Analysis of the Triumph of Divine Love - Peter Paul Rubens Essay

I have chosen a famous oil on canvas painting: Venus and Cupid by Lorenzo Lotto made around the fifteenth and sixteenth century during the Italian Renaissance period. Overall, this piece is extremely intriguing to me, I cannot imagine how the artist created it with such detail and precision. Overall, this painting has this happy and positive mood, but it is also makes me curious as to what this painting is about. It also gives me this feeling to smile for Cupid and Venus in the painting, rather than with them, as there faces are conveyed as being happy together. Its colors similarly, just like the overall painting, has this beautiful bright and cheery color that seem to suit Venus and Cupid well.

The light used in the painting is done very well, showing that there can only be so much light coming from one candle, which makes the lighting very natural. In my opinion, the light represents the pure and misogynistic views towards women. These views see women as people that can’t do wrong, seeing women only as kind or maternal beings. The dim or unlit parts of the painting, specifically the maidservant hiding Holofernes head, represents the potential of

The painting is dull and follows the chromatic value scale. It has an ambient light which is the sun that shines through the trees focusing on the woman on the swing which is the highlight. The statue of two angels underneath her acts of the shadow and the two men and the brushes are dark being the core of shadow.

Did you know Peter Paul Ruben had about 388 paintings and drawings all together? He painted and drew pictures of queens and kings, self portraits, family portraits, and even religious thing. But at the start he wasn’t thinking of making this a successful career.

A blue cloth is flowing in the wind behind him, sort of draping off of his back like a cape. Behind him are a man and a woman farther in the background. The man is standing in the water while the woman is sitting on what looks like a porpoise. On both sides of the center three women are two men with wreaths on on top of their heads, and they are blowing into what looks like horns. On the right side of the painting are three more figures. One is a woman sitting on top of a rock with a white cloth underneath her bottom. Her back is facing towards the viewer and she seems to be looking towards the man on the other shell. She holds a green cloth on the top of her head with her right arm while resting on her left arm for support.There is also a tipped vase in front of the rock that is spilling water into the ocean. To her right is a muscular man holding a woman on his back. Behind the two is an orange yellow cloth flowing in the wind. In the front of venus is an cherub angel laying on an orange yellow cloth with it's arms around the head of a sea creature. Above the pink cloth that Venus is holding up are six more cherub angels. Some are dropping flowers down on the congregation and some have their little bow and arrows out. There is a lot of clouds in the sky behind them. On the clouds to the left is a chariot being carried by doves with another angel in it. The women figures and the angels are pale

Within the painting there are multiple figures who are all centered around Jesus. There are some people who are sitting at a table who seem to be eating food. There are others who are around the feast table, some people are playing instruments, some are meeting up with others, others are helping serve those sitting upon the table, and some people at the top of the buildings seem as if they are looking at something above them. There are other items depicted within this painting such as animals. There are animals not only surrounding the people at the table, but there are even some animals shown on the table and on people’s body. There seems to be something above the wedding in which a lot of people are gazing upon, when looking at it, it seems to be a lady at the top of this building but it is unsure of who this

Peter Paul Rubens was a Flemish painter who is described by Janson as someone who might be said to finish what Dürer started. (Janson 421) He refers to the breakdown of the artistic barrier between the North and South. Rubens was trained by local artists in Antwerp until he was recognized as a master in 1598. But after moving south to Italy in 1600 he developed his own personal style. And his first piece since his return from Italy to Flanders was dubbed as “charistically Baroque” (Janson 421).

Peter Paul Rubens is known as one of the great artists of the Baroque period. Notorious for his paintings of religious scenes, mythology, and portraits, his style is easily recognizable through his portrayal of large, pale, nude women (Johnson 144, 145). In his painting, Diana and Her Nymphs Departing for the Hunt, Rubens positions Diana, a goddess in Roman mythology, at the forefront of the piece partially topless, reflecting her fertility and sexuality; meanwhile in the background a confrontation between a nymph and satyr display the conflict between nakedness and nudity, male and female, and obscene and control. Diana is the Roman goddess of the moon, the hunt, childbearing, and chastity.

