The story, “And of Clay are We Created,” by Isabel Allende, is a story about Rolf Carle, a news reporter, who meets one of the survivors of a village that is devastated by a natural disaster. The doomed Azucena, the survivor that Rolf Carle meets, is stuck in the mud from the incident and is comforted until her inevitable death by Rolf. Over the course of three emotionally and physically challenging days, Rolf carle engulfs on a journey that changes him forever. Rolf Carle’s initial arrival to the disastrous scene leads to his introduction to the doomed Azucena, and to the spark of his determination to save her. His emotions are not first let out when arriving because of his camera, and his hiding behind it. Rolf uses the lense of his camera to watch events without having to participate in them. His wife seeing this realized that he is doing this to protect himself from his own emotions; “I came to realize that this fictive distance seemed to protect him from his own emotions”(Allende 398). His camera’s effects, blocking his involvement, clearly showed that he was protecting himself from his own emotions. …show more content…
Quickly following, his emotions were released and he became very confident that they could save her; “Rolf Carle, buoyed by a premature optimism, was convinced that everything would end well.”(Allende 399). Rolf was sure that the pump would arrive, they would drain the water, move the rubble, and Azucena would be transported by helicopter to a hospital where she would recover rapidly and where he could visit her and bring her gifts. Obviously, on the second day following the incident, Rolf Carle’s emotions about the event were
This technique momentarily suspends the omniscient gaze of the camera, and evokes the spectator’s—as well as Hitchcock’s—desire to “capture” the female protagonist as she escapes off-screen. In this context, the seemingly objective tracking shot may in fact reveal itself as a violent, subjective
Enrique’s Journey by Sonia Nazario is a novel based on a true story about the courageous boy named Enrique. The story begins when his mother leaves him from his home country, Honduras, to seek work in the United States. The sorrow that follows her “disappearance” from his life causes a sporadic change, and his life changes for the worst, at first. Little does he know, Enrique has just stepped foot into a journey that takes him through experiences that will stick with him the rest of his life. The themes that the text brings through the pages are important, as they’ve shaped the story, and, in turn, led Enrique back to his mother.
Poverty and stress take away the pleasures of childhood from the children unfortunate to be born into such families. In Salvador Late or Early, a short story by Sandra Cisneros, tells us about the stressful lifestyle of an underprivileged boy named Salvador. Salvador The author believes Salvador is an interesting character because he’s a boy with responsibilities of an adult, he is a solitary and misunderstood kid at school, and because throughout all the pain and suffering he’s been through, he remains unbroken.
The text, “And of Clay We Are Created” by Isabel Allende and “Girl, Trapped in Water For 55 Hours, Dies Despite Rescue Attempts” by Julia Preston. Both portray a somber situation but undergo different experiences and even emotional growth. Azucena in “And of Clay We Are Created” unlike Omaria of “Girl, Trapped in Water for 55 hours…” had emotional reassurance from Rolf Carle a reporter. Rolf was with Azucena to the very end. Omaria, however had to wait alone barely clinging to life as the freezing flood waters tried to rapidly and harshly claim her life.
Vision and the act of looking is an important and recurring theme in many horror films. In early gothic literature, such as in Guy de Maupassant 's Le Horla, the author presents vision as definitive and universal proof and stresses the importance of seeing as well as the act of showing gore. As a society, we are routinely told ‘seeing is believing ' in the wake of any paranormal or supernatural phenomena, placing weight on the tangible. However, as science and technology have progressed the faithfulness of visual representation is increasingly throw into question, which in turn has led to societal anxiety. A few years earlier, video footage of an event rarely had its validity questions, whereas now it is easy
'The Storm' and 'The Story of an Hour' expresses the attitudes of two women's rebirth and liberation. These two stories are alike in several ways. Natures plays a major role in both of these women's lives. Calixta and Mrs. Louise Mallard struggle to find their independence and in doing so the endings are triumphant and tragic.
