Ancient Greek Theater Architecture
Many aspects of ancient Greek theaters have long been studied and debated. Much of the information about these theaters is based on speculation due to the fact that so little of them still exist today. This lack of remnants especially applies to the architecture of the early Greek Theaters. However, through archeological finds and years of studying the people, the plays, and the architecture of the time, we are able to make many conclusions about these early structures.
Greek Theaters are classified into three categories: The early Athenian Theaters, Hellenistic Theaters, and Graeco-Roman Theaters. Like most new inventions or creations, the initial theaters built by the Athenians were very
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The skene of the fifth century theater is believed to have been a temporary structure, erected and taken down for each festival. It was constructed using light and perishable materials until later, when theaters were built in stone. At that point, a permanent stone skene was built (Allen 28). More became known about the skene after it changed to a permanent, stone fixture in the theater of the fourth century B.C.
Lastly, but likely the most important part of theater is the orchestra. In its simplest form the orchestra is simply a circular plot of land designated as a place for dance.
In fact, this is exactly how many see the Greek Theater developing. The orchestra appeared to have been circular in shape and possess supernatural powers. The surface of the orchestra was originally earth and measured about 66 feet in diameter. When many of the theaters were renovated, a raised stage was added, thus eliminating the need for the old orchestra. Therefore, the old orchestra was converted into additional seating (Betancourt). Obviously, this seating was needed because of the growing popularity of the theater.
An altar (or thymele) was located in the center of the orchestra. It looked like a short drum of marble decorated with low-relief carvings of garlands and satyrs. It was used for sacrifices in honor of the god Dionysus. The altar was primarily used prior to performances. However, due to religious themes of
The theatre has been a part of entertainment since ancient Greece, around 4th century BC or thereabouts. The theatre grew out of festivals in honor of the god Dionysus. Aeschylus created the first play in her honor. The first Greek plays were all tragedies but eventually comedy made its way and these plays were performed at festivals all over Greece. Through the centuries theater played the main role of entertainment from noble and royalty to the common person in any city or village, and as we move into the twenties
During ancient times, the notorious Oracle and Sanctuary of Apollo lay in close proximity to the theatre. Strategically engineered to harness the acoustic properties of the area, the theatre is composed of a stage, chorus, and amphitheatre. If filled to capacity, the amphitheatre’s thirty-five rows could hold nearly five thousand persons. Long ago, when it was still in use, the people of Greece “enjoyed plays, poetry readings, and many musical events during the various festivals that took place periodically at Delphi” (Ancient-Greece). One such event could have been the Pythian Games, which were held at Delphi every four years. The games were to commemorate the legend that in that spot the god Apollo had killed the monster Python. In accordance with their superstition, the people believed their god to be present at such celebrations. Regardless of such superstitions, the view of the lush underlying valleys from the theatre’s height is acknowledged to be unparalleled.
Theatre became important to Greek cultures when it became a part of the festival honoring the god Dionysus (The god of wine and fertility).”( Greek Mythology in Theater by Bruce Tucker October 27, 2016) The theater festival was founded to bring unity among the Attican tribes.( Greek Mythology in Theater by Bruce Tucker October 27, 2016) Athens was the main center of these traditions. Everyone came to sing and dance in hope for a good harvest. At one point, a Greek named Thespis began to sing praises to the god, with others responding, which led to the actor and chorus. During the festival everyone would dance and sing in a circle, in the middle of which was the altar to Dionysus. Over time the festivals started giving thanks to other themes, and eventually had nothing to do with Dionysus or any god, but began to turn into classical Greek plays. (First Ancient History, Oxford University Press 2000 pg.166)
To begin, The Globe Theater had a very unique building structure. In the article “The
Theatre represented a culture and values found in Greek society. Theatre was also a way for
The Greeks were known for giving offerings to their gods. They decided to build a theater where they could give their offerings. Although the main thing that they used it for was giving offerings, it was also used for some other things. This paper will be talking about Greek drama genres, why theater was so important, and how they make their voices heard.
The Globe Theater was an octagon shape and had three different stories to it. Levels one and two were for dressing and storage. Level three was upper stage and balcony, resembling the courtyard, or a bridge of a ship. The Globe Theater was built with oak wood and timber, the walls were made with plaster. The stage had a canopy over it that represented “the heavens”, moon, stars, planets, sun, etc. There were two pillars supporting the canopy. The stage did not have a curtain either. There were trap doors, entrances and exits, underneath the stage were represented as “hell”. This theater was located in an area called Bankside.