OBJECT ANALYSIS # 1 IDENTIFY: The first artwork I have chosen to analysis is that of “The Death of Germanicus” by a French painter by the name of Nicolas Poussin located in Gallery 313 at MIA. Poussin was born in 1594 and died in 1665 (Object Label Gallery 313), he painted The Death of Germanicus in 1627. This medium is oil on canvas and measures “58 1/4 x 78 in.

The piece of art I chose is the “Psyche Revived by Cupid’s Kiss” which is a marble sculpture created by Antonio Canova in 1787, that is currently located at The Louvre museum in Paris, France. This sculpture was created in the period of Neoclassicism which was a time from 1660 to the early 1800s when artists took muse from classical Greek and Roman works; this period tried to restore the classical arts of ancient Greece and Rome. The “Psyche Revived by Cupid’s Kiss” sculpture portrays mythological lovers in a moment of tenderness and love; the two lovers being the God of Love, also known as Cupid and Psyche who was a mortal princess but later became the Goddess of the Soul after marrying Cupid. The sculpture shows the moment that “Cupid lifts his beloved Psyche in a tender embrace, his face close to hers, [after kissing her lifeless lips to wake her]. Psyche lets herself sink slowly backwards, languorously taking her lover’s head between her hands” ; this piece of art was designed to be admired from many angles.

To the right of the painting is Nymph, also known as "The Hours", Greek goddesses of the seasons. She has on a very elegant dress and holds a robe out for Venus which is decorated with red and white daises, as well as yellow flowers of some sort, and blue cornflowers. These are all flowers of spring time which is appropriate for the theme of birth. The Nymph also wears garland which is also decorated with roses. The Nymph seems to be welcoming not only Venus, but the season of spring as well. This open arms welcome is very comforting to view.

Ultimately Pote was more concerned with concepts rather than formal issues. Many objects in this painting were placed for a purpose and had meaning behind them. Both the bird and the coral necklace resemble passion. The red coral necklace was believed by the Ancient Romans, persisted into the Middle Ages, that it maintained protective qualities. These figures were mostly used as idealization due to the angels that honor them and by the halo around everyones heads, which only high figures had. This piece is likely seen somewhere in privacy like a church altarpiece. This was intended to be respected and honored and mostly for being prayed to. The iconography and technique of this panel are medieval. Set against a cloth of honor held by angels

The piece I chose was an angel from the bottom of the Sistine Madonna. This piece was commissioned in 1512 by Pope Julius II for the church of San Sisto, Piacenza, he commissioned it in honor of his late uncle Pope Sixtus IV. Of course, this oil painting was created within the renaissance time period. The commission required that the painting depict both Saints Sixtus and Barbar. This painting is a religious painting of Madonna, holding the Christ Child and standing by Saint Sixtus and Saint Barbara, while they all stands on clouds. It seems to be like we are looking in heaven, while this is all happening. The man who painted this was Raphael, he has done many other famous works. This was one of the last few artworks that he made, with his

The faces of the people are giving the light in the picture and are giving the focal point of the image. This draws the viewers’ attention to the face of the two men and the woman as their faces show how tired they are. The man on the left of the painting has is eyes closed and appears to be sleeping. The woman has her eyes gently shut and appears to be falling asleep. The man in the middle eyes are open, but his eyes have bags underneath and his face shows that he is very tired. The background of the image is shaded out. Nothing can be seen outside the window, because whatever is outside is not important for the message of the painting. However, the darkness of the window makes it seem like it is night or late evening which fits into the story the artist is showing. This will make the travelers seem as if they have either been traveling for a long time, or that the two men are returning from work. The light and darkness of the artwork shows what is important and how the long day has made the people in the painting

The dull colors were smudged a little together on certain portions of the painting. The piece shows Jesus