Analysis of the Journey of the Magi Essay

One of the main symbols is the ‘lawnmower bomb’(pg90) this happens on one of the early reconnaissance trips when Ellie, Kevin and Corrie were cornered by soldiers and quick thinking led to a ‘lawnmower bomb’. This symbolises the ‘start’ of the war for Ellie and her friends. After this happens Ellie is haunted by what she had to do and this helps her change. The ‘hermit from hell’, this is a symbol as Ellie and her friends go into Hell, afraid of him and not understanding why he killed his wife and child with questionable intentions ‘That both deceased met their deaths EITHER as a result of bushfire consuming the Christie residence during which both were terribly burnt and that (the hermit) believing their injuries to be mortal… killed both deceased… OR that both deceased were wilfully and feloniously murdered…’(pg208) and came out the same. The hermit poses the question of whether the intentions of Ellie and her friends are selfish or necessary. When they blew up the bridge they also destroyed the only point of connection to the rest of the world. This symbolises how they are isolated and how they will need to survive by

On the lower half is an organization of geometric forms. However, the most important mosaic is the representation of Emperor Justinian and Emprise Theodora. Justinian is presented holding a bowl of Eucharistic bread as Theodora carries a chalice or vessel of Eucharistic wine. Due to the orientation of these figures and the ones that surrounds them, it could be suggested that they represent bringing Eucharistic elements into the church. Perhaps even as an offering to christ which is reinforced by the three magi bearing gifts on Theodora's rob.

One recurring symbol is June Kashpaw as Jesus Christ. The first time the author symbolizes her as Jesus occurs as she is walking home right before she dies, “The snow fell deeper that Easter than it had in forty years, but June walked over it like water and came home” (7). She is similar to Jesus because both of them walk on water. Another time she is symbolized as Jesus is during the chapters, “Crown of Thorns” and “Resurrection.” Even the chapter titles represent Jesus because he wore a crown of thorns and was resurrected from the dead. In “Resurrection” Gordie Kashpaw, June’s husband, imagines June is resurrected like Jesus, and he hits her while driving. Although in reality, Gordie hits a deer, but because he has guilt for treating June badly during their time together, he imagines he hits June.

The foundation of the Christian faith is cradled within truth of the virgin birth, life, and resurrection of Jesus Christ. As diverse as the world-wide Christian culture is, the truth in the birth and life of Jesus stands without border and language limitations. Just as each individual life story can be adapted to be relevant for a variety of audiences, the birth story of the Messiah was also. The Gospels of Matthew and Luke are an example of the well-rounded and diverse narration of the birth story of Jesus—Matthew’s narration spoke to the history of the Jewish people and Luke presented to the citizen of Rome.

In Matthew 1-2, the infant stories are used to prepare the ground for the theme of Jesus; the new and perfect Moses, the great teacher and interpreter of God’s ways. A parallel can be drawn between the experiences of the infant Jesus and the experience of Moses. This can be seen in Matthew 2:16-18, where the slaying of innocent male Hebrew children occurred around the time of the birth of Jesus, and in Exodus 1:15-22, where Hebrew children were also murdered at the time of Moses’ birth. Just as Moses came out of Egypt, leading the people of God, so does Jesus. Following the infancy stories, the rest of Matthew’s Gospel is structured around five long discourses where Jesus teaches. On each occasion, the evangelist indicates that a great teacher has been at work (Maloney, 1988, p. 133-34).

Furthermore, Hughes uses the rhetorical device of allusion when he writes about his aunt’s bringing him to the church for a special meeting. When he writes, “Then just before the revival ended, they held a special meeting for children, ‘to bring the young lambs to the fold’’’ (1), he attempts to correlate his invitation to salvation to a Biblical parable. Along with his reference to the Bible, he conveys the church member’s excitement with vivid imagery. He illustrates the church’s setting as being infuse with “all moans and shouts and lonely cries and dire pictures of hell”, and he also describes the preacher’s sermon as a “wonderful rhythmical sermon” (3). Conjointly, Hughes presents imagery of the churchgoers and alludes to a Biblical story in order to demonstrate the magnitude of the religious enthusiasm of the members of the church.

