Ancient Greek Vase Analysis

Throughout the history of art, the human body and figure has captivated both artisans and their audiences. This can be said especially of the Greeks and their sculptures. Even from the earliest periods, Greeks motivation for the search of the ideal human body can be seen through the sculpture Metropolitan Kouros (c 120-50 BCE), created in the Archaic period and said to be found in Attica, Ancient Greece (Richter 1931, p. 220). However, it is not until High Classical period that they truly achieve their goal with Polykleitos’ The Spear Bearer (c. 120-50 BCE) or the Doryphoros (its Greek name). The sculpture, found in a Palestra in Pompeii, Italy is said to be the epitome of perfection during its period. Although there is exquisite rendering and beauty in both sculptures, there are also a vast number of differences that make each work unique.

The Greek Storage Jar (Amphora) depicting man and boy was created around 550-540 BCE. It was found in Ancient Greece. The amphora storage jar is made out of terracotta and it is eleven inches in height. Then it was painted on with black and brown paint. This jars colors are used to create contrast, the lines are used to unify it, the shapes on the object are the most important part of the image and patterns are used on the jar to help fill the space on the jar. Therefore colors are used to create contrast.

Modern figurines of art stem directly from the hands of the ancient’s. The organic forms of modernly sculpted artifacts can most likely be directly referenced to the movements of prehistoric artworks. There seems to be an ongoing transition on how cultures no matter how stretched apart through time, contrasted by ethnicity or religious views; can all be somewhat related to each other by the methods or principles portrayed through their artworks. In fact, I saw that very transition; within two works in which are extremely different in meaning, craftsmanship, time, culture and so on. However, I was still able to find similarities within the artifacts. In this paper I will examine Venus of Willendorf, a Paleolithic carving in limestone; which can fit in the palm of one’s hand. As well as, The Sacrifice of Chacmool, which are a plethora of Mesoamerican statues emulating rituals of sacrifice.

The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare

The Harvester Vase was found in Hagia Triada on the island of Crete. This vase is from the Late Bronze Age, dating from 1550 to 1500 BC. The vase was originally made in three parts and was fitted together. The face is oval shaped and has a vessel on the top. The vase was carved on brownish steatite. The vase was originally glided with gold and hammered to paper-thin thickness. This piece is decorated with low-relief sculpture and shows a unique scene. The piece has pictorial designs. The composition is powerful, rhythmical, and lively.

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

Martin Robertson and Mary Beard’s manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley “provided for the first time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying.” (Pg. 16) However, what Beard’s main argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time period or artist, there is

The two stylistic periods represented in this study, are the Geometric period and archaic period leading into the early Classical period. The Geometric period was a time of renaissance that took place around 900-700 BC (after the fall of the Mycenaeans.) This was a time where the Greek Islands were experiencing growth, urbanization, and political division, as well as exploration of new lands, trade, and a stronger development of written and spoken language. Homer’s epic tale the Iliad was believed to be written around this time. The Geometric period gave rise to a greater amount of worship of multiple gods, creating the need for more temples to store votives (such as the Mantiklos Apollo) that were dedicated to these deities. The geometric period can be identified by their use of repeated registers of geometric shapes on pottery, and symmetrical and triangular shapes in sculpture. Most sculptures and pottery at this time were formulated using bronze or terracotta. The second style is from the late archaic/early

The piece of artwork I have chosen is The Siren Vase. This piece was created by The Siren Painter whose real name is unknown along with a birth and death date. The Siren Painter produced. The Siren Vase in 480-470 BC. The vase has has been housed in the British Museum since 1843. I would describe the theme of this piece as showing cunning strength or crafty skill in achieving one’s goal.

This paper will employ close visual analysis of the The Vase that was created by skilled craftsmen [Tang dynasty (618–907)] describing how it’s minimalist design represents that it was a time when they focused on non-controversial themes when painting.

I found the readings this week very difficult to read because of the injustices many students face in schools. I have been interested in studying education since I was in high school. I am currently not on the track to become a teacher, but I still see the value of a teacher and the value of a student feeling safe in schools. In Herbert’s article, he discusses the vast difference in punishments a white student and a black student received. In my life I grew up in predominately white neighborhoods and went to schools with predominately white students, and did not have a first hand account of the injustices students of color face each day. After learning about education and volunteering in local schools, I have found that these injustices are

The Greeks took care of the dead by washing them, putting them in tombs, and bringing offerings to their grave. The women’s role was to wash and wrap the dead bodies in cloth. They also decorated them with flowers and herbs. The men dug the area in which the body was to be buried. On this first piece of pottery, it looks like people are walking as if they were in a funeral procession. Women are surrounding the dead person and men are following the women. The pottery has a top that looks like a funnel which comes down and narrows out into a long neck. At the bottom of the long neck it starts to get wider and forms a shape that looks like a vase. The vase sits on a very small pedestal. On the sides of the narrow neck there are two handles that look like very long and thin wings. On the neck of the pot, there is one women standing there. The design above her head looks like a wreath. She looks like she is crying over a body. She is on top of everything that is on the pottery which leads me to conclude that she is an important part of this piece. The dead person may have been her son or husband. At the bottom of the pottery there is a design that looks like black spikes. The pot is entirely black with the picture in gold paint. This pot was called a Loutrophoros. It was used for holding water to wash the dead body. After the body was buried, the Greeks put offerings on the graves of the people who have passed away. This next

Many individuals around the world are experiencing chronic illnesses, which are “health problems that persist over extended periods and […] are often associated with participation and activity limitations” (Lewis, Dirksen, Heitkemper, Bucher, & Camera, 2014, p. 69). The purpose of this paper is to utilize two research studies to compare and contrast eight key findings that influence treatment adherence in patients with chronic illnesses. These studies will compare themes between older pre-dialysis patients and middle-aged adults with type 2 diabetes. The relevance of this concept to the patient population of middle adulthood will also be discussed. With four of the themes, we will further explore nursing interventions that can be applied across the hospital setting to increase treatment adherence.

Transcendence is the experience we have in relation to our religious environment, something that pulls us out of ourselves to something objectively greater. Also, it is the aspiration to achieve something more. A way of life, prayer, and worship embodies spirituality. Including the gap between what we are, and what we aspire to be. In Greek, there is the concept of “Askesis” which is the art of living, and the Greeks aspired to theorize an art of living well. The Greeks had another concept of “Praxis” which is the idea that our “spiritual transcendent life needs to be worked on,” and comes through discipline. Citizens of Ancient Greece were focused on finding a theory and philosophy of what the universe was about. Their method of spirituality

Between the Classical period and Hellenistic period, sculptural style change occurred leading to distinguishing features that showcase cultural values of the society. Carrie Tovar, Curator of Art in the College of Public Service and Community Solutions at Arizona State University,