Ancient Egyptian Art : The Story Of Djedmaatesankh

The Mummy Case of Paankhenamun was composed of a substance known as cartonnage, which was usually made out of linen or papyrus strips bound together with a sticky substance in order to form a flexible shell. After mummification, the wrapped body was placed in the coffin-case through the back, which was then laced up and a footboard was added for support. Only then the case was ready to be painted. Such cartonnage cases as the case of Paankhenamun were normally placed inside one or more layered wooden coffins and were also decorated. The innermost coffin was always in the shape of the mummy and due to its utmost importance, it was the case with the richest decorations. The amazing detail is still a wonder to many historians and anthropologists (Stockstad 120-3).

Ancient Egypt was a captivating and intricate civilization. Over the years, historians have found it easier to study this civilization, rather than other historical civilizations, because the Egyptians went through great lengths to record their history. Besides being decent record keepers, they were very religious, and “ahead of their time,” due to their technological and economic breakthroughs. Because of the aspects of this culture, it has to be one of the greatest civilizations of the world.

George Orwell famously declared »all art is propaganda.« Great works of art, in other words, have a very particular message for an intended audience. This function of art transcends historical periods, as is evident if one takes a closer look at the art of specific eras, such as Ancient Egyptian art. Ancient Egyptian art possessed a very specific propaganda function: to promote the divine origins and authority of the Pharaoh and thus a hierarchical social system.

The temple was originally carved out of the mountainside next to the Nile during the reign of Pharaoh Ramesses II in the 13th century BC. It was to serve as a lasting monument to himself and his queen Nefertari, to commemorate his victory at the Battle of Kadesh. He also wanted to intimidate Egypt's neighbors, the Nubians. It was Ramses' way of trying to make an impression upon Egypt's neighbors, as well as to force Egypt's religion upon them. Propaganda in Egyptian art was common. Art can attempt to persuade, publicize and influence the people’s attitudes. Their art work includes paintings, stone carvings, statues, and sculpture and funeral artifacts. Daily life such as field work, special events, political and social hierarchy, battles

Art of the Egyptians and Africans express ………………………..In art, style is a characteristic, or a number of characteristics that we can identify as constant, recurring, or coherent.(Art Terminology 1) Artists express their emotions through their art-making, their finished product will reflect that emotion. They might also create a piece of art that makes the viewer create an emotional response. Emotion is any strong agitation of the feelings actuated by experiencing love, hate, fear, etc.(Dictionary 1)

Coffin of Horankh is an example of a classical art and it was created around 700 B.C.E. In order to make this container different materials were used wood, gesso, paint, obsidian, calcite and bronze. The coffin is of three dimensions with 1m 94.95 cm in length, 45.72 cm in breadth and 41.91cm in height. As of now the Coffin of Horankh is located in 302 Egyptian Gallery of DMA.

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

This paragraph will be analysing a primary source from the time of ancient Egypt. The source in particular is a painting made for Ramose, an Egyptian state administrator. He had this job during the reigns of the pharaohs Amenophis III and Akhenaten. His job was regarded very highly amongst ancient Egyptian society. This painting was made from the white limestone fond in the Valley of the Kings. The fine-grained rock that was the limestone permitted attractive decorations in full colour. It was made to decorate Ramose’s tomb and was probably painted by tomb decorators. It was probably created between 1000 BCE-1500 BCE. His tomb was in the Valley of the Kings amongst those of pharaohs, this suggests that

