Analyzing The Piece Aeneas And His Family Fleeing Troy

Odysseus, the hero in The Odyssey, and Aeneas, the hero in The Aeneid, fought in opposing sides in the Trojan war. Odysseus was the king of Ithaca and was arguably the smartest king and warrior in all of Greece, whereas Aeneas was a warrior from Troy whose destiny was to found the Roman race in Italy. While both men were highly acclaimed by their respective countrymen as heroes, they shared many similarities in respect to their background, their virtue and their struggles. However, amidst these similarities Odysseus and Aeneas were very different in their social status, their innate disposition and in the defining characteristics of their quest.

Aeneas was a good leader because he was brave, strong, and selfless. The Aeneid was written by Virgil during the reign of Augustus in 19 BCE, and the character of Aeneas was meant to represent Augustus and suggest that Augustus was a direct descendant of Aeneas. Many historians think that Virgil sounded a bit sarcastic when stating how great Aeneas was, implying he himself was not a fan of Emperor Augustus. Throughout the book, Aeneas is referred to as “The Great and Good” and other phrases along those lines, and is always spoken of as a great hero. He does things such as kill deer for his men, or survive a terrible storm, and he even has the approval of the great god Jupiter. Aeneas is a demigod, (his mother is Venus), making him more powerful and respected than any other Trojan men. The Romans valued physical and mental strength, both of which Aeneas has.

The Aeneid is a grand chronicle that charts Aeneas’ obstacles versus his accomplishments. Aeneas’s accomplishments entail escaping Juno’s wrath; leaving and finding love; and losing loved ones in war. Against all odds, Aeneas continued to achieve victory over all his potential downfalls. With some divine assistance, Aeneas continued to achieve victory over all his potential downfalls. With some divine assistance, Aeneas recognizes his need to help midway through his journey and needs to speak with his father, Anchises. In Book VI, he asks the Sibyl to grant him access into the underworld. Aeneas’ journey leads him to many discoveries. He discovers Leucaspis and Orontes are among “all in the nearby

Simon Vouet, a French painter, created a piece of artwork known as Aeneas and His Family Fleeing Troy in ca. 1635. This painting, done in oil on canvas, depicts a strong Aeneas, carrying his father, followed by his son and wife leaving the burning city of Troy. Vouet uses his knowledge of artistic ideas gained during his stay in Italy to create his own technique. Through his experience in Italy, Vouet is able to communicate ideas of his time period in France with his own style.

The foremost reason for this being the abundance of movement both contained in the composition and implied by it. Lucretia’s figure may be, generally speaking, characterized by its classical orientation, standing upright with no peculiar manipulation to her poster—her chest is roughly aligned with the plane of the composition. What’s more, her figure is characterized by its well-balanced composition with respect to both the domains of shape and color, the most obvious observation being that each element depicted to the figure’s left is also depicted to the figure’s right (and vice versa), the dagger falling neatly between what is almost bilateral symmetry in her frame. Nevertheless, by means of only a few understated alterations to this otherwise archetypal stance, the painting is effective in intimating a sense of motion. Note the curved diagonal implied by her outstretched arms through the length of the dagger and leading upward through her bend, slightly corked neck. What’s more, counterpoint this observation with the perpendicular intersections of this line with those implied by the union of her arms, the breath of her shoulders, the spread of her jewelry, and the floating, lilting ends of Lucretia’s bonnet which appear at either upper corner of the composition quite as ghostly apparitions. The shading corresponding to both of these tails gives to the

Aeneas is son of Anchises, the prince of Dardaria and Venus, goddess of beauty and love. Aeneas was a Trojan military leader during the Trojan War. Aeneas was also one of the lone survivors after the siege of Troy. After the fall of Troy, Aeneas is divinely lead to Carthage by Juno because she has a grudge against the Trojans. While in Carthage, queen Dido falls deeply in love with Aeneas. Jupiter afraid that Aeneas is abandoning his destiny sends Mercury to order Aeneas to leave Carthage and travel to Italy. Once he arrives in Italy he is visited by his father’s ghost which tells him he needs to travel to the Underworld. Aeneas ends up going to the Underworld to

Aeneas, the central figure in the Aeneid, personifies the Roman value of pietas. Pietas is one’s “respect for the gods, and dedication to both one’s family and community” (Lecture 10/20/17). Therefore, Aeneas starts the Aeneid very much unlike the traditional Homeric hero and as a consequence, unlike Achilles. In fact, the Aeneas closely resembles the Trojan prince Hector, the defender of Troy in the Iliad. He characterizes each of the qualities of pietas in his escape from Troy. During his escape, he states “take into your hands, Father, the sacred gods / of our country” because “it would be a sacrilege” if Aeneas had with his bloodied hands (Aen. 2.844 - 845) Aeneas is

Immediately, my eyes are drawn to Adam and Eve, for they are the largest figures in the painting. All of the characters are stylized to the tune of what the artist wants, for his figures, including the animals, are shown as very muscular, not very naturalistic. This is similar to Michelangelo’s characters, he believed that the mans body is the pinnacle of god’s creation, using the male body as the body of all of his characters, men and women included. These figures are also similar to the Greeks, who were very focused on the human body.

