Maddie Weir
Monsoon Wedding Analytical Oral: ‘The Many Facets of Love’
We all have our own opinions on love. Some of us may be hopeless romantics who believe in meeting the ‘one’ and being swept up into a romance that will last forever. Others may think that all of that is rubbish and that love is something that people must work on in order to get right. Either way, love is something that affects all of us. The 2001 film, Monsoon Wedding, follows the lives of a Punjabi family as they prepare for the arranged marriage of the oldest daughter of the Verma’s, Aditi. This marriage is anything but simple, with the film containing several subplots of different couples and families who are all connected by this wedding. Mira Nair, the director,
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Lalit would do absolutely anything for his children. After he discovers that Tej molested Ria when she was a child, he’s placed in an extremely difficult position. In the scene, ‘Smile’ Lalit makes his decision and tells Tej and his wife ‘to leave my family and my home’ and that he’d ‘protect them [his children] from myself even if I have to’. A close-up of Ria’s face as she hears that Lalit has chosen her over Tej, places Ria in a state of disbelief that the choice is being made in her favour, that she is being prioritised over Tej, an elder who the family owes so much to. Lalit is clearly exhausted by what he’s just done but by removing Tej from the wedding he’s cleared the tension and has allowed Aliyah to be a child again and has given Ria the closure she needed.
One of the subplots of the film follows the blossoming romance of P.K Dubey and Alice, the Verma family maid. All it really took was one look at each other in ‘The Marigold gate’ for them to develop feelings and to notice that what they had was special. Marigolds are used as a symbolic prop in the film and are an important symbol in the relationship between Alice and Dubey. When they first meet, Alice puts a marigold behind her ear and Dubey eats on that lands in his pocket. When Dubey proposes to Alice he has a heart of marigolds and offers it to her. When they get married, they have a small ceremony and are protected from the rain by
Ultimately, Lizabeth decides to destroy Miss Lottie’s marigolds out of anger because she hears about her parent's argument. Shortly after Lizabeth realizes what she had done, she realizes the meaning of why Miss Lottie plants marigolds. Throughout “Marigolds,”
When I think of the marigold I think of the time when I was a child and I loved to see marigolds. They remind me of grandma’s house and the beauty of the garden. When I looked it up I found that the marigold is the flower that is most associated with the desire for riches (Month 2). By the end of the book Missy is still interested in riches, but it’s different than we would expect. Missy is interested in the riches of knowing and raising a child who she loves and cares for. This adds depth to the story because there is a drastic difference between the beginning riches and the riches at the end of this
The wedding ceremony is a celebratory event romanticized by couples nationwide for its ability to unite creativity and tradition in a convenient package. One need only observe the plethora of wedding trends, from outlandishly alternative to stringently orthodox, to understand how important representing individuality remains among contemporary couples. In retrospect, much of the symbolisms attributed to these trends come from centuries of applied social significance; couples see the most value in a marriage celebration which allows them to flaunt their unique qualities as individuals while simultaneously modeling the long-standing customs of preceding weddings. In the 2002 film, My Big Fat Greek Wedding, director Joel Zwick illustrates the
As a beginning of this film, a myth is told by the Nyinba people of Nepal: a story of fearsome spirits thought to kill children and the weak. Their crime was adulterous passionate love and it was this that had condemned them to live eternally between life and death. In this film, we learn about and explore marriages in tribal societies. We can clearly identify the differences that challenge both side’s ideas and sensibilities about marriage bonds.
In the film Monsoon Wedding, Indian culture is illustrated in the practices of the traditional Punjabi wedding. The wedding in the film was arranged as is the norm in Indian culture. Thought the wedding was rushed it was not forced. Aditi wanted to be married having realised the uncertainty of her previous relationship with a married man.