Since it does, when reading each line, there is a resilient connection that allows the reader to put together and feel for what the narrator is speaking of. As each line is metrically linked, the words are further recited in a durable voice and the poem is virtually put together, musically. In the first and second lines of the third stanza, an apostrophe, a figure of speech that directly addresses an absent person or entity, is presented, “We smile, but O great Christ, our cries to thee from tortured souls arise.”

The Gift of the Magi Argumentative Research Paper: Did Jim and Della perform an act of Selfless Love?

The last picture on the top row represents my belief in Jesus Christ. This symbolizes his death and resurrection.

In the Gospel of Matthew, the infancy narrative contributes a large sum of background information of Jesus that contributes to the development of Matthew’s Christology. In order to analyze how Matthew develops the Christology, we have to cut the infancy narrative into sections. This paper will discuss background information of the writing of this Gospel, literary elements of Jesus’ miraculous conception that reinforce his Jewishness, how Magi and literary devices help to understand Matthew’s Christology, what important biblical hero the infancy narrative parallels, and what foreshadowing is caused from this infancy narrative. Comparatively, the use of divine intervention in dreams to fulfill prophecy has been a key focus of the infancy narrative in order to create an unusual birth narrative and develop the unique Christology that Matthew envisioned specifically for the Jewish Messiah.

After reading the Literal translation one might be fairly in touch with the poem and

Seeing the light while in the tunnel is something we all hope for. Likewise, the “modern poets,” or wise men, were longing for the same thing. T.S. Eliot in “The Journey of the Magi,” finds the light at the end of the tunnel. By the use of imagery, symbols, and allusions we will see the Magi, Eliot, find his faith.

The censer was used by the priest to bless icons. Two angels on both sides of Christ hold candles symbolic of Christ as holy illumination. The Three Temptations of Christ by the devil are shown the bottom three segments as a symbol of Christ’s humanity. In the six segments on top, Jesus is shown performing his first miracle at the Wedding in Cana with the help of Mary’s intercession. His miracle was the first of seven signs in John’s Gospel through which Jesus attained divine status and therefore, has symbolic importance of his divinity. When the wedding runs out of wine, Christ tells Mary that he will turn the water into wine. Mary tells the waiter not to question Christ and to bring the water. Christ turns water to wine at the wedding. The wine is a symbol of Christ’s blood, a part of the Eucharist, and the water is a symbol of the Holy

Leonardo’s scientific studies resulted in the paintings of rocks, plants, light and atmosphere. We can see hills, fields and the sky in the tree windows behind Christ. This is in a classical style, shown by the coffered ceiling which was introduced by ancient Greek and Romans and re-introduced again by Alberti. The orthogonals run from the coffered ceiling, the table and windows and from the disciples and their gestures which all then centres on Christ. The use of foreshortening in this painting is to emphasize the drama of the scene and to keep the figures in harmonious groups. As we can see on the third figure on the right, St Philip tries to deny that he would be the betrayer and to show this, his arm is foreshortened. While St Matthew, the fourth figure on the right, has his arms outflung which was made by foreshortening. This gesture was to help portray his horror, as well as his mouth opened talking to the 3 men to the left of him. There are other gestures that helped depict the idea of betrayal, as we can see on the left side of the painting where St Peter whispers to St. John’s ear while pushing Judas forward. All these gestures lead the viewers’ attention to the centre, where Christ is positioned. Behind Jesus, we can see the window where the natural light comes in which frames Christ’s head, like a halo. Christ’s position in the centre allowed him to be in front of the three windows, which symbolizes the Trinity. As well as that, we can see that he

The Book of Matthew, he said, is the most complete account of Jesus’ life on earth, and of His message to the world. The professor says that Gospel of Matthew was written for the conversion of the Jews. He further stated that the writer of this book was obviously interested in the establishment and maintenance of the Church, and the coming of Christ. Hence, the presenter was quite adamant about his