Theatre today as in ancient Greek times is a popular form of entertainment. Today’s theatres share many similarities with the Greek predecessors however they are also very different. There are in fact many differences for example; layout, special effects, seating arrangement, the importance of drama and religion, setting, location and architectural features.
Towards the city’s heavily trafficked center the Roman Forum was constructed for convenient easy access of all the citizens. The foreground of the forum was occupied by a paved square with monuments to famous citizens. The temple to the Divine Julius, dedicated in 29 BCE to the deified Caesar, built in a Hellenistic style, is located in the background on the left; to the right is the temple of Vesta and the house of the Vestal Virgins, guardians of the everlasting flame; further to the right is the temple of the Dioscuri, Castor and Pollux dedicated in 6 CE Here the office of weights and measures was situated. The podiums of the temples of Caesar and the Dioscuri were often used as orators' platforms and it is in this part of the Forum that the meetings of the comitia took place. On the far right is the Basilica Julia built by Caesar. Its long façade occupies the entire south side of the Forum. (Owens, 154) Semi-circular in plan and having consisted of a tall stage building, theaters were a semi-circular orchestra and tiered seating area. Unlike Greek theatres, which were built on natural slopes, they were supported by their own framework of piers and vaults and so could be built anywhere and not where nature dictated. Amphitheatres (literally, ‘double theatres’) were elliptical in plan; with a central areana. (Bowra, 38)
The theatre that you are most familiar with today generally comes via the movie version of an originally staged play. But if we go back further, we find that most of the theatre that is written and performed today can be traced back to Greek origins through various
Once plays started being written, the number of interested spectators increased. In order to satisfy the Greeks amphitheaters were constructed all over Greece. Three well-known theaters were the theater at Delphi, the Attic Theater and the theater of Dionysus built at the foot of the Acropolis in Athens. During their prime time, the plays attracted crowds of 30,000 and more. The stands were built around the orchestra and up hillsides; somewhat like a baseball stadium today. This made it possible to seat more than 17,000 spectators at a time.
Though both genres of theatre are closely tied to religion, Greek theatre and medieval drama have different religious motivations that impact the ways in which the theatrical event is utilized. In Greece, theatre was used to entertain or please the Gods, more specifically the God Dionysus, during the most important of the four Athenian festivals: the Great Dionysia. The first known Greek playwrights, such as Thespis and Euripides, were chosen to compete in the festival and submit three tragedies and one satyr play to be performed in front of approximately 15,000 spectators. In classical Greece, theatre was the center of citizenship and society; religious ideologies towards Dionysus were not only realized by performances, but strongly encouraged by the state. For example, if a citizen could not afford to attend the
This new building type differed in striking ways from the traditional Greek theater. The latter consisted of two separate structures: a horseshoe-shaped seating area and a freestanding stage-building. The Roman theater, in contrast, was a fully enclosed edifice, unroofed but often covered with awnings on performance days. The seating area in the Greek theater was supported against a natural hillside, whereas the Roman theater was carried at least in part on concrete vaults, which provided access from the exterior of the building to the cavea. In the Hellenistic world, the stage-building was a relatively low structure, ornamented with painted panels but rarely with large-scale sculpture.
Although the origin of the Greek theater is unclear, many historians believe that it developed out of religious ritual and its performances were connected to religious festivals. The performances were used to educate and entertain. "The theater is certainly not the same as it was in ancient
In Ancient Greece religion and theater went hand in hand. The Greeks developed religion that was based on worship of many Gods. In honor of the Gods there were festivals with dancing, music, and theatrical performances. During the festivals the whole city would come to a complete stand still. All businesses were closed, politics were put on the back burner, and wars were halted. All social classes were welcome to come to the festival, and they all did. One of the most famous religious festivals is the City Dionysia, a festival in honor of the god Dionysus, god of wine, revelry, and fertility. The festival was held in ancient Athens, in March for five days, featuring dramatic competitions. These dramatic competitions consisted of dithyrambs, tragedies, comedies, and satyr plays. The tragedy competition was four plays per playwright, three tragedies and one satyr play. There were two processions; the first was carrying the statue of Dionysus from the temple to the theater of Dionysus at the foot of the Acropolis. The second were the patrons parading through the