Analyzing Different Acting Styles of the Great Acting Teachers

To portray these characters and make them real to the audience, as a group we had to use various theatrical techniques, including the Stanislavskian realistic acting methods and we explored and used a variety of different Brechtian techniques. Our chosen form of "Tragedy" was “War Stories", and

For my first year study in America, I was placed in the drama class and school Shakespeare play. Although my character only have few lines to present in one scene, it is very hard for a shy international student to performance well in second language. Especially for those arcane Shakespeare style words. In order to achieve a perfect performance, I fully concentrated on considering the deep meaning of my dialogues and figuring out the tone and emotion I suppose to have when I speak out the words as the character. And almost everyday after school, I would go to find my drama teacher to talk about the details and background of my character. I can still remember that she told me the best way to complete a vivid character is to fulfill the information of a character; make him or her a “real person”, which means create hobbies and habits for them. And through making efforts , my character impressed many audience. This experience told me that the passionate attitude and efforts are the inevitable keys to

Stanislavski was very sure of the role of his actors within the theatre. The actors are there to create a real, emotional and truthful imitation of the character they are playing, and to be so life-like that they seem to become their character. He said that the

Graduating from the Acting program courses is bittersweet and as it draws to a close there are a few things I want to reflect on regarding Acting in general as well as people who have made this experience worth every minute. This semester was a major growth spurt in terms of Acting, and I’ve worked to improve my confidence level and volume especially while working in “The Audition”. However, I still have some trouble really dropping myself into a moment or character without getting somewhat distracted or out of focus. I think in the long run this will get easier the more experience I have, and it mostly just requires more practice. I aim to keep in mind that an actor’s work is never done, and just like a person of any other profession, there’s always room for improvement.

== == == == Stanislavski believed that theatre was about working together, he recognized the need to improve the theatre practice of his time and saw actors needed methods to help them act well and consistently.

Over the past three months I learned how actors explore and use the human body to speak to their audience. As a class and individually, we observed how the slightest body movement changes the entire meaning of the line that is being delivered. Being able to control one’s breath greatly affect the text a perfect examples are productions from Shakespearean times or most Greek text. One Greek tragedy comes to mind that is. There are several examples of how the cast voice and body movement changes the entire meaning of the line that is being delivered. One method that was used in Antigone is called the breathing power.

Lee is responsible for training and helping many of the finest actors and actresses in this country alone. Yet lee also is  criticise for his rigid methods have ruined an entire generation of performers. Strasberg  and Harold Clurman were the co founders of the well known  Group theatre in 1931 which was hailed as “America’s first true theatrical collective”. In 1951 Lee Strasberg  became director of the non-profit Actors Studio, In New York City, which it well know to be the “ nation's most prestigious acting school”. Soon later he found the Lee Strasberg theatre and Film Institute in New York and in Hollywood to teach the work he pioneered. With all of his accomplishments  he was named “Chief” of the Method Acting” in the theatre world.

Sticking to the wall, she keeps her eyes on the ceiling to try and find any hidden security cameras like he had shown her before. Once she decides that it’s all clear, she makes her move; feet discreetly moving her down the hall. Teeth bite into her bottom lip as the nervousness racks her petite frame while her brain is swimming in a swamp of thoughts.

Being the monotone and unenthusiastic person I am, acting for a grade is my biggest nightmare. Projecting my mousy voice to a class of 100, while remembering all of my lines, takes all of my effort for the next four years. I love filmmaking, but behind the scenes is my comfort zone. My Shakespeare in Performance’s final project is to perform a scene from Othello. Although the quarter has 2 weeks left, I wanted to go to visit my Teaching Assistant, Krista Skorupski, for a few tips in order to survive this real life terror.

Method acting is where the actor becomes the character.Which means the actor learns more about the character and tries to live the way the character actually lives. Method acting came to life in the U.S public in the late 1940’s and early 1950’s. It was more about making the acting more realistic then it was about how fun it was. Method acting was about how the actors could relate to the character in a way of being able to express themselves like the character. Method acting is just about having fun and being yourself. All method actors go to the extreme to look and sound like their characters. Method acting is more about the psychological part then it would be anything else.Some actors have such a hard time with because it

Stanislavsky wrote three novels that discuss his acting method; An Actor Prepares, Building a Character, and Creating a Role. These books are from the perspective of a

The essay investigates how a director should communicate and work with actors during rehearsal and on set to produce engaging performances. The essay investigates different acting styles, the rehearsal process, directing on set and communication between actors and director. The essay assumes the actor has formal training and basic experience. The essay then proves effective communication achievable through the “actor’s vocabulary” is key not to over-direct and building trust with the actor.

Method acting is often misinterpreted as an acting exercise where the actor “becomes” the character, and keeps the persona of that character until they have completed their work. This misguided thinking has been promoted by pop culture and even sometimes by actors themselves. The Lee Strasberg Film & Theatre Institute defines the Method as when “actors use their imagination, sense and emotion to conceive characters with unique and original behavior, creating performances grounded in the human truth of the moment.” This definition focuses more on the relationship between the actor and their character, rather than both being one and the same. Method acting is not a new idea. It is thought to have been considered an acting exercise for

Relaxation has never been easy, but it has been proven to occur when one’s mental processes and muscles have been relaxed. It is a very safe method and can be practiced through many different techniques. It has remained side by side to help with areas of therapy and has been very beneficial to countless of people worldwide.

Ever since I took drama classes in high school I felt that we always put on an act. A show almost, that we put out for the people we interact with daily. Erving Goffman, “Canadian-American Sociologist” (Encyclopedia In., 2017) also believed this, he compared social interactions to the theater, where individuals take a particular role. According to Goffman this “theatrical metaphor consists of a stage, actors, and an audience” (Crossman, 2014). It also consists of the onstage, backstage and offstage. These three stages show different behavior on a person.