This poem has been written in the form of a request to the poet's coy (or shy) mistress, the grant his desire for them to make love. He argues that for to delay makes no sense because 'at my back I always hear/time's winged chariot hurrying along near'. Much of his argument is made through a series of hyperbole (h-p rb-l) A figure of speech in which exaggeration is used for emphasis or effect, as in I could sleep for a year or This book weighs a ton. Here he is describing how slow they could move to consummate their love if there were no pressure of time. As all Cavalier poets, he supports the statement of "carpe diem", or "seize the day", that is an extension to the Renaissance code of chivalry.
Today, the speaker's speech may seem
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He directs a monologue to a desired lady in order to make her be not as "coy" and give away her virginity. It is actually devised from three logically flowing arguments showing the philosophy of most seventeenth century people. The first argument the speaker presents (lines 1-20) carries the purpose of misleading the lady by showing her the image of what would have been if all time lay before them. It starts with a hidden quatrain holding the argument's main idea that "had [they] but world enough, and time, this coyness lady were no crime" (1-2). He promises her slow and efficient enjoyment of their relationship given not only to sex but also to constant feelings. Actually, he even refers to the "conversion of the Jews" (10) to transfer some sense of purity and innocence to his intentions as well as to show the vastness of time. The image of time, actually, is central in this first part of the poem. It seems infinite because huge distances present it - from "the Indian Ganges' side"(5) to "Humber" (7). The alliteration of the "l" letter (in the phrase "long love's "(4)) also contributes to the sense of vastness and slowness of time. To make his argument even more sound, the speaker gives even the exact number of years he plans to spend for adoring his lady. But in this way he really puts a limitation to eternity.
His emotions he compares to "empires"(12) that are the symbol
Within To His Coy Mistress we see the manipulation in which the speaker uses for his own benefit through the personification of time, ‘Had we but World enough and Time’ expressing, through the personification of ‘Time’, how he would love the potential lover and wouldn’t mind her initial rejection if time was an endless matter. This attempt of flattery, seen
‘To His Coy Mistress’ was written by Andrew Marvell (1621-1678). The poem is a metaphysical poem, which was mostly used in the seventeenth century and was classed as a highly intellectual type of poetry and mainly expressed the complexities of love and life; just as this poem is. In brief the poem is about seizing every opportunity in life and not caring about the past or future. In other words ‘seize the day’. The poem also explores the nature of seduction.
In the first stanza Duffy uses the technique of asyndetic listing of all the potential suitors that the monarch could have married like the "lord, the baronet, the count", instead she has accepted "Time for a husband". Duffy personifies "Time" as she gives it a capital letter resembling a name, it also embodies how the queen left it too late to marry, instead married her people and gave up seeking to find a husband. Another interpretation could be the historical context of the poem which could be an allusion to Queen Elizabeth the 1st This is evident in the name of the poem "the long queen" as Queen Elizabeth is notorious for possessing a "Long" reign. She was perceived to be the 'virgin queen' and was to have not married because of infertility. This suffering is a central aspect of some female lives and could be empathised by Duffy to make it universal. In 'the map women' relationships inevitably fail because of her "map" signifying her past. When the women haves a relationship the lover's maps "flapped in the breeze" which could portray that she is hard to read. The structure of the sentence also end stop, suggesting that companionship for the women is difficult due to her past. Duffy also describes the lovers as "lost tourists"
In the fifth stanza Becquer extends the time to the human emotions. He says that words of love will return and that in fact they will sound in the ear of the woman he loved. The ardent words will awaken her and even generate new feelings. But the speaker convinces us that the kind of love he gave her lover is beyond the cycle of nature and even her emotions and feeling. And by using the anaphora "by those", the writer help us to understand the condition that his love is beyond that cycle. In fact, the sixth stanza warns the lady not to fool herself because the love the speaker felt for her is not ruled by the temporary cycles that rule the nature. His love was idolatry. It's beyond nature. The repetition "those will not return" that the poet uses in almost all the stanzas helps to support this idea.