Throughout the Aeneid there are several recurring themes that shape the story. One of the biggest themes is family. Without the idea of family Aeneas has less motivation to go on his journey. The gods use this against him when attempting to persuade Aeneas to continue embarking on the quest he has been on. Anchises, Aeneas’ father meets with Aeneas as well and gives his perspective on Aeneas’ journey and includes a lot of arguments about family. Anchises has a strong concern for family as well, and it is evident in the underworld when Aeneas and Anchises meet.

Aeneas is a person who holds his family and friends close to his heart, but doesn’t show care to people who he feels have done acts that harm his loved ones. Test of character that confront him are losing people that he loved to death, having to enter the Underworld, leaving Dido for his fate to travel to Italy, and facing Turnus in battle after Turnus killed Pallas. Aeneas passes all of test he is given with minor setbacks, like being able to leave the Underworld alive, but he carries the mourning of the deaths of his loved one through the entire myth. The temptations he resists are staying with Dido in Carthage, and letting the death of people he cared for stop him from his journey. Aeneas resist staying with Dido because his fears what the gods would do if he didn’t leave Carthage for Italy. He doesn’t let the death of loved ones stop his journey, because most of them wanted Aeneas to continue his journey and reach his destiny. Aeneas find the task of killing Turnus out of revenge for Pallas’s death irresistible, since Pallas was Aeneas’s friend and seeing Turnus with Pallas’s belt filled Aeneas with rage.

Homer and Virgil had used characters from the Trojan War as heroes. Homer used Odysseus as the protagonist, while Virgil chose Aeneas as his main character. Both these two were similar because they both symbolize a great hero for their nation. Odysseus was known as a heroic Greek king who helped defeat the Troy. His wooden horse idea was the only reason the Greeks overcame the favored Trojans. Aeneas was a hero as well, but was known more by the Romans. After Troy fell, Aeneas was looking for a new home and peace. He was a

The protagonist of the Aeneid and known hero to many, Aeneas, was a man of many virtues. His courage and obedience towards the Roman gods are clearly shown all throughout the book, as well as his passion for justice. When he leaves his lover, Dido, at the bidding of the gods, he shows obedience even when it went against his own will. The time Aeneas travels into the underworld to find his deceased father, it shows great bravery. It is even seen by the example of the crew of Aeneas that he was an incredible person, judging by how loyal they were to him. But, even with all these wonderful attributes, Aeneas wasn’t the entirely heroic person we believe him to be.

In the discourse of literature, every tale presents a story with a hero. When it comes to culture, the author displays a heroic character as someone who demonstrates ideal characteristics that are based on the story’s historical background. These ideal attributes can include heroism, honesty, selflessness, and confidence. From Virgil’s tale of The Aeneid, Aeneas is portrayed as the protagonist and hero of the tale. Within this story, Virgil shows how the Roman culture is valued through Aeneas’s actions of heroism. His example of presenting the value of Roman culture to the reader is by illustrating the concept of romanitas. In the Roman culture, romanitas can be expressed in Latin as “roman-ness.” Though it is known to be a combination of

The thesis statement states that the son of the Trojan person Anchises and Venus, the goddess of beauty and love that is sexual, Aeneas loves a special divine protection. He could be selected to lay the bases in Italy and to survive the siege of Troy. In the Aeneid, Aeneas’s destiny as Rome’s creator drives all the activity, and the story always figures out that Aeneas’s bravery owes as much to his heritage regarding his activities.Also, Charlemagne 's military is fighting with the Muslims. The last city standing is Saragossa. Terrified of the might of Charlemagne 's army of Franks, Marcella sends messengers out to Marcella 's conversion to Christianity if the Franks will return to France, assuring treasure and Charlemagne. Charlemagne and his guys are tired of fighting and determine to accept this peace offer. They need to choose a messenger to return to the court of Marseille. Aeneas functions as the vehicle by which destiny carries out its historical design. As a Trojan leader, Aeneas values prophecy and efforts to integrate the notion of his destiny into his activities, in spite of mental whims that conflict with his fated responsibilities. Private investment is by Aeneas later on of Rome increases as the narrative advances. Book VI, in which Aeneas sees his dad in the realm of the dead, and the occasions of Book V, when the Trojans sail away from Carthage toward Italy, depict Aeneas’s increase as a leader.

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this