “The Yellow Wallpaper”, when the narrator