Analysis of the Whale Rider

For the kid who might be the chief" (Whale). Paikea turns out to be strongly fascinated on this legend because of the way that she is the latest of the bloodline descendant, which implies she is prepared to make every one of the basic decisions of being a chief other than the reality of being female. The youthful heroic girl refers to the legend when contrasting with herself as an approach to empower her rising as the current bloodline descendant. She keeps on participating in the myth all through the movie with a specific end goal to express her enthusiasm for her way of life (William, 3).

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

John Longridge agrees to take care of his friend’s three pets, Luath, a young Labrador, Bodger, an old Bull Terrier, and Tao, a Siamese cat while the family is out of the country. Everything is fine until Longridge lives on a trip and the pets decide to find their way home on their own through the outback of the Canadian wilderness. Each of the pets faces an almost life ending peril during the trip. Bodger is attacked by a baby bear, Tao almost drowns in a river, and Luath suffers from severe infection from porcupine quills. Along the way the three friends encounter many different people, some are helpful and others are downright mean to them. But at the end of the story, they are reunited safe and sound with their family. The themes of

The book is written in narrative flow and shows Pocahontas’s development from a little girl to a grown woman. The author is showing how big of an impact a woman made to her people and culture. Even at the age of nine she was a main concern of her people because her father was Powhatan, the paramount chief. At that time she experienced strangers who came to her father’s kingdom in big ships. As the story progresses, she is more and more as a greatly influential person. Townsend portrays that she is the one who saved John Smith’s life. She also explains who Kocoom is and his relationship ties to Pocahontas.

Imagine you wake up one morning being just a young twelve year old Indian girl that is suddenly captured by the enemies of your fellow tribe. Then when you become a teenager you are won by a 40 year old French Canadian that you are forced to marry and become pregnant with when you are only reaching the age of 15. This girl who journeyed 8,000 miles, with two unknown white men, is the courageous Sacagawea. (Daub).

These contradictory styles stem from the characters’ different perceptions of culture which impact their identity. This is evident in a scene involving the reoccurring motif of the rope. Koro is attempting to fix an engine with a piece of rope whilst discussing where the ancestors originated from with Paikea. Koro converses in the traditional Maori dialect, and no subtitles are provided for the audience, which emphasises the significance of language to traditional Maori values and culture. “Weave together the threads of Paikea, so our line remains strong. Each one of those threads are one of your ancestors all joined together and strong”. He exerts force and physical strength to fix the rope in an aggressive manner, but subsequently, it frays; typical of Koro’s personality, his leadership style and methods are traditional. The crucial principle of the Maori identity - strength - is what breaks the rope, literally and metaphorically which is foreshadowing the future decline of the culture. He leaves to retrieve a replacement, Paikea mends the engine by taking a modern, different approach and promptly repairing the frayed piece by gathering the remains and tying it together. She applies Koro’s same technique of strength, displaying how she maintains her traditional culture, yet integrates her modern mentality to accomplish the task. This shot presages Paikea’s future role of mending the broken tribe, joining the ends of the past and modern times. Paikea’s scenes are dynamic and changing, a visual depiction of her flexible mindset and approach. Paikea demonstrates her ingenuity as a leader, yet Koro reprimands her as she is female. He states “I don’t want you to do that again, it’s dangerous”, implies that the task is too dangerous for her, presenting his patriarchal views. However, her completion of the task defies his archaic

They expected her to be dead for the fact that she had not moved for several days. Hi'iaka then daringly tried to awake Pele by reciting a chant that would encourage her to awaken, sense it was the only best and safest option (Emerson, March 1915). In relief, the Goddess instantly awoke and came back to life. All the other companions and Hi'iaka were relived. The women and Goddesses then returned to Kilauea. Pele, overly joyed told the women of her amazing journey and asked every one of them if they would be willing to take the journey to bring back Lohi'au to the island. All refused and excused themselves humbly because the threats later before them. However, Hi'iaka agreed to take the treacherous job to fetch Pele's new lover and to face the perilous journey. Pele then laid strict rules for Hi'iaka to obey: first, the girl wasn't allowed to touch Lohi'au or to show any affection towards him and secondly, return within five days. But Hi'iaka had requests of her own from her sister as well. She asked to be given special spiritual powers to defeat any threat, to have a woman companion on quest, so Pele assigned Pā'ūopala'ā as a friend and finally, for Pele to bring no harm or destruction to the Ohia Lehua blossom forest or to her close friend: Hōpoe (Varez,

