Essay on Analysis of To His Coy Mistress by Andrew Marvell

Marvell, Andrew. "To His Coy Mistress." The Hudson Book of Poetry: 150 Poems worth Reading. New York: McGraw-Hill, 2002. 17-18.

In section two the man is expressing that human life is to short and that no one can embrace and love in the grave. The second section is known as the antithesis and that is the reaction to his original ideas. The first word in the second section is ‘but’ which is a Volta and that means there’s a change in what the man is talking about. The tone gets darker and bleaker because he starts to use imagery of death which is a consequence of not acting on his impulses and his desires. Personification is used when the man says he always hears time’s winged chariot hurrying near which a personification of life is closing in on time. Hurrying is also is a verb. The man says ‘Deserts’ which is insinuating that his sex life is

as a part of the season which is known as spring; it can be assumed he means all life and all things are subject to the ravages of time. Mortality is all around us and with it the stages of all life and time pass. In terms of the opening lines, thought, youth and beauty are fleeting indeed.

The second stanza tells about a “glorious lamp of heaven”, the sun, running a race from sunup to sundown (Herrick 385). In the third stanza it talks about when people are youthful they think they have all the time to accomplish their goals but “times still succeed the former”, which simply means time

The theme of new beginnings and the harness of the past in another natural setting is discussed again in the second stanza, but now with a focus on time. The visual image presented my the passage as the sun hesitating and losing its direction show allow the reader to observe the symbolism of the sun. The sun universally represents time, the rise and set of sun symbolizing the beginning and ending of each day, days leading into months, years, and lifetimes. The rise of the sun is a new beginning, but it "seems to hesitate," and "lose its/ incandescent aim." The new beginning brought on by the rising of the sun was held back and lost "in that second." Hope and the fresh start were halted by the sun, who was not ready to let time pass and continue. The passage concludes with an affirmation of the symbolism, that "the past is brighter yet" than the sun who could not pull the new start cleanly into the future.

Poetry is oftentimes associated with the subjects of love and romance. Poets throughout the ages have used this medium to express their deepest emotions in the most eloquent of ways. Whether the poet is a man or woman is irrelevant. Poets of both genders have succeeded in expressing a heartfelt love to another with a poetic language that speaks volumes in a relatively short amount of text. Two poets from two separate eras each wrote a poem with just such a theme. Anne Bradstreet in “To My Dear and Loving Husband” and Edgar Allan Poe in “Annabel Lee” created magic by writing these poems that express a love for another that transcends time and place.

At this point in the poem, the speaker takes a moment to explain that, beauty and the ability to enjoy life to the fullest fades with time, and that the two of them should show off or 'sport'; their love and beauty before time passes by and they loose there chance.

He uses this in the poem to give it rhythm to engage the reader and

The first stanza concludes by stating, “The carriage held but just ourselves/And Immortality” (Lines 3-4). These lines are used to acknowledge that there is a difference between death and time, because while they work in unison they still are not one and the same. Time has control over our lives during both mortality and

The title "To His Coy Mistress" implies a certain falseness as the word coy is almost an insincere form of modest, it indicates that this mistress were indeed not coy rather falsely coy in order to gain assurance of his feelings towards her for her own validation. The first line "Had we but world enough, and time, This coyness lady were no crime." introduces the theme of time and lack of a crucial theme in the poem, the lover also accuses this coyness of being criminal by saying "HAD we but world enough and time, this coyness lady were no crime" implying that they do not have time therefore this coyness is a crime, this is clever use of irony which is also a constant theme throughout the poem. Marvell also uses soft alliteration such as "long loves" to lull the reader into believing his intentions honourable, he uses flattery all throughout the first section of the poem though he changes his tactics throughout the poem. The lover tries to create the image of himself as a committed patient lover with promises of waiting for her if she should travel to the "Indian Ganges" without complaint and

The poem, “For That He Looked Not upon Her” by George Gascoigne exemplifies how the speaker suffered from love, something that many people believe one should feel positive about. The title delivers a despairing tone by allowing the audience to believe that the speaker can no longer look the woman he loved in the eye. Conflicting with the despairing tone, the speaker develops a complex attitude with the use of structure, metaphors, diction, and desire.

The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for

Andrew Marvell's elaborate sixteenth century carpe diem poem, 'To His Coy Mistress', not only speaks to his coy mistress, but also to the reader. Marvell's suggests to his coy mistress that time is inevitably rapidly progressing and for this he wishes for her to reciprocate his desires and to initiate a sexual relationship. Marvell simultaneously suggests to the reader that he or she should act upon their desires as well, to hesitate no longer and seize the moment before time, and ultimately life, expires. Marvell makes use of allusion, metaphor, and grand imagery in order to convey a mood of majestic endurance and innovatively explicate the carpe diem motif.

The next two lines, “Love alters not with his brief hours and weeks, / But bears it out even to the edge of doom” is an allusion to love standing its ground even in the wake of Doomsday. This quatrain effectively illustrates love as a thing that endures all hardship; reinforcing the extended metaphor of the previous quatrain.

happens to one of them or if one of them dies. He says he wants them