At times, the strong bond of family can shackle some people, emotionally crippling them. Isabel Allende’s And of Clay We are Created implies this concept through the painful memories of its protagonist’s significant other, which are brought into light as a result of a catastrophic event. Rolf Carle, a T.V news reporter, was first on scene to deliver live footage of the aftermath of a deadly volcanic eruption which swept a small village in 1985 Colombia. He, after discovering a thirteen-year-old girl named Azucena who is buried up to her neck in “clay, stones, and water,” quickly finds the story which he will broadcast to the world(). However, as he begins to form a connection with the young girl, memories of his past, which he had worked hard
"The eyes are the window to your soul," In not being able to see Mr. Hooper's eyes, the congregation becomes distressed and uncomfortable. The eyes make it possible for others to discern your feelings and emotions. Mr. Hooper creates an impenetrable solitude that makes it impossible for people to relate to him. The body is but a shell; the eyes are the gates to the real self. From the first day of the veil dropping over the minister's face people's opinions changed of him. He becomes a mystery, unreachable and feared. In reality the minister hadn't changed at all. He is the same gentle man with
People always have a story to tell. No matter what the story is, they always want to make it ask convincing as they can for the person who is reading or listening. However, the memorability and true impact the story has on the reader doesn't always depend on the content, but many times they also depend on what way the story is being told. Often times, many may feel that when a story is told from an omniscient point of view, it may hold less bias and will relay all of the facts in an accurate manner; however, some may feel that relaying a story in a first person point of view would give the story more character and may make the story mor vivid for the reader. In both Defending Jacob and Talented Mr. Ripley, it becomes evident that the reader
Tamar Lewin, a national reporter for The New York Times, in her article titled, As Interest Fades in the Humanities, Colleges Worry, which was posted on October 30, 2013, sheds light on the fading interest in the humanities amongst student. This is especially true for those belonging to Stanford University. Many scholars alongside Lewin, are now asking why this trend is occurring. As stated in the article, Stanford is known for its reputation in technology, and as years pass, students are beginning to transition from the humanities to majors belonging in the sciences. She fears that this will in time mark the end of subjects such as history, philosophy, foreign languages, and a plethora of subjects that belong to the humanities, leading to student that lack critical thinking skills.
Macbeth’s mental state throughout the play Throughout the play Macbeth went from being a loyal servant to a king to being a killer of his friends. He eventually died to someone he thought would never have a chance to beat him. In the beginning of Act I, Macbeth was completely loyal to his king, Duncan.
Alfred Hitchcock’s 1954 film, Rear Window, explores many dimensions in cinematography. The phenomenal film is well known for proclaiming its voyeurism issues that goes on in today’s society. Even though voyeurism is an act that should not be done, this film portrays it in an affirmative way. Rear Window introduces primary structural components in the first act which sets the mood for the audience to interact with J.B. Jefferies in a way as it is the audiences duty to help him solve the mystery on whether Thorwald murdered his wife or not.
In a store, Mrs. Dietrich "watches her [Nola] covertly," and once Nola notices that she is being watched, she walks "away angrily" (Oates 836). She does not see that Mrs. Dietrich may only
What is a Voyeur? It’s a person who gets pleasure from secretly watching others in private moments. In The Living Room, the narrator’s voyeurism of her neighbors is wrong and she continually dismisses her intrusive violations of privacy of the couple. She expresses guilt that is due to her lack of non-consent from the couple and clearly violates their privacy. The person/s being viewed are intruded upon and are most often damaged by being watched. Throughout mankind we have been curious of the unknown and get pleasure from watching others and we have acknowledged this behavior and the acceptance of it as normal. The heavy appeal of social media and reality shows are now providing us with the ability to compare ourselves with other people in private or intimate situations that either we wish we could be in or happy we are not. This bad behavior is unacceptable, but where do the lines of privacy begin or end.
Being forced to see out of the view of someone who won’t look away the watcher gets drawn in, easily forgetting the line between what is wrong and what is right. The watcher constantly gets outside views from other characters saying how wrong it is, but then their judgement is impaired and the viewer is forced to question