One of the pictures of a coffin shows what Chantry was meaning when he talked about the in-depth and three dimensional aspects of Egyptian art and how the art of this era is more like todays than any other type of art. Egyptians are still respected for their art today, many individuals are baffled by some of the architectural structures that they built, such as the Great pyramids of Giza, the Sphinx of Giza, and multiple statues that were used throughout history. One of the most iconic pieces of art in history would be the coffin of Tutankhamun, it resembles many of the forms of art that were talked about in the article by Chantry. The main difference between art of this era and the art of today would be that the Egyptians did not use art as a form of decoration, they used it to honor the dead, or to help them move on by honoring the gods. In the article Chantry repetitively tells us about how he speaks to viewers through his pictures in his modern designs, this may have happened in ancient Egypt also. Many things about the paintings of that era is that they are difficult to explain, though if someone views it then you can automatically know what the point of it was. Sometimes it is just a social class rating showing the power of the pharaoh, and the women that served him and his

Mysteries of ancient Egypt attracted the attention of archeologists and ordinary people for many centuries. An enormous impact on the history of Egypt was religion, it shaped the everyday life of all the egyptians. They wanted an afterlife in Aaru, heaven. It was the ultimate goal. People 's lives were rotating around religion, and everything that was tangent to it.

The Egyptian Mummy Mask from the early Roman Period is unique and beautiful in every way possible. This mask that is on display in the Museum of Fine Arts Boston is about 3 feet tall to about 2 feet wide. This certain piece of magnificent art is extremely detailed with intricate designs covering it all around. The Museum of Fine Arts makes it easy to pay attention to, because of its detail and how the mask is displayed. The Mummy Mask has it’s own small alter with a spot light shining down on it creating dramatic shadows in a very dim room. The decorations include inlaid glass eyes, a gold leaf and is hand-painted and gilded glass. This mask is not paper maché like the masks that were made in this era; this Mummy Mask had been created out of cartonnage . The Egyptians decorated this masterpiece with bold vertical and horizontal lines representing rows of beads to go along with the story it tells. The Egyptian Mummy Mask from the first half of the first century A.D illustrates a gaze of innocence and acceptance while looking into the bright future of whom the mask was made for. Perfectly painted images covering the mask tell a story of the traditional funerary practices and the after life Egyptians believed in. Egyptians would create these pieces to fit over the heads of the lost lives wrapped inside the mummy. The mask represents the deceased transformed into a God . Although the face of the mask is idealized and emotionless, the decorations say and express more than a

Cats in Ancient Egyptian Art: A Visual Analysis of Bastet and the Menat of Taharqo: the King Being Nursed by the Lion-Headed Goddess Bastet

The shrine of Tutankhamun uncovers the burial customs of the New Kingdom Egyptians. The Canopic Shrine positioned on the east wall of the Treasury holds Tutankhamun's embalmed internal organs. A gold chest held four Canopic jars containing the dead pharaoh's internal organs in each jar. Undoubtedly, through the process of mummification, the embalmers must have removed the internal organs and preserved them in the Canopic jars, perhaps to be taken with the pharaoh to the next world. The third and innermost of three coffins of Tutankhamun is made of solid gold and is inset with semiprecious stones and coloured glass. It is covered with carved decorations and inscriptions inside and outside. It bears the names and epitaph of the deceased king and also protective texts. From this we discover the significance of the importance of the decoration of the mummy was, and the power the coffin was believed to hold. Originally, mummification was so expensive that it was a privilege enjoyed only by the Pharaoh and few nobles. Everybody else was given a simple grave burial in one of the vast cemeteries or "necropolises" of the time. But the promise of eternal life was so appealing that it wasn't long before other classes of Egyptians began signing up for mummification, too.

The Egyptian city of Amarna was a capital built by the Pharaoh Akhenaten which was abandoned shortly after his death in 1332 BCE. The city of Amarna was where Akhenaten pursued his vision of a society dedicated to the devotion of the power of the sun god, the Aten. It remains the largest accessible living site of Ancient Egypt. It is a key to the history of the religious experiences of Egypt and to a fuller extent the life of an egyptian. There is no other site like it. The website mentions that the site is in danger of encroachment. This sounds very interesting to me and I’d like to see how the life of an Egyptian was at the time. I don’t know much about the Egyptians, but I’d like to learn more

The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it.