Established with Adam and Eve, still surviving, marriage is the oldest institution known. Often the climax of most romantic movies and stories, whether it may be ‘Pride and Prejudice’ or ‘Dil Wale Dulhaniya Ley Jaein Gey’, marriage has a universal appeal. It continues to be the most intimate social network, providing the strongest and most frequent opportunity for social and emotional support. Though, over the years, marriage appears to be tarnished with high divorce rates, discontentment and infidelity, it is still a principal source of happiness in the lives of respective partners. Although marriage is perceived as a deeply flawed institution serving more the needs of the society than those of the individuals, nevertheless, marriage is
Described as utopian in nature, the Chinese culture is often in pursuit for the perfect individual, a harmonious and structured society where the citizens as a whole create the ideal culture. In a collection of short stories entitled The Bridegroom, author Ha Jin documents this aspect of reality in homeland China. Primarily for the purposes of instruction and satirical verse, Ha Jin, shows how people are trying to find themselves in a society that focuses on the ‘whole’ of the country rather than the individual. He is able to interconnect this theme of individualism through four major stories in the book while presenting ‘Chineseness’ or satire of fictional verse as a way to focus on the changes throughout China
The stark divide between love and marriage shown right the way through cannot be comprehended fully by the twenty-first century reader: in today’s society marriage and love are mutually exclusive - you very rarely get one
Moreover, the scene of PK Dubey eating a marigold after an encounter with Alice indicates love and passion will grow. Therefore, marigolds are used to position audiences to understand the concept of love in the film; hence, it represents the importance meaning and value of marriage in Indian culture and society.
Through the portrayal of these events Nair has also shown the pressure of the family responsibility placed upon Lalit, When he learns of Tej’s past attacks on Ria, we see that he is torn between keeping up appearances of family unity and doing what he knows is right. This culminates in Lalit kicking Tej out of his home after the formal photography session where Ria, ironically, is asked to pose at Tej’s feet.
The artwork by Paolo Veronese were known for being created on large platforms and were centered on religious topics. One notable works of his was The Wedding at Cana. This piece is a depiction of Jesus' first miracle as he turned water into wine for a wedding celebration. Based in Venice, Veronese's life was heavily influenced by the Christian culture and was esteemed by the community and church officials for his artistic abilities. As Veronese painted in the Mannerist style, The Wedding at Cana was an asymmetrical painting with elegant principles. Also, Veronese heavily used vibrant colors to show the richness of the subjects and to create light. This painting has lived through several interesting eras and owners. Wars and political overlords dominated the geography of this painting and even damaged the canvas. Since Veronese's style and talents were sought after, his work, religious and secular, was mostly commissioned by patrons of the Venetian community.
In the opening sequence of the film, the viewer is immediately presented with an image of marriage as entirely contractual: "Today he married me to a man I've not yet met." The protagonist, although she has already been established as strong-willed and non-conforming, is accepting but not altogether optimistic about the arrangement. The viewer also learns that she
Monsoon Wedding, a Bollywood film directed by Mira Nair and released in 2001, earned just above $30 million at the box office [1]. The film brilliantly depicts romantic entanglements during a traditional Punjabi wedding in Delhi, while delicately handling sensitive issues such as child-abuse, pre-arranged marital infidelity, growing old and striving to be different as an upper middle class Indian boy, or being a flirtatious, bored but basically settled NRI (non-resident Indian) housewife. The film won the Golden Lion award and received a Golden Globe Award nomination, achieving a total of six wins and ten nominations [2].
In Jhumpa Lahiri's’ Interpreter of Maladies Lahiri questions society’s conventional idea of marriage. Lahiri uses imagery as she portrays the lives of two very different indidivuals, who share a very similar realm.An inidviudal who was told by society that the the perfect domestic dream would be as swift as only needing a suitable wife and a place to call home. An Individual that was then deceived as the simple domestic dream doesn't factor in the other challenges that effect and sustain a marriage and a home. The factors that have coated and influenced the other individual. In her readings Lahiri describes how the characters became lost in what they thought
Marriage is a significant social event in contemporary society. It is a means of building new bonds between two individuals and their subsequent families. The foundations of memorable weddings are built on those that bring often-distant family and friends together for the occasion, while dressed in their most sophisticated attire, surrounded by elegant flowers, a night of dancing, captured through the lens of an exceptional photographer. Although Hinduism and Islam are two extremely distinctive religions, their matrimonial customs do share some comparable elements, like most other cultural wedding ceremonies. In both religions, they are devotedly obedient concerning religious and cultural practices in their marital ceremonies.