Someone’s destiny may be known from the moment he or she is born; however, how that person will reach his or her’s destiny is unknown. The way someone can achieve their dream can be vastly different or very similar to another. Bless Me, Ultima by Rudolfo Anaya follows Antonio Marez’s coming of age. He experiences loss of innocence, curiosity, and is torn about what his destiny is: be a Luna, a person of the earth, or a Marez, a person of the llano who is free. Whale Rider by Witi Ihimaera is a film that tells the story of Paikea Apirana, a girl who is interested in becoming leader of her clan, but is rejected by her grandfather due to her being a girl. Paikea manages to prove herself to be the true leader through to her risks and hardships.

For years the killer whale, also known as Orcinus orca, has been drawing the attention of the public through the entertainment industry. These marine mammals have been bringing in billions of dollars to amusement parks such as Sea World, but at what cost? An idea that these killer whales can live happily and content while in captivity may be going through the minds of the public, but this cannot be further away from the truth. To have such complex creatures in captivity is not morally correct and there are many points against it, such as their level of emotional competence, violence between the killer whales, violence of killer of whales towards trainers, shorter lifespans, physical harm, and their level of intelligence. After taking a look at how these creatures function and the conditions they are put in while in captivity, there is no question about whether or not these mammals should be kept in captivity; an experience such as this affects these marine mammals just about the same as it would affect a human because of their high highly developed emotions and complexity. Since these industries do not have a natural authority over these creatures no matter the cause, the best thing they could do for these killer whales is to stop capturing them and return those who are capable back to the wild.

They worked together to harvest wild rice. The family structure of the Chippewa tribe is extremely similar to what we have today. Each gender has a ‘specific’ or ‘preferred’ role to fill and are expected to complete

Summary: The first two chapters serve to briefly tell Child’s family history. She explains how her grandparents met, married, and, together, worked to overcome the problems many Ojibwe people faced, like the loss of land and poverty. Her grandfather Fred Auginash,

Throughout “Whale Rider” Paikea is expected to listen to what her grandpa tells her to do and say. Personally, Paikea feels conflicted and under pressure to stick to her grandpas rules, as she wants to go her own way. Her grandpa finds it hard to see Paikea as her own person and can’t accept modernity, which he is not used to. He also stops her from learning the ways of a Maori chief, which is something she still tries to do in secret with the help of the rest of her family. Koro sometimes fails to see what Paikea can do, as he feels very strongly about old traditions, but other times he sees what she can do and fails to appreciate it. Paikea just wants to be loved and accepted by her grandfather and her strong sense of leadership and determination to get that from him leaves her as a role model to others to be brave and to never stop until they get what they want.

At the age of fourteen, the nameless protagonist meets Old Chief Mshlanga on a walk with her dogs, a native tribal leader who used to own the whole area. The chief's pride and respect make the girl gingerly change her opinion of natives and reconsider her prejudiced vision and idea. As a result, she begins to be more pleasant towards the natives she encounters.

Kahutia was thus renamed Paikea and known as the whale rider (“Maori Mythology and Legend of Paikea”). In the movie’s timeline, Pai is a descendent of Paikea. Ironically, Pai became the new chief and whale rider, by almost drowning herself and riding the whales.

This book really grabbed me right from the beginning of the story. The story begins with the birth of fraternal twins, with the grandfather patiently awaiting the birth of the son. Right away I felt sadness when the mother and one of the twins die. The boy dies and the girl survives. The grandpa seems to not care about the girl who survived . He was longing for his grandson because he is from the Maori tribe and the tribe is waiting for the sign of a new chief to be born . The chief would lead the village and its community to greatness. Many elders have been born but none with the strength to be the next chief. The little girl was named Pai. The grandma of Pai took her home to raise her along with the grandfather. The grandfather showed