Perhaps one of the most famous and highly rated classics Citizen Kane (directed by Orson Welles and premiered in 1941) revolves around the fictional life story of newspaper mogul Charles Kane (inspired by the life of William Randolph Hearst) and the grand search for the meaning of his parting words: “Rosebud.” Despite a very rough beginning and being met with criticism from the likes of renowned French cinema historian and journalist George Sadoul who claimed, “Citizen Kane is just an encyclopedia of old techniques” the film’s ever steady spot as number sixty eight on IMDb’s top two hundred fifty list is a testament to its fame both in the past and the present. Why is that so? Some would say it is the film’s witty and quotable one-liners as
"I don't think any word can explain a man's life," says one of the searchers through the stockroom of fortunes deserted by Charles Foster Kane. At that point we get the celebrated arrangement of shots prompting the word's closeup "Rosebud" on a sled that has been hurled into a heater, its paint twisting in the blazes. We recollect that this was Kane's youth sled, taken from him as he was torn from his family and sent east to life experience
Citizen Kane begins the movie with an interesting opening of a man dying while saying his last words. This began the mystery of who was this man and what did he mean by his last words “rosebud”. In the next scene it jumps to a news article
Citizen Kane by Orson Welles is a story that was made for excellence. However, since it was about William Randolph Hearst, it did not do too well. Many movies didn't want to play the film because they were scared of Hearst and his power. Although, many could not see the movie it still became one of the greatest films ever made through its uncommon angles, montages, and lighting.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that that journey is not the same for every individual. For Charles Foster Kane (Orson Welles), the main character of Citizen Kane, directed by Orson Welles, the path towards riches and a fulfilled life is being well liked. He serves to please others. He strives for that attention. This view cost him his happiness in the end. In this man’s rise and fall through prosperity, Welles shows the futility of striving solely for likeability.
Citizen Kane is filled with symbolic imagery. In most of the movie you can pick out scenery, character actions, lighting, camera movement, and the composition within the frame of key shots that help tell the story without the character orally telling the full story. However, because of its new and experimental use of mise-en-scene, the movie did not do well in the box office. In time Orson Welles movie would become one of the best movies of all time and would even come to change filmmaking in
When discussing the greatest films of all time, Citizen Kane, directed by Orson Welles, usually comes up. It’s influence in American cinema can still be felt today, but at the time the film was not released without controversy. The main character in the movie, Charles Foster Kane, is undeniably based of the real life figure of William Randolph Hearst, a famous American newspaper publisher. Hearst was very aware of this fact and tried to hinder the success of Welles’ picture by denying it any sort of press in his newspapers. Despite the smear campaign Kane’s influence lives on through Welles’ revolutionary filmic techniques and its presence in pop culture.
There are many reasons as to why Citizen Kane has been lauded as one of the best, if not the best, film of all time. Orson Welles's Citizen Kane has had a lasting impact on cinema and continues to influence directors to this day. Visually striking, Citizen Kane helped to usher in a new era of cinema through its innovative techniques and use of mise-en-scene.
When his second wife leaves him Kane realizes the corruption wealth has done on his life and says “rosebud” because he wants to return to his sled, his childhood, to return to the beginning when wealth has yet to corrupt him. Citizen Kane is the story of a man’s great ideas to make the world better, but unable to because of the corruption wealth brought him.
Charles Kane, a newspaper mogul, died at his home in Xanadu. His last dying words were ‘Rosebud’ which no one had any idea what they meant. A newspaper reporter is given the task to investigate what the word meant. He had to interview many people including Kane’s friends like Jedediah Leland and his concubine Susan Alexander who only shed some light on the mystery of Kane’s life but no information about the Rosebud word. Citizen Kane is the movie that has received lot applause for centuries despite flopping at the box office in 1941. The narrative structure line non-linear form, the mise-en-scene composition, and the cinematography put the film in high regard.
For citizen Kane, the most important assets of his life are not the political ambitions, successful newspaper business, nor his relationships with the significant others. Judging by his last word, “Rosebud,” the most important piece of his life is memory from his childhood. Although his life is changed for what appears to be better, from a materialistic viewpoint, it actually leaves him vulnerable and alone. Kane’s life is ultimately destructed by his lust to fulfill the American dream of fame, power and wealth. The inevitable struggle of Kane is reflective of the struggle of many must confront in this materialistic world, as one on his or her quest to find the true meaning of
Citizen Kane brought the aspects of a newspaper tycoon in the 1940’s to life in a form of a dramatic narrative. This film is based on a true story of a newspaper magnate, William Randolph Hearst and based off of some aspects of Orson Welles(Writer and Director). This filmed has been named, “The best American film of all time” due to the fact that, during the time of its making, it was the first film to take on many new techniques of cinematography. Citizen Kane is a revolutionary film not only in the drama genre, but in filmmaking of all forms.
Orson Welles’s Citizen Kane is a revolutionary film. Although it might not look like much to the modern viewer, many aspects of the film were the first of their kind to appear and are still used today.
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike, and this is because both of these pieces are timeless pictures that have managed to captivate audiences well after their era. On a broad spectrum analysis this is an apples and oranges debate as the two films both have great cinematographic value but for different reasons. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane is the greatest film ever made.
Citizen Kane is a movie that can be rewritten and implemented into any film created today. In many ways, the storyline tells us more about ourselves than anything else and it relates to each one of us who has ever wished for a better life. From his flamboyant adventures to the blah blah to his political agenda in his later years. Every film that came after Citizen Kane owes a great deal to Orson Welles because of the way he used special effects, music, and shadows and lighting, which without a doubt makes it one of the finest movies ever made. Some even call it the Mona Lisa of its time because Orson Welles was the first to implement all of these techniques, which revolutionize cinema forever.
When Citizen Kane was first released in 1941 it was cinematically groundbreaking because first time director Orson Welles had taken various types of filmmaking, much of which had been used in Expressionistic German films in the 1920’s and incorporated them all into one film. Despite the fact that Welles did not create the techniques used in the film he revolutionized the way films were shot. When Welles was asked where he had gotten the confidence as a first time director to create a movie that was so different from its counterparts, Welles said, “ Ignorance, ignorance, sheer ignorance-you know they is no confidence to equal it, it is only when you know something about a profession, I think, that you are timid or careful” (Welles). This “ignorance” was important to the film as it resulted in the use of cinematography that had not been popularized yet, some examples of this are: