Analysis of Tone in Chapter 25 of The Human Comedy Essay

Use the guided analysis exercises within the lesson as a model for this part of the assignment.

He blames his theft of apples on the peer pressure he had when he did it. The lesson he learns here is that “friendship can be a dangerous enemy, a seduction of the mind. ” Like love, it must be subjected to reason if it is to be truly good.

Oscar Wilde’s The Importance of Being Earnest is truly a satire. In The Importance of Being Ernest, Wilde mocks the society in Britain, and the rules it followed in the 1800s. He uses satire in the description of every character and other themes like marriage, intelligence, morality, and lifestyle primarily aimed at the upper class of the time. At the turn of every page the use of satire proves again and again to be ideal when questioning the morals and values of people.

Barbara Ehrenreich employed the use of humor multiple times in Nickel and Dimed; it was perhaps her most frequently used rhetorical device. Ehrenreich was trying to portray the tragedy and heartbreak of the situation by using that sort of hopeless, sardonic humor. She also used her humor as a way to camouflage topics that would otherwise be off-limits. Although some of the humor included in the narrative may have seemed distasteful, it all had a purpose and was rarely used inappropriately.

In Slaughterhouse Five, Vonnegut uses satire in the topics of war, aliens, fate and the reasons for life itself. In Slaughterhouse Five by Kurt Vonnegut, the author uses many literary devices to bring across his point including black humor, irony, wit and sarcasm. He mainly uses satire throughout the book. Satire is a literary device found in works of literature that uses irony and humor to mock social convention, another work of art, or anything its author thinks ridiculous to make a point.

The main social group portrayed in the cartoon “On Satire” by Joe Sacco, published in The Guardian, is the cartoonists. “On Satire” portrays other cartoonists as obnoxious, insensitive cavemen who often cross the line between satire and just outright offensive mockery of the religious beliefs of Muslims. The purpose of the cartoon is to ridicule the black and white way of representation/depiction of all Muslims as terrorists. Also he is aiming to get governments and news outlets to consider ways in which to stop terrorism by understanding where they are coming from instead of just eradicating all Muslims and hoping that terrorism dies with them.

The boy's final disappointment occurs as a result of his awakening to the world around him. The tawdry superficiality of the bazaar, which in his mind had been an "Oriental enchantment," strips away his blindness and leaves him alone with the realization that life and love differ from the dream. Araby, the symbolic temple of love, is profane. The bazaar is dark and empty; it thrives on the same profit motive as the market place ("two men were counting money on a salver"); love is represented as an empty, passing flirtation.

Molly Ivins once said, “Satire is traditionally the weapon of the powerless against the powerful.” She has been shown to be correct in many works, including A Tale of Two Cities by Charles Dickens. In A Tale of Two Cities, Dickens uses his position as an influential writer in Victorian London to call for change and reformation. He mindfully mocks the workings and current events of Victorian London, and he uses satire to call certain situations to light so that they will never be repeated. This can be seen through scenes in A Tale of Two Cities, where Dickens mocks the London judicial system, the French nobility, and The French Republic which formed after the revolution.

William Penn Warren’s All the King’s Men is novel that explores the political society and its influences. Like several politicians in modern society, several characters have qualities that seem unsuitable to the impression that have made. These ironies in All the King’s Men reveal how the characters have flaws, which can result in critical consequences. Jack Burden, Adam Stanton, Judge Irwin and Willie Stark are characters that with ironic traits.

Leper, while recounting the events that lead up to Phineas’s fall from the tree, describes the whole ordeal with striking imagery. The reader can clearly visualize exactly what he saw -- how sunbeams graced Gene and Phineas’s dark silhouettes as they stood on the limb, and the black, solid mass that was the tree itself. Enhanced with similes such as “black as death” and “like golden machine-gun fire”, the whole passage really comes to life.

During the Age of Enlightenment, people began believing in and relying upon rational thought instead of religious dogma to explain the world. This newfound emphasis on rationality promoted a breadth of freedom in speech that was previously unknown, a fact which was utilized by philosophers such as John Locke, Rousseau, and Sir Isaac Newton. In addition, the Age of Enlightenment produced famous writers who didn’t agree with the irrational politics and old traditions of their respective countries, and instead relied upon wit and satire to expose the corruption and poor human condition existing around them. These Enlightenment writers use irony in their satires to get their interpretations regarding the human condition across.

What did that tree, leaning out from the bank, all white and lacy, make you think of? She asked. Well now, I dunno, said Matthew. Why a bride, of course- a bride all in white with a lovely misty veil.” (Montgomery, 65-66) It is identified here how nature pleases Anne’s eye. The way in which she is able to take a tree branch and bring it to life by imagining that is connected with something beautiful like a bride. It doesn’t only suggest her inquisitive imagination, but also her intellect. With using the enjoyments of nature to foster a desire, and with her perceptive vision she is capable of imagining the branch as something else. Through its beauty and emphasis on colour she can make a connection that the tree branch can be compared to a bride. It is crucial how Anne doesn’t take the natural sights of Avonlea for granted, because she values the power of self-expression in nature. Through her imagination with nature she is able to seek comfort. This is seen on her first night in Avonlea, when she’s afraid no one will come for her, so she turns to a tree as her home, where she can sleep. She states, “I had made up my mind that if you didn’t come for me and to-night I’d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night.” (Montgomery, 64) This scene represents how Anne is reliant on nature. Instead of being afraid that no one has yet to pick her up she uses nature to occupy her time. She is inspired by nature to

When someone thinks about losing something, it is often viewed as being a sad or even bad thing. No one would ever encourage another to lose something in a literal sense. They also would not make them think that it was meant to be lost or even give them an instructional guide on how to lose something. Well, Elizabeth Bishop does just that in her poem “One Art”. When a person loses anything that is theirs, whether it is simple and small or even expensive and big, they would use humor to talk about it to ease the pain that they feel.

István Czachesz has stated that scatological humour is “the simplest and perhaps the most ancient dramatic device to make readers, onlookers and listeners laugh” .Nevertheless, nowadays we often treat ‘toilet humour’ as a vulgar form of comedy, thus the discussion of this unsubtle and grotesque humour is limited. However, within this analysis I will endeavour to refute this affirmation by demonstrating that scatological humour is a means of astutely underpinning certain aspects of humanity. In light of this, it is worth discussing the motivation of this humour within the medieval texts le pet dou vilain, La Farce du Menuyer and la chanson d’audigier. Pursuant to the fact that “Writers dating from the medieval times… felt relatively at ease

The genre of William Shakespeare’s most performed play has been debated for a long time: is it a comedy or a tragedy? The play has elements of both genres, but one is clearly prevalent. While the story hits upon the tragic element of despair, The Merchant of Venice by William Shakespeare, is a comedy because lovers are separated, characters are in disguise, and the story has a happy ending.