And So We Put Goldfish In The Pool

A documentary demonstrates an interpretation of the truth by attempting to persuade an audience to side with the makers to endorse their interpretations of issues and events. In the instance Bra boys; Blood is thicker then water, directed by Sunny Abberton, the Bra Boys gang is viewed as a imitation of a prodigious brotherhood gang of surfers that are victims from occurrences and backgrounds opposed to a gang that dispute with the law by an act of violence. The Bra Boys have interpreted issues and events by emphasizing the importance of family, belonging, brotherhood and multiculturalism. The use of presenting constructed footage and personal interviews endorses viewers to see the Bra Boys from a positive light, boys who are role models to

Unit 1 ties into the theme of tolerance and the acceptance of others, as Barbara Jordan said it, “We, as human beings, must be willing to accept people who are different from ourselves”. Whether it was the short story What of This Goldfish, Would You Wish? Or the newspaper editorial The American Flag Stands For Tolerance, the pieces dive into and explore the issues of acceptance among others.

In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.

Director, screenwriter, and producer, Stephen Spielberg, has been often described by critics as being one of the trailblazers who paved the way for the new Hollywood era. In fact, one of Spielberg’s earliest films, JAWS, captured the audience’s attentions so vividly that the movie remains to be a cult classic even decades later. The audience sunk its teeth deep into the enticing combination of drama, thrill, science-fiction, and adventure the film obtained. At face value, JAWS appears to be focused on a giant monstrous fish, but with further analyzation of the plot structure, narration, and original music demonstrates the brilliance and complexity of why JAWS is a well deserving Oscar-winning movie.

As they tell their story, we, the viewers, traverse the boundary between Self and Other as we watch the Angulo brothers share their more than unconventional experiences growing up in New York City and their love for film with the camera. Like us, the Angulo brothers have watched movies all their lives. Unlike us, the Angulo brothers have seen around ten thousand movies and meticulously recreated some of their favorites, all from the confines of their sixteenth story apartment. Michael Atkinson, a reviewer for Sight and Sound, a London journal, recognizes these themes and writes, “the Angulos' developmental Otherness, terribly odd to us and yet immersed in the pop culture we all know just as well, is the film's primary allure” (Atkinson 2015). Their interaction with cultures of the world (not just America) through film allows different cultural norms to permeate their

Mulvey, Laura. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. Thesis. N.d. N.p.: Laura Mulvey, 1975. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. NG Communications, 2006. Web. 20 Feb. 2014. .

This example clearly confirms the idea that documentaries are highly constructed, offering a particular version of reality which to different viewers may reinforce or critique the dominant representations of the “Bra Boys”. The documentary does include elements which clearly function to criticise and change the dominant representations by valourising Koby Abberton’s achievements in the surfing arena.

I never gave much thought into what it takes to shoot, direct, edit, and complete a motion picture. Sure, it may sound fun, but after this assignment, it felt like a lot of work. There are quite a few specialized groups that put together the films that we enjoy in our movie theatres. No wonder why it takes months and even years to edit a film, these folks are making sure things are done and synced correctly! The following essay will identify information pertaining to film and importance for their audience so the person or persons watching can have an understanding of what it is they are viewing. A story that has no meaning or becomes very confusing in the details that are presented does not make a good film.

Before beginning of this quarter, I had no formal education on the topic of love or cinema studies which made this course seem the most intriguing. This was a completely new topic to me. Through the many assignments and group discussions, I have a much greater understanding of the world of film and understanding love in east Asian countries. With the help of my peers reviewing my assignments and providing a different perspective on my essays, I have honed my abilities in writing and thorough film analysis.

Gabriela Cowperthwaite’s compelling documentary, Blackfish, tells the story of former SeaWorld trainer, Dawn Brancheau, and her tragic death. The film focuses on exposing the truths about working at SeaWorld, and the inhumane treatment of the Orca’s that live there. It successfully appeals to logos by conducting interviews with former SeaWorld trainers while they explain firsthand the working conditions, training requirements and living conditions of the whales. Interviews, catastrophic death stories, court cases and eyewitness accounts are all used as persuasive devices and logical support. Moreover, pathos heavily influences almost every aspect of the film due to the filmmakers’ music choice and strategically placed footage clips. Blackfish also sheds light on the sequence of events that led up to the

The movies under this category have attracted the attention of many reviewers because of some reasons. The films are widely appreciated because of their wider exposition of culture as well as sophisticated and rich subject matter. The show of culture and emotional expression that the movie contains has drastically changed the description of the category from action films to relationship film. Additionally, the movies

In subsequent years following the establishment of the People’s Republic of China came a revolutionary new approach to not only producing films, but also film’s very role in communist society. During this period the state gained complete control of the filmmaking industry, decreeing that the utilitarian functions of art and literature were to become a powerful weapon in serving the revolutionary struggle. In an otherwise artistically stifling period in which socialist realism pervaded all creative outlets, Xie Jin managed to retain some autonomy and emerged as one of the cleverest Chinese directors in the early 1960s. In his 1961 film Red Detachment of Women, Jin provides a classic revolutionary melodrama, yet also displays elements of formalism so that the viewer becomes conscious of the manipulations of his film technique. To analyze this film, I will use Mao Zedong’s 1942 “Talks at the Yan 'an Forum on Literature and Art,” clip #10 “Landmark 2,” and clip #6 “We are joining the red army” to elaborate on the major themes and cinematic style that distinguish Xie Jin’s work from his contemporaries.

The film I picked for my critique is Red Tails, a historical World War II drama. The movie starred Cuba Gooding Jr., Terrence Howard and Gerald Mcraney, was written by John Ridley and Aaron McGruder, better known as the creator of the comic strip “the boondocks”, from a book by John B. Holway, directed by Anthony Hemingway and produced by George Lucas . In this paper the author will show how all elements of filmmaking

The evaluation of a film assigns some form of value to a film and the experience you encountered while watching the film. Evaluation can imply the criteria and standards that you can argue about to place value on a film. Thus, giving people a reason to question a film to develop reasons, make such standards are met and to understand the film. These standards can stem from the classical evaluation and pluralistic-category method which has given viewers a blueprint of how you should properly evaluate a film. There are certain ways that you can go about judging a films effectiveness. For instance, the classical evaluation method imposes the use of cinematicity within three concepts that all films should have. Like medium specificity, cinematicity allows film to distinguish itself from theatre with the use of close-ups, camera movement, etc.; thus, creates a universal structure for critics to judge a film. This is based on the creative style of the director and how much the viewers admire the way the has stuck with its cinematicity. However, the pluralistic-category does not base its evaluation on style and opinion. In all, these types of evaluations are used in different ways which will be further explained throughout this essay.

Narrative films are crafted with the prime purpose of stimulating emotion for its viewers to experience and to communicate an overarching message. All films released are produced with objectives to express, which can range from, exposing audiences to concepts that they may be uneducated on or completely unaware of, to employing a fresh perspective on pivotal subjects. Some films even endeavour to introduce audiences to unfamiliar cultures and lifestyles. The 2006 film ‘Babel’ directed by Alejandro González Iñárritu, is a film that effectively presents foreign cultures to audiences who are unaccustomed to these ways of life. Babel is a multi-narrative film that shows four groups of people located in four different countries, Morocco, Japan,