Comparing Andrew Marvell’s To His Coy Mistress and Robert Herrick’s To the Virgins, to Make Much of Time
At this point in the poem, the speaker takes a moment to explain that, beauty and the ability to enjoy life to the fullest fades with time, and that the two of them should show off or 'sport'; their love and beauty before time passes by and they loose there chance.
In the first stanza Duffy uses the technique of asyndetic listing of all the potential suitors that the monarch could have married like the "lord, the baronet, the count", instead she has accepted "Time for a husband". Duffy personifies "Time" as she gives it a capital letter resembling a name, it also embodies how the queen left it too late to marry, instead married her people and gave up seeking to find a husband. Another interpretation could be the historical context of the poem which could be an allusion to Queen Elizabeth the 1st This is evident in the name of the poem "the long queen" as queen Elizabeth is notorious for possessing a "Long" reign. She was perceived to be the 'virgin queen ' and was to have not married because of infertility. This suffering is a central aspect of some female lives and could be empathised by Duffy to make it universal. In 'the map women ' relationships inevitably fail because of her "map" signifying her past. when the women do have a relationship the lover 's maps "flapped in the breeze" which could portray that she is hard to read. The structure of the sentence also end stop, suggesting that companionship for the women is difficult due to her past. Duffy also describes the lovers as
He uses this in the poem to give it rhythm to engage the reader and
In “To His Coy Mistress” it’s about a guy trying to conquer the love of a mistress. He tells her how much time he will wait for her and his love will endure forever as long as she is with him. Later the tone changes and it’s when carpe diem takes place. He starts to say that they don’t have all the time in the world and that one day all this will end. He points out that beauty one day will end and that she should take the advantage of being with him now that she is young and beautiful and not waiting till she’s old and wrinkly. Also he mentions her virginity and says that she should have sexual intercourse before she dies because if she dies as a virgin it’s the same thing as doing it while being alive because worms will still get inside her and eat all her remains. He wants to be with her, and would’ve waited a long time to get what he wanted, but since they don’t have all the time in the world and one day will die he wants
The first stage is saying if we had enough time, I could spend all the
The title "To His Coy Mistress" implies a certain falseness as the word coy is almost an insincere form of modest, it indicates that this mistress were indeed not coy rather falsely coy in order to gain assurance of his feelings towards her for her own validation. The first line "Had we but world enough, and time, This coyness lady were no crime." introduces the theme of time and lack of a crucial theme in the poem, the lover also accuses this coyness of being criminal by saying "HAD we but world enough and time, this coyness lady were no crime" implying that they do not have time therefore this coyness is a crime, this is clever use of irony which is also a constant theme throughout the poem. Marvell also uses soft alliteration such as "long loves" to lull the reader into believing his intentions honourable, he uses flattery all throughout the first section of the poem though he changes his tactics throughout the poem. The lover tries to create the image of himself as a committed patient lover with promises of waiting for her if she should travel to the "Indian Ganges" without complaint and
vegetable in that it is not adaptable. She is the water, food, and light for
The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for
Andrew Marvell's elaborate sixteenth century carpe diem poem, 'To His Coy Mistress', not only speaks to his coy mistress, but also to the reader. Marvell's suggests to his coy mistress that time is inevitably rapidly progressing and for this he wishes for her to reciprocate his desires and to initiate a sexual relationship. Marvell simultaneously suggests to the reader that he or she should act upon their desires as well, to hesitate no longer and seize the moment before time, and ultimately life, expires. Marvell makes use of allusion, metaphor, and grand imagery in order to convey a mood of majestic endurance and innovatively explicate the carpe diem motif.
‘To His Coy Mistress’ Is a love poem by Andrew Marvel. The poem is ‘carpe diem’ which translates to seize the day, this means the poem does not take its time its blunt and straight to the point. The poem contains a thesis, antithesis and synthesis, the main argument points of the poem. The poem is split into three stanza’s which are used to persuade the woman to give up her virginity before her beauty dies. It is a conventional poem for its time in